SKU: 28782273319
britax group limited

britax group limited Britax Kidfix Pro – Car Seats Plus

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Description

britax group limited Britax Kidfix Pro – Car Seats PlusBEYOND SAFETY, INTO COMFORT Picture a safe space for your child, a cozy and secure haven where they can calm down and feel at home. The KIDFIX PRO from our test winning KIDFIX line is designed to be just that. The highback booster car seat is made in Germany and impresses with its one of a kind feature combination, incorporating the SICT, XP PAD and SecureGuard* for MAXIMUM SAFETY. These safety features provide beyond the highest protection for your

BEYOND SAFETY, INTO COMFORT

Picture a safe space for your child, a cozy and secure haven where they can calm down and feel at home. The KIDFIX PRO from our test winning KIDFIX line is designed to be just that. The highback booster car seat is made in Germany and impresses with its one-of-a-kind feature combination, incorporating the SICT, XP-PAD and SecureGuard* for MAXIMUM SAFETY. These safety features provide beyond the highest protection for your little one a comfortable safe space. What's more, the slim design of the KIDFIX PRO ensures a seamless fit into every car, while offering plenty of space for your child to grow from the age of 3.5 to 12 years.

Safety beyond standards

Nothing is more important than your child’s safety. That’s why we designed the i-Size approved KIDFIX PRO for your peace of mind, knowing your cherished passenger is perfectly protected. The unique safety feature combination is the heart of the KIDFIX PRO, offering protection from every angle. With the SICT, XP-PAD and SecureGuard*, your child is optimally protected in both side and frontal impacts. Every detail is developed in Germany and designed to give you confidence every time you buckle up your child.

Comfort as they grow

Imagine your little one experiencing in ultimate ergonomics in the KIDFIX PRO from the age of 3.5 to 12 years. From its soft padding to its slim, yet spacious design, every detail is crafted to ensure your little one travels in comfort. The easy adjustable headrest grows alongside your child to provide support and a perfect fit. And for those warmer days, the carefully placed air ventilation holes provide a touch of coolness while the STYLE version adds a gentle mesh fabrics, creating a blissful time.

Easy handling - maximum flexibility

Weighing just 6.7kg, the KIDFIX PRO is a light feather in the world of car seats. Imagine the ease of effortlessly moving the seat between cars without the usual hassle. Installation is as simple as it is secure, thanks to the integrated ISOFIX system. A quick, reassuring click, and you’re ready to hit the road with confidence.

Protect their neck and chest

No matter how carefully you drive, you need to safeguard your child from other road users. Protect your little one's precious neck in a frontal impact with the shock-absorbing foam XP-PAD. In an accident, it reduces an abrupt forward head movement by up to 30%*, preventing you child's chin from hitting their chest. What's moe, the XP-PAD adds a comfortable padded edge so the seatbelt won't cut into your child's delicate skin.

Advanced Side Impact Protection – SICT

Protect your little one even during a side collision. The Side Impact Cushion Technology (SICT) reduces the force of an impact by up to 40%*, and directs the forces away from your treasure. Simply adapt the SICT to the side of the car seat, and your child is safe. Thanks to the SICT strap, the safety device is securely connected to the seat and cannot get lost.

Protection in all the right places

Your natural instinct is to shield your child from any harm. Protect your little one in the event of a frontal collision with the SecureGuard*. Adding an extra fourth contact point to secure the lap belt safely across your child's pelvis - rather than their delicate tummy - reduces abdominal forces by up to 35%**. And since it doesn't restrict their movement, your growing kiddie will still be comfortable throughout your journey.

Comfortable, protective headrest

Ensure optimum protection in a side collision: the V-shaped headrest is specially designed to limit the movement of your child's head, protecting their neck if the worst happens, whilst giving them space as they grow. It's quick and easy to adjust the headrest, so your child's completely comfortable, whatever their height.

Warm days, cool rides

Imagine those hot days when every breeze feels like a gift. With the KIDFIX PRO, featuring air ventilation through ventilation holes, your child feels soothing air circulation even on the hottest days. The STYLE version features breathable mesh fabrics for even more air circulation to make your child feel cool, calm and cared for.

Three seats in a row

No need to compromise on safety or number of passengers in your car. The slim design (only 44 cm) of the i-Size approved KIDFIX PRO means there’s room for three car seats in a row. Whether it’s your growing family or your child’s dearest friends, the KIDFIX PRO turns every trip an adventure for your entire crew.

Quick-remove washable cover

Things can get messy in the car – drinks can spill and children can get travel sick. That’s why we’ve designed a machine washable seat cover that's easy to remove, so you can clean up quickly and get back to enjoying your adventures together.

Head to hip protection

Provide your child with the best protection as they grow up. The seat shell of the highback booster gives head to hip support for your little one, while the belt guides ensure correct positioning of the seat belt. The padded headrest brings safety and comfort for your child’s head and neck, so you can rest assured they're protected on every journey.

Science of comfort

Moments spent together on the road are precious. That's why our engineers delved deep into studying the human body model, ensuring the car seat embraces the youngest and the eldest with equal comfort. The result is not just ergonomic perfection but a haven of tranquility on every journey, promising restful rides for the entire family.

Always installed securely

Just two clicks are all it takes to install the KIDFIX PRO thanks to its ISOFIX connectors, with the indicators showing the correct and safe installation. Even if the seat is holding no child, it remains firmly in place. No ISOFIX in the car? Installation is also possible without ISOFIX using the 3-point seat belt.

*SecureGuard is on Style and Lux fabric Kidfix Pro only - not Classic

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 28782273319

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4.3 ★★★★★
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***moviemaker***
Dallas, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
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W.P.
San Leandro, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
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Basket Case
New York, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
Houston, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
T
Verified Purchase
Todd7
San Leandro, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2025

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