SKU: 10440377293
maxi cosi mico replacement cover

maxi cosi mico replacement cover Maxi-Cosi Mico Pro Infant Car Seat Sea Drift

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Description

maxi cosi mico replacement cover Maxi-Cosi Mico Pro Infant Car Seat Sea DriftThe lightweight Maxi Cosi Mico Pro Infant Car Seat is designed for comfort and convenience and allows you to travel with ease. The 1 hand release makes it easy to move from car to car or to a compatible stroller without a struggle. Our infant car seat carrier is designed with a contoured, ergonomic handle, so parents will enjoy a more comfortable carrying experience. The Mico Pro is simple and intuitive to install and achieve a secure fit in your car

The lightweight Maxi-Cosi Mico® Pro Infant Car Seat is designed for comfort and convenience and allows you to travel with ease. The 1-hand release makes it easy to move from car to car or to a compatible stroller without a struggle. Our infant car seat carrier is designed with a contoured, ergonomic handle, so parents will enjoy a more comfortable carrying experience.

The Mico Pro is simple and intuitive to install and achieve a secure fit in your car with its 5-point harness, 3-position adjustable base and 1-click LATCH system. Large, visible belt guides indicate how to position the belt without using the base (taxi-mode).

 We factor your baby’s comfort as key. The infant car seat carrier shell is designed with ClimaFlow™ technology for added ventilation to help keep your baby cooler. Extra plush padding on the removable infant head and lumbar inserts provides a secure and cozy ride.

Key to the design of this infant car seat are the premium fabrics. PureCosiTM fabric is made without added fire retardant treatments, which is better for both your child and our planet. All infant car seat cushions are machine-washable and dryer-safe. Mico Pro is also designed with EcoCare, our new future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable––perfect for your little one.

  • Rear-facing infant car seat for babies 4–30 lbs. and up to 32"*
  • Infant car seat shell designed with ClimaFlow™ technology to help keep baby cooler
  • 5-point harness for easier adjustment
  • Features PureCosi™ fabrics made without added fire-retardant treatments
  • Features EcoCare––premium 100%-recycled fabric made from plastic bottles
  • Extra plush padding on the infant head and lumbar inserts for a comfortable and secure ride
  • Contoured, ergonomic handle curves around your hip for a comfortable carry
  • Infant inserts can be easily removed without rethreading harness
  • All fabrics are machine-washable and dryer-safe
  • Large, visible belt guides make installing the baby carseat without the base (taxi-mode) simple and intuitive
  • 1-handed release from car seat base and stroller
  • Includes a convenient stay-in-car base with 3 adjustable positions
  • Easy installation with 1-click LATCH system
  • Compatible with select Maxi-Cosi strollers to form a complete travel system
  • Engineered and tested to meet or exceed federal safety standards
  • Meets federal Side Impact standard

Specifications

  • Dimensions: 25.98" H x 17.32" W x 12.2" D

Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.

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SKU: 10440377293

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4.1 ★★★★★
Based on 8 reviews
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Product Reviews
T
Verified Purchase
Tahoeman
San Leandro, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Bozeman, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Carnegie, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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