SKU: 13777649929
split elephant ear plants

split elephant ear plants Elephant Ear

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Description

split elephant ear plants Elephant EarPRESALE Spring 2026 Shipping Schedule: 3 20 2026 Nothing screams tropical in the summer garden than the magnificent Elephant Ear! These beloved, easy to grow tubers produce the most dramatic, exotic foliage summer to fall. There are two main types of Elephant Ears Alocasia (upward pointing, glossy leaves) and Colocasia (tall stems with velvety leaves that hang similar to elephants's ears). Elephant Ears range in color, height, pattern and texture.

PRESALE

Spring 2026 Shipping Schedule: 3/20/2026


Nothing screams tropical in the summer garden than the magnificent Elephant Ear! These beloved, easy to grow tubers produce the most dramatic, exotic foliage summer to fall. There are two main types of Elephant Ears - Alocasia (upward pointing, glossy leaves) and Colocasia (tall stems with velvety leaves that hang similar to elephants's ears). Elephant Ears range in color, height, pattern and texture. Colocasia esculenta is grown in Hawaii for food and is commonly known as taro.

About this Variety

Elephant Ear Hawaiian Punch grows into clumps, with arrow-shaped leaves that remain shorter than most of the other varieties. Its bright red stems, veins and margins are stunning.

Highlights

  • Exotic, tropical foliage
  • Grows well in containers
  • Foliage summer through fall
  • Thrives in moist areas, including standing water
  • Easy to grow

Exposure:

Full sun to partial shade

Blooms:

Foliage Summer to Fall

Height:

Grows 36-48" tall

Spacing/Depth:

Plant 18-24" apart, 2-4" deep

USDA Zones:

Grow as Perennial in zones 8-10, Grow as Annual elsewhere.

Growing Instructions

Plant Elephant Ears outdoors in the spring after all danger of frost has passed. Elephant Ears thrive in a full sun to partially shaded spot in moist, rich soil. Elephant Ears will tolerate full sun but prefer to have a little shade. Plant tubers 2-4" deep and 18-24" apart. When planting a large number of bulbs in one bed, excavate the entire area to the recommended depth, work fertilizer into the bottom of the trench, set out bulbs and then cover all at once. Water thoroughly at planting. While actively growing, water frequently and thoroughly so that water will reach roots. Mulch to keep the soil cool and to prevent the soil from drying out. Fertilize at planting and during growing season every two to three weeks. In areas where Elephant Ears are not winter hardy, dig up tubers in fall before frost. Clean off roots and store at 50ºF. Replant tubers in spring after all danger of frost has passed.

Care Tip

Elephant Ears are suitable for large pots, raised beds and will grow in standing water. Water well during dry periods. Some varieties of Elephant Ears can be grown indoors in a very bright location in consistently moist soil.

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SKU: 13777649929

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4.6 ★★★★★
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Verified Purchase
Tahoeman
Natrona Heights, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Whiting, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Dallas, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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