SKU: 10759838479
britax safe and sound car seat

britax safe and sound car seat Britax Safe-n-Sound – WeeWhizz

Sale price$21.03 Regular price$23.37
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Ships within 48 hours · Estimated delivery Aug 8 - Aug 13

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Description

britax safe and sound car seat Britax Safe-n-Sound – WeeWhizzOur slimmest and most luxurious hassle free travel companion A luxury revolution in safety, the super premium +Series from Britax. Bringing together Life Saving Technology and Unprecedented Luxury, the + Series is exclusive to our 4 most popular models, Platinum PRO, Millenia, Graphene and MaxiGuard PRO. Safety is ingrained in our DNA. With your childs wellness front of mind, the + Series has body conforming properties to relieve pressure points for

Our slimmest and most luxurious hassle free travel companion

A luxury revolution in safety, the super premium +Series from Britax.

Bringing together Life Saving Technology and Unprecedented Luxury, the + Series is exclusive to our 4 most popular models, Platinum PRO, Millenia, Graphene and MaxiGuard PRO.

Safety is ingrained in our DNA. With your child’s wellness front of mind, the + Series has body conforming properties to relieve pressure points for active comfort.

Combined with a bespoke style of dark opulence and our award-winning Thermo5®High-Performance Fabric with Bamboo Charcoal, the +Series delivers world-class safety protection and luxury comfort where it matters most.

The +Series, truly a revolution in Life Saving Luxury.

The Graphene+ is Britax Safe-n-Sound’s slimmest and most luxurious hassle free travel companion. Revolutionary dual layer torso Side Impact Cushion Technology™-SICT™ minimises impact forces providing your child the ultimate side impact protection. Thermo5® high-performance fabric with Bamboo Charcoal means your child will travel in quality and comfort.

 THERMO5® HIGH PERFORMANCE FABRIC WITH BAMBOO CHARCOAL.

Thermo5® High-Performance fabric delivers premium comfort your baby deserves. Thermo5® fabric feels smooth on the skin and soft to touch. Thermo5® uses a knitted fabric which provides airflow and wicks moisture away, keeping your baby cool, dry and comfortable.

Complies with Australian Standard AS/NZS 1754:2013 LIC237 SAI Global.

Type A4/B Convertible Car Seat (Birth to 4 years approx.)

REARWARD FACING INSTALLATION (Birth to 2-3 years approx.)

FORWARD FACING INSTALLATION (12 months to 4 years approx.)

  • Dimensions (H x D x W):
    • Forward Facing: 685 x 425 x 440 mm
    • Reaward Facing: 375 x 520 x 440 mm
  • THERMO5® WITH MEMORY FOAM COMFORT
    Body conforming memory foam properties combined with Thermo5® High Performance fabric gives your child active comfort where it matters most.

  •  

    SIDE IMPACT CUSHION TECHNOLOGY (SICT™) - TORSO PROTECTION 
    Our patented Torso SICT™ design minimises the energy impact on your child’s chest and vital organs, and reducing crash forces for greater protection.

  •  

    REAR FACING FOR LONGER
    Your child can remain rearward facing until they are 30 months old or (approximately 2-3 years old), which is safer for your child.

  •  

    ISOFIX COMPATIBLE
    ISOFLEX™ connectors allow for installation to vehicles with ISOFIX low anchorages. ISOFIX use ensures an easier installation, correct fit and a safer journey every time.

  •  

    ACTIVE HEAD RESTRAINT™ (AHR)™
    Features deep side wings that shield and contain your child’s head in a side impact crash. Also includes EPS layer to absorb energy in a crash to reduce potential injury.

  •  

    COMPACT DESIGN
    Perfect for cars with small internal widths and where the front seats are in close proximity to the back.

  • Hassle Free Harness: Hassle free harness automatically respositions the shoulder straps.
  • Recline Positions: Toddler mode includes recline or upright position for added comfort.
  • EZ-Buckle: Retains the harness buckle in a forward position and prevents the child from sitting on the buckle when boarding.
  • Suitability: From birth to 4 years (approx.)
    • Rearward Facing: From birth to 2- 3 years (approx.)
    • Forward Facing: From 12mths to 4 years (approx.)
  • Dimensions (H x D x W):
    • Forward Facing: 685 x 425 x 440 mm
    • Reaward Facing: 375 x 520 x 440 mm

 



Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 10759838479

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Misty Rose
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Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
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Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
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Sarah Pettingill
Alexandria, US
★★★★★ 5
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Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Chelsea, US
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super hydrating
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I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Boise, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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