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palm plant real Buy Madagascar Palm Phoenix, AZ | Pachypodium lamerei

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palm plant real Buy Madagascar Palm Phoenix, AZ | Pachypodium lamereiPhoenix's Boldest Tropical Succulent Madagascar Palm for Desert Statement Landscapes Madagascar Palm (Pachypodium lamerei) is one of the most striking and unusual plants you can grow in the Phoenix Valley. Despite its common name, it's not actually a palm it's a succulent tree from Madagascar with a thick, spiny silver trunk topped by a crown of glossy tropical leaves. The sculptural silhouette commands attention in any landscape, adding instant

Phoenix's Boldest Tropical Succulent — Madagascar Palm for Desert Statement Landscapes

Madagascar Palm (Pachypodium lamerei) is one of the most striking and unusual plants you can grow in the Phoenix Valley. Despite its common name, it's not actually a palm — it's a succulent tree from Madagascar with a thick, spiny silver trunk topped by a crown of glossy tropical leaves. The sculptural silhouette commands attention in any landscape, adding instant exotic drama to Scottsdale courtyards, Gilbert poolside plantings, and Chandler modern desert gardens. Extremely drought-tolerant once established, Madagascar Palm thrives in Phoenix's heat and sun with almost zero supplemental care — making it one of the most rewarding statement plants for Valley homeowners.

Madagascar Palm Plant Details

Attribute Detail
Scientific Name Pachypodium lamerei
Common Names Madagascar Palm, Club Foot, Pachypodium
Mature Height 6–15 feet in Phoenix landscapes (up to 20 ft in ideal conditions)
Mature Width 3–5 feet (crown spread)
Growth Rate Slow to moderate — 6–12 inches per year in Phoenix
Sun Full sun (6+ hrs). Loves reflected heat from walls and pavement.
Water Very low once established. Store water in trunk like a cactus.
USDA Zones 9b–12 (Phoenix is Zone 9b–10a — protect from hard frost below 28°F)
Soil Well-draining required. Thrives in sandy, rocky Arizona soils and caliche.
Foliage Semi-deciduous — glossy green leaves in warm months, may drop in winter
Bloom White fragrant flowers at crown in summer (mature specimens)
Trunk Thick, silver-gray, covered in sharp spines — stores water for drought survival

Madagascar Palm Uses in Phoenix Landscapes

Sculptural Focal Point & Specimen Plant

A single Madagascar Palm commands attention in any front yard, courtyard, or entryway. The thick spiny trunk and palm-like leaf crown create a silhouette unlike anything else in the desert landscape. Plant a 10–25 gallon specimen in a prominent gravel bed in Scottsdale, Paradise Valley, or Gilbert for instant architectural drama. Uplight at night for a stunning shadow effect against stucco walls.

Modern Desert & Tropical Fusion Gardens

Madagascar Palm bridges the gap between desert and tropical aesthetics — perfect for Phoenix homeowners who want an exotic look without the water bill. Pair with Firestick Euphorbia, Blue Agave, and Golden Barrel cactus for a curated succulent collection. In Tempe and Mesa, group 2–3 Pachypodium at varying heights with Desert Spoon and Ponytail Palm for a dramatic "succulent forest" effect.

Pool-Friendly Plantings

Madagascar Palm is an excellent pool-adjacent plant. It drops minimal litter, has no invasive roots, and its upright form won't encroach on walkways or pool equipment. The tropical crown adds resort-style ambiance to Chandler and Peoria pool decks. Plant at least 3–4 feet from high-traffic areas due to the spiny trunk.

Container & Patio Accent

Smaller specimens (1–5 gallon) thrive in large decorative containers on Phoenix patios. Container planting also makes it easy to move indoors during rare hard freezes. A Madagascar Palm in a sleek modern planter adds instant character to outdoor dining areas, rooftop terraces, and office entries.

Best Time to Plant Madagascar Palm in Phoenix

Spring (April–May) is the ideal planting window when warm soil and rising temperatures fuel rapid root establishment. Fall (October) works as a second option if you can protect from early cold snaps. Never plant in winter — Madagascar Palm is frost-sensitive and needs warm soil to establish. If temperatures are expected below 28°F, provide frost cloth protection or move containers indoors.

How to Plant Madagascar Palm

  1. Dig wide, not deep — 2–3x the root ball width, same depth. Do not plant deeper than the original soil line.
  2. Ensure excellent drainage — break through any caliche layer. Add coarse pumice or gravel if soil holds water. Root rot is the #1 killer.
  3. Backfill with native soil — a 70/30 mix of native soil to pumice or coarse sand is ideal.
  4. Spacing — 4–6 feet from structures; 5+ feet between multiple specimens.
  5. No water basin — Madagascar Palm must dry out between waterings. Skip the soil ring.
  6. Gravel mulch — 2–3 inches of decomposed granite. Avoid organic mulch that traps moisture at the base.

Watering Madagascar Palm in Phoenix

First Year Watering Schedule

  • Weeks 1–2: Water once deeply, then let soil dry completely (7–10 days).
  • Months 1–3: Every 10–14 days in warm months. Let soil dry completely between waterings.
  • Months 4–12: Every 2–3 weeks in summer; stop watering entirely in winter when leaves drop.
  • After Year 1: Every 3–4 weeks in summer; no water in winter. The trunk stores water like a cactus.

Drip Irrigation

Place 1–2 emitters (1 GPH) 12–18 inches from the base. Madagascar Palm is extremely sensitive to overwatering — more plants die from too much water than from drought. When in doubt, skip a cycle. If the trunk feels soft or spongy, stop watering immediately and let it dry out. A firm, hard trunk means the plant is healthy.

How fast does Madagascar Palm grow in Phoenix?
Slow to moderate. Expect 6–12 inches of trunk height per year in full sun with good drainage. A 1-gallon plant may take 5–8 years to reach 5 feet. Larger specimens (10–25 gallon) provide instant impact and are worth the investment if you want immediate presence.

Is Madagascar Palm cold hardy in Phoenix?
It handles Phoenix winters well in most years. The main risk is hard freezes below 28°F, which can damage or kill the growing tip. Cover with frost cloth during cold snaps, or grow in a container that can be moved indoors. In the warmer parts of the Valley (central Phoenix, south Scottsdale), it rarely needs protection.

Will Madagascar Palm bloom in Phoenix?
Yes, mature specimens (typically 4+ feet tall and 5+ years old) produce clusters of fragrant white flowers at the crown in summer. Blooming is more reliable on well-established, sun-exposed plants that receive minimal winter water.

Is the sap toxic?
Yes, Pachypodium sap is mildly toxic and can irritate skin and eyes. Wear gloves when pruning or handling damaged plants. Keep away from curious pets and small children.

Why is my Madagascar Palm losing leaves?
Leaf drop in winter is completely normal — it's a semi-deciduous plant that goes dormant in cool weather. New leaves emerge in spring when temperatures warm. If leaves drop in summer, check for overwatering or root rot.

You May Also Like

  • Madagascar Palm - Pachypodium geayi — a close relative with a slimmer trunk and narrower leaves for a different silhouette.
  • Ponytail Palm — another sculptural succulent tree with a swollen trunk and cascading leaves.
  • African Ocotillo — tall, spiny stems with a similar exotic character.
  • Boojum Tree — another bizarre, sculptural desert specimen that pairs dramatically with Pachypodium.
  • Firestick Euphorbia — adds vivid orange-red color contrast at the base of a Madagascar Palm.

How Many Madagascar Palm Do I Need?

This is a tall, vertical specimen succulent tree with a 3 to 5 foot crown, so it is planted singly or in small clusters rather than as a hedge. Use one as a courtyard or front-yard focal point, or stagger 2 to 3 at varying heights for a sculptural grouping:

Planting Spacing Plants
Single focal specimen 4 to 6 ft from walls 1
Staggered cluster 5 ft apart 2 to 3
Row along a wall 5 ft apart 1 per 5 ft

Set it back at least 3 to 4 feet from walkways, seating, and pool edges so no one brushes the spiny trunk.

Madagascar Palm Season-by-Season in Phoenix

  • Spring (Apr to May): Glossy green leaves flush from the crown as soil warms. The best planting window. Mature plants may set fragrant white crown flowers heading into summer.
  • Summer (May to Sep): Active growth and peak bloom on established specimens in full sun and reflected heat. The trunk stores monsoon moisture; water sparingly and let soil dry fully between cycles.
  • Fall (Oct to Nov): A workable secondary planting window for well-rooted plants if you can shield early cold snaps. Begin tapering water.
  • Winter (Dec to Jan): Semi-deciduous and dormant: leaves drop in cool weather and the trunk rests. Stop watering entirely. Frost-sensitive, so cover with frost cloth or move containers indoors when temperatures fall below 28°F.

At a Glance

✔ Heat-Loving (Reflected-Heat Tolerant)   ✔ Drought-Tolerant   ✔ Pool-Friendly (Low-Litter)   ✔ Low-Maintenance   ✔ Fire-Wise   ✔ Deer & Rabbit-Resistant

Plant It With

  • Madagascar Palm (P. geayi): the slimmer, narrower-leaved relative for a paired collection of both species.
  • Ponytail Palm: a swollen-based sculptural succulent tree that echoes the exotic crown form.
  • African Ocotillo: tall spiny stems with a matching exotic character for a focal grouping.
  • Boojum Tree: a bizarre columnar Baja specimen that pairs dramatically with Pachypodium.

Is Madagascar Palm Right for Your Yard?

It is ideal for a hot, full-sun spot with razor-sharp drainage: a gravel focal bed, modern courtyard, or a movable container near a pool where its minimal litter is a plus. Amend heavily with pumice, skip the water basin, and let it dry hard between waterings. Not a fit if your site stays wet in winter, sits in deep shade, or drops below 28°F without protection, since overwatering and hard frost are its two biggest risks. Wear gloves when handling: the sap is mildly toxic and the trunk spines are sharp.

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***moviemaker***
Birmingham, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
San Leandro, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
West Palm Beach, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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johnf
Carnegie, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Whiting, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025

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