SKU: 83798160218
tarp vw t4

tarp vw t4 SheltaPod | SheltaPod Drive-Away Awning | Car Tent | Fresh Green

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Description

tarp vw t4 SheltaPod | SheltaPod Drive-Away Awning | Car Tent | Fresh GreenVersatile vehicle awning that does it all The SheltaPod came about when founder Julie Ritson couldn't find a decent awning for her camper van. Everything on the market was too bulky for her little vehicle and took ages to put up. So she set up her sewing machine and got to work, crafting one that packed down small and could be erected quickly and easily by one person. But the SheltaPod is so much more than just an awning. With its retractable

Versatile vehicle awning that does it all

The SheltaPod came about when founder Julie Ritson couldn't find a decent awning for her camper van. Everything on the market was too bulky for her little vehicle and took ages to put up. So she set up her sewing machine and got to work, crafting one that packed down small and could be erected quickly and easily by one person. But the SheltaPod is so much more than just an awning. With its retractable clamshell roof, you can configure it as a sun canopy or a half-dome tent. Use it as an al fresco dining room, set up the side 'privacy panels' for a protected living area, or fit the inner tent for a roomy bedroom with a view of the stars. It's also free-standing, so you can drive away for the day and leave the SheltaPod in situ. In fact, the SheltaPod is so versatile that you don't even need a camper van to use it – since it'll attach to pretty much any vehicle up to a height of 2.8m (9.2ft).

    • Versatile, stable awning tent with retractable clamshell roof and sun canopy
    • Can be a sunshade, outdoor kitchen, dining/living area or bedroom
    • Made in waterproof 70D PU-coated polyester, 5,000 hydrostatic head, double taped seams
    • Includes an enclosed inner tent in breathable polyester with mesh window, roll-up curtain shade, mesh & fabric doors, mesh pockets & bathtub-style integrated groundsheet
    • Integrated windbreaker side panels
    • Ventilation flaps
    • Skylight windows with optional curtain shades
    • Internal mesh pockets
    • Optional side panels to increase shelter and privacy
    • Zip-close front
    • Reflective guy lines
    • Can be pitched solo in 15 minutes
    • Drive-away awning, can be left in situ
    • Attaches to almost any vehicle up to a height of 2.8m (additional equipment may be required)
    • Includes 2 x 5m webbing straps for 'over-the-top' attachment and all tent poles, guy lines and pegs
    • Front door panel
    • 2 x privacy side panels
    • 2 x curtain shades
    • Rainfly
    • Inner tent
    • 3 x aluminium poles
    • 1 x horizontal pole
    • 2 x telescopic poles
    • 2 x short guylines
    • 2 x long guylines
    • Rainfly ground sheet
    • 2 x 500 cm webbing straps
    • 70D PU coated Polyester, 5000HH, double taped seams
    • Inner tent 190T breathable polyester with mesh window
    • Mesh and fabric doors
    • Mesh pockets
  • Like all the best bits of outdoor gear, SheltaPod started out with a gap in the market and a sewing machine. 

    Founder Julie Ritson was a seasoned van-lifer who just couldn't find a decent awning. The ones on offer were too bulky, dwarfed her little camper, and were such a faff to put up that it wasn't worth bothering for an overnight stay. So she made one of her own. 

    The idea of that first SheltaPod was to create a versatile, multipurpose awning that wouldn't spoil the view from the van and was easy to erect single-handed. Soon her prototype was turning so many heads that Julie decided to crowdfund a production run, and the rest is history.

    Since then, the SheltaPod has been repeatedly refined and upgraded – mainly based on feedback from the campers who are out on the road using it day-in, day-out. Endlessly adaptable, it can be a sunshade, al fresco dining shelter, living space or bedroom, all the while remaining true to those original goals of being compact and easy to put up. You don’t even need a van, since it’ll fit pretty much any vehicle.

    In 2019, SheltaPod took things to the next level by teaming up with WildBounds favourite, Tentsile – they of the genius futuristic tree tents. The partnership has brought with it a whole heap more upgrades, including improved materials and more ethical manufacture.

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SKU: 83798160218

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DoubtfulReader
Fort Morgan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Waukegan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Birmingham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
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Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Houston, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023

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