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Description
cybex 3 in 1 balios Cybex Balios S Lux + Cloud G Pro Travel SystemLive city life to the max with the BALIOS S LUX, giving you all the flexibility and luxurious comfort you and your child could wish for from day one. Travel system ready, it's got every base coveredsimply add a COT S LUX or any CYBEX infant car seat to move effortlessly move between city outings, car adventures, and home. Curbs, cobbles or bumpy sidewalks are easy to tackle with its advanced, city ready suspension and you don't need to worry about
Live city life to the max with the BALIOS S LUX, giving you all the flexibility and luxurious comfort you and your child could wish for from day one. Travel system ready, it's got every base covered—simply add a COT S LUX or any CYBEX infant car seat to move effortlessly move between city outings, car adventures, and home. Curbs, cobbles or bumpy sidewalks are easy to tackle with its advanced, city-ready suspension and you don't need to worry about punctures ruining your trip either. The ergonomic near lie-flat recline lets even the smallest babies enjoy smooth rides, while the unique one-pull harness supplies the snuggest, safest fit in seconds. Depending on the day's adventure, simply alternate the seat between parent or forward-facing. Looking as good as it handles, the sleek design and colors mean it's made for the city.
Features:
- TRAVEL SYSTEM READY: One stroller, three ways to ride. Attach a COT S LUX or any CYBEX infant car seat adapt the stroller for any journey (both sold separately).
- ADVANCED SUSPENSION: Enjoy a new level of riding comfort thanks to the combination of front wheel suspension and innovative frame-based rear suspension.
- ERGONOMIC NEAR LIE-FLAT POSITION: The huge reversible seat unit of the BALIOS S LUX is the last word in luxurious comfort and coziness and is fully adjustable into an ergonomic near lie-flat position so your child can relax naturally during any adventure.
- ONE-PULL HARNESS: Secure your child in seconds. One hand is all you need to fit the harness to the perfect form-hugging position.
- XXL SUN CANOPY WITH MESH INSERT: Shield your child from the elements with an extendable XXL sun canopy made of UPF50+ protective fabric, featuring a mesh window for breathability and healthy air circulation on hot days.
- ONE-HAND HEIGHT-ADJUSABLE HANDLEBAR: Allowing the steering level to be tailored to the height of the parent, the handlebar height can be easily adjusted with one hand.
- ONE-HAND FOLD INTO SELF-STANDING POSITION: With one hand the BALIOS S LUX can be easily folded into a free-standing package, for convenient stowing and storage.
- NEVER-FLAT ALL-TERRAIN WHEELS: Go off-road with confidence, with wheels that won’t puncture no matter how tough the terrain.
- SPACIOUS SHOPPING BASKET: A 22 lb load capacity makes the BALIOS S LUX an invaluable companion for the weekly shop, day trips, and picnics.
Specifications
- Usage: Suitable from 6 mos to 55 lbs
- Stroller Measurements Assembled: 34.3"L X 23.6"W X 42.5"H
- Stroller Measurements Folded: 30.5"L X 23.6"W X 17.7"H
- Stroller Weight: 24.7 lbs
Cloud G Pro Comfort Extend Infant Car Seat
Recline in Comfort, Ride in Safety
The CYBEX Cloud G Pro Infant Car Seat delivers advanced safety and comfort from your baby’s first ride. When it's used outside the car, its ergonomic design reclines 45% more than its upright position. This reduces organ compression, facilitates natural breathing, and promotes a relaxed posture, both when mounted on a stroller or simply outside the vehicle. In the event of a collision, an Anti-Rebound Base with a load leg helps absorb energy and reduces crash forces acting on the child. Ever-vigilant on every drive, SensorSafe™ technology adds another layer of protection by keeping you informed of your baby’s well-being. Install the car seat in seconds using rigid LATCH, for ease and confidence every time you travel. With the Cloud G Pro, safety and comfort come standard, so every journey is stress-free.
Features
- ERGONOMIC RECLINE: Ergonomic design helps reduce organ compression and supports a natural posture, featuring a 45% flatter recline* that adjusts the backrest and extends the leg rest.
- REDUCES CRASH FORCES BY UP TO 30%**: The Anti-Rebound Base with Load Leg absorbs energy and helps reduce crash forces on your child.
- INSTALLATION IN SECONDS: One-Click Rigid LATCH system ensures a secure fit with minimal effort, giving you confidence that your seat is properly installed every time.
- REAL-TIME SAFETY ALERTS: SensorSafe Technology sends mobile app notifications if the chest clip is unbuckled, the back seat becomes too hot or cold, or if your child is accidentally left behind.
- SIDE-IMPACT PROTECTION: Linear Side-Impact Protection (L.S.P.), working with the Energy-Absorbing Shell, disperses crash forces away from your child.
- GREENGUARD Gold Certified: Meets rigorous standards for low chemical emissions, helping create healthier air quality around your child.
- SAFETY TESTED: Fully compliant with new FMVSS 213 side and front-impact safety standards for reliable protection and peace of mind.
- GROWS WITH YOUR CHILD: 12-position height-adjustable headrest with integrated harness ensures a snug fit as your child grows.
- AIRFLOW FOR COMFORT: Perforated shell and mesh fabrics allow for all-around ventilation to keep your child cool.
- OVERSIZED SUN CANOPY: UPF50+ adjustable canopy offers full coverage and protection from harmful sun rays.
- FIRE-RETARDANT CHEMICAL-FREE FABRIC: Made with naturally flame-resistant materials that meet federal safety standards—without added chemical treatments.
- TRAVEL SYSTEM COMPATIBLE: Pairs seamlessly with CYBEX strollers for a convenient travel system with ergonomic recline.
- EASY-IN BUCKLE PAD: Keeps the harness buckle forward, making it easier to place your child in the seat and secure them.
- EUROPEAN BELT PATH: Allows safe, secure installation without the base—perfect for taxis, travel, or quick trips.
- REMOVABLE INFANT INSERT: Provides proper fit and support for newborns from 4–11 lbs.
- FAA-COMPLIANT FOR AIRCRAFT USE: Approved for safe installation on airplanes without the base, making travel easier.
- EASY TO CLEAN: Machine-washable fabrics simplify cleanup from spills, crumbs, and everyday messes.
*As compared to upright position
**As compared to the same car seat without this feature
Care Instructions:
- Machine wash separately in cold water, delicate cycle. No bleach. Drip dry.
Specifications:
- Age Range: From newborn up to approx. 18 months
- Child Height: Max 32"
- Child Weight: From 4 lbs. up to 30 lbs.
- Group: Infant Car Seat
- GREENGUARD Gold Certified
- Complies with new FMVSS213 side impact and frontal impact standard safety standards
Compatible with:
- Infant Seat Rain Cover
- Infant Seat Sunshade
- Infant Seat Insect Net
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.0 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt)
Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others.
The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it.
The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange).
The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble.
For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005