SKU: 30507652843
lightest weight travel stroller

lightest weight travel stroller Safety 1st Foldtastic Auto-Fold Lightweight Travel System

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Description

lightest weight travel stroller Safety 1st Foldtastic Auto-Fold Lightweight Travel SystemFrom full size to Foldtastic! Make everyday outings and family travel easier with the Safety 1st Foldtastic Self Folding Travel System thats built for real life. No matter your plans for the day (or how full your hands are), this stroller car seat combo makes transitions simple from start to finish. When youre done strolling, simply activate the folding mechanism with one hand, push the handlebar forward, and watch the stroller do the rest. We dont

From full-size to Foldtastic!

Make everyday outings and family travel easier with the Safety 1st Foldtastic™ Self-Folding Travel System that’s built for real life. No matter your plans for the day (or how full your hands are), this stroller car seat combo makes transitions simple from start to finish. When you’re done strolling, simply activate the folding mechanism with one hand, push the handlebar forward, and watch the stroller do the rest. We don’t call it Foldtastic for nothing!

Our Foldtastic stroller travel system is the perfect example of smart, parent-friendly design. Think of the Foldtastic travel system as compact without compromise—thoughtfully designed with all the benefits of full-size strollers built into a lightweight, convenient, easy-to-use stroller that fits your life now and later. It’s the best of both worlds.

This travel-ready stroller for babies and toddlers is lightweight at under 18 lbs., folds down to a neat, compact cube shape to save serious space in the trunk of your car, and self-stands in small closets or other tight spaces. Foldtastic also features a full-size canopy with UPF 50 UV sun protection and an extendable mesh panel for added ventilation. Infant car seat adapters are included, making it easy to attach and release the baby car seat for smooth transitions. The Foldtastic baby stroller fits children up to 50 lbs. and 45".

The included Safety 1st onBoard™ FLX Infant Car Seat is ultra-lightweight at under 8 lbs., making it easy to carry and transfer your tiny traveler from home to car to stroller. Your baby will feel snug and cozy with the newborn head and body inserts. When your little one grows, you can remove the inserts and adjust the 4 harness heights to keep them secure and comfortable. And when messes happen, clean-up is easy with the machine-washable and dryer-safe seat pad. The onBoard™ FLX rear-facing car seat for infants fits babies from 4–30 lbs. and up to 32".

Car seat: Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.

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SKU: 30507652843

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4.7 ★★★★★
Based on 13 reviews
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T
Verified Purchase
Tahoeman
Grantham, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Battle Creek, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Houston, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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