SKU: 27119058733
lamb's ear plant care indoor

lamb's ear plant care indoor Helen von Stein Lamb's Ear for Sale

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Description

lamb's ear plant care indoor Helen von Stein Lamb's Ear for SaleOversized Fuzzy Silver Leaves for Sunny Garden Texture Helen von Stein Lambs Ear is a large leafed Lambs Ear selection grown for its soft, fuzzy silver foliage and low spreading habit. Also known as Big Ears Stachys, this perennial creates a velvety mat of oversized leaves that instantly softens sunny borders, walkway edges, rock gardens, and mixed perennial beds. Unlike standard Lambs Ear, Helen von Stein is valued primarily for its foliage rather

Oversized Fuzzy Silver Leaves for Sunny Garden Texture

Helen von Stein Lamb’s Ear is a large-leafed Lamb’s Ear selection grown for its soft, fuzzy silver foliage and low spreading habit. Also known as Big Ears Stachys, this perennial creates a velvety mat of oversized leaves that instantly softens sunny borders, walkway edges, rock gardens, and mixed perennial beds.

Unlike standard Lamb’s Ear, Helen von Stein is valued primarily for its foliage rather than flower spikes. The large leaves are noticeably broader and more substantial, giving the plant a fuller, more dramatic texture in the landscape. It is a smart choice for gardeners who want the classic touchable Lamb’s Ear look in a bolder, cleaner, foliage-first form.

A Foliage-First Perennial That Rarely Flowers

Helen von Stein Lamb’s Ear is often described as a rarely flowering or nearly non-flowering cultivar. That makes it especially useful where gardeners want the silver foliage effect without frequent deadheading or unwanted seedlings from flower stalks.

The broad silver leaves provide color and texture through much of the growing season. Their soft, woolly surface reflects light beautifully, helping brighten hot sunny beds and dry garden edges. This foliage also pairs well with purple, blue, pink, white, yellow, and burgundy flowers, making the plant easy to use in many garden styles.

Perfect for Edging, Rock Gardens, Sensory Gardens, and Dry Borders

Helen von Stein Lamb’s Ear works beautifully as an edging perennial, low groundcover, sensory garden plant, rock garden accent, or front-of-border foliage plant. Its soft leaves make it especially appealing along paths and patios where the texture can be seen and touched up close.

Use it to soften stone, brick, gravel, retaining walls, and sunny foundation beds. It pairs well with salvia, catmint, lavender, yarrow, sedum, coneflower, Black Eyed Susan, Russian sage, ornamental grasses, and other sun-loving perennials. In mass plantings, the silver foliage creates a cool, calming contrast against brighter summer flowers.

Deer Resistant, Rabbit Resistant, and Drought Tolerant Once Established

Helen von Stein Lamb’s Ear is generally considered deer-resistant and rabbit-resistant, making it a useful option in landscapes where browsing pressure can limit plant choices. The fuzzy, woolly foliage is usually less appealing to deer and rabbits than softer leafy perennials.

Once established, this plant is also drought tolerant and performs well in lean, dry, well-drained soil. It is best suited for sunny sites with good air circulation and good drainage. Avoid wet, humid, or poorly drained locations where woolly foliage can decline, rot, or develop leaf problems.

Easy Care with Full Sun, Drainage, and Light Cleanup

Plant Helen von Stein Lamb’s Ear in full sun to light shade with well-drained soil. Full sun usually produces the best silver color, densest growth, and strongest drought tolerance. In hot climates, light afternoon shade can help reduce stress as long as the soil still drains well.

Water regularly after planting until roots establish, then water sparingly. Avoid overhead watering when possible, because wet foliage can encourage disease in humid weather. Remove damaged or tired leaves as needed, trim the edges if the plant spreads beyond its space, and divide mature clumps when they become crowded or open in the center.

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SKU: 27119058733

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I was surprised how much I enjoyed reading this. Ms Beaton has done an amazing job of storytelling. So thankful for the recommendation from John Warner - The “BibliOracle” of the Chicago Tribune. Several male members of my family worked in the Tar Sands projects over the last 30 years - mostly on Oil Exploration and the crew management side. But rumors about the rough environment were confirmed in this book. Reading this explains why one important family marriage failed from the “Wild West” behavior that took place there. As Ms Beaton acknowledged, this work provided important income for those who worked the Tar Sands projects. My family included. But the harm to the First Nations People and the environment are just terribly, horribly sad.
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A human story of how our society operates
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There's a lot of terms you could use to describe the themes in this book. Capitalism, patriarchy, settler-colonialism, climate change but the book doesn't need to throw these terms around. It just shows them through the eyes of a person who experienced them. There's also a feeling of "there but by the grace of god go I" having been tempted by the possibility of oil work myself during the Great Recession. The story of how our drive for oil eats at our humanity is vital and helps show the cost of how we've structured our society at a personal level. At times funny, heartwarming, and tragic, a fantastically written and drawn work that I have to highly recommend!
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An amazing, if sometimes dark, memoir of work, solitude, and taking a pragmatic path in life.
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What do you do, when your only viable financial prospects are to move to even more remote, cold, dark and desolate land where you are part of a corporate mining operation dredging sands for valuable resources, living onsite in a company owned dormitory? Beaton recalls all this in her memoir of her post-university time, where she was faced with this decision to either live and work the oil sands, or face a life of financial bondage trying to pay back student loans, a decision we see many of her own countrymen face as their only viable means to survive. If you are familiar with Beaton's comic strip work, you'll see familiar reference to the genesis of it here, but Ducks is a far more serious graphic novel. Both engaging and often times bleak, Ducks gives a wonderful window into the reality of Canada's oil industry, and the humanity of the people, who are nothing more than cogs in a machine, that run it.
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I’ve been reading Lynda Barry since the 80s and am currently at work on a graphic novel, that I’m writing and illustrating. I have always believed in learning from the best and Barry has always been a favorite, from the creativity, recall and connections she makes with her work as well as with me (and I assume her other readers as well). This book delves into the connections of words and images, how to conjure and connect, especially with the whole creative vibe. She works with young people and the pipeline to that cerebral communication is appreciated and thought provoking as well, as my work will be geared to a younger audience. This is for anyone who interested in the process of sequential art, creating comics, characters, connecting with creative elements, it’s also a visually stunning book (again, the nerd in me, loved all the cross-references with the visual and other, using calligraphic and other historic, formal art elements along with the more personal character, visual creations and exercises. Thought-provoking and image inducing, indeed!
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Reviewed in the United States on September 2, 2020

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