SKU: 105157463
philodendron jose buono uk

philodendron jose buono uk Philodendron 'Jose Buono' – Foliage Factory

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Description

philodendron jose buono uk Philodendron 'Jose Buono' – Foliage FactoryPhilodendron 'Jose Buono' Philodendron 'Jose Buono' is a large leaved variegated Philodendron grown for thick, oval to elongated leaves marked with cream, yellow green, and deep green marbling. Mature leaves can become broad and substantial, with a heavier texture than many narrow leaved variegated Philodendrons. Each leaf develops its own balance of colour, so one plant may carry fine speckling, broad pale sectors, and cleaner green leaves at the

Philodendron 'Jose Buono'

Philodendron 'Jose Buono' is a large-leaved variegated Philodendron grown for thick, oval to elongated leaves marked with cream, yellow-green, and deep green marbling. Mature leaves can become broad and substantial, with a heavier texture than many narrow-leaved variegated Philodendrons. Each leaf develops its own balance of colour, so one plant may carry fine speckling, broad pale sectors, and cleaner green leaves at the same time.

The plant develops a thick climbing stem with active aerial roots. A vertical support gives the nodes contact points and helps mature leaves sit better as they enlarge.

  • Growth habit: Climbing Philodendron with aerial roots and a stem that benefits from a moss pole, coir pole, or similar support.
  • Leaf shape: Thick, oval to elongated leaves with a broad surface and a firm feel as the plant matures.
  • Variegation: Cream, yellow-green, and green markings vary naturally from leaf to leaf.
  • Container behaviour: Can produce larger leaves indoors when the root zone stays airy and the stem has support.

Thick oval leaves on a climbing stem

A pole or similar support keeps the stem upright and gives aerial roots a surface to attach to. This matters most once the leaves become heavier and the vine starts carrying more mature growth.

The variegated areas contain less chlorophyll than the green parts of the leaf, so the plant depends on healthy roots and enough green tissue for steady growth. Large pale sectors are attractive, but they are also more sensitive to harsh sun, heat, and inconsistent watering.

Light, water and support for Jose Buono

  • Light: Give bright filtered light. Direct midday sun can scorch pale variegated sections, especially on newer leaves.
  • Watering: Water when the upper 3–5 cm of substrate feel dry. Rehydrate the root ball evenly, then let excess water drain fully.
  • Substrate: Use a chunky aroid mix with bark, coco chips, perlite or pumice, and a modest moisture-holding component.
  • Humidity: Moderate to high humidity supports smoother unfurling, especially while large new leaves are expanding.
  • Temperature: Keep it warm, ideally around 20–28°C. Avoid cold wet substrate, which can damage active roots.
  • Support: Tie the stem loosely at the nodes and guide aerial roots toward the pole before the vine becomes heavy.
  • Feeding: Feed lightly during active growth with a balanced fertiliser. Heavy feeding can mark pale leaf tissue and stress the roots.

Leaf marks, small growth and root stress

  • Brown marks on pale sections: Check sun exposure, dry air, and heat near windows. Move the plant into filtered light and stabilise moisture.
  • Small new leaves: Check whether the stem has support, whether roots are active, and whether light is strong enough for climbing growth.
  • Soft yellowing leaves: Check for wet, compacted substrate. Let the mix dry slightly further and improve aeration if drainage is poor.
  • Distorted new growth: Inspect the newest leaves and cataphylls for thrips or mealybugs, then isolate and treat promptly if pests are present.

Pet and child safety

Philodendron 'Jose Buono' is not pet-safe. Like other Philodendrons, it contains calcium oxalate crystals that can irritate the mouth, throat, stomach, and skin if chewed or handled roughly. Keep it away from pets and children, and wash your hands after pruning or removing damaged leaves.

Family and name background

Philodendron belongs to the Araceae family, with a native range across tropical America. The genus name comes from Greek roots commonly translated as “loving” and “tree,” a reference that fits many climbing Philodendrons with aerial roots.

Philodendron 'Jose Buono' develops thick oval leaves, cream-green marbling and a climbing stem that can be trained upward.

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SKU: 105157463

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DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Pawtucket, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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Danley Wolfe
Phoenix, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023

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