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Description
large glazed terracotta plant pots Large Yellow-Glazed Terracotta Confit Pot Circa 1900This antique terracotta confit pot from Southwest France, likely late 19th to early 20th century, is of generous scale and displays the traditional ovoid body tapering to a small foot, with twin loop handles at the shoulder and a broad everted rim. The upper section and interior are finished with a warm ocher glaze showing pleasing runs and tonal variation, while the lower body remains unglazed. The surface bears nicks and scattered glaze losses, with
This antique terracotta confit pot from Southwest France, likely late 19th to early 20th century, is of generous scale and displays the traditional ovoid body tapering to a small foot, with twin loop handles at the shoulder and a broad everted rim. The upper section and interior are finished with a warm ocher glaze showing pleasing runs and tonal variation, while the lower body remains unglazed. The surface bears nicks and scattered glaze losses, with the lower portion showing a rusitc patina.
Made for preserving meats in fat, these storage jars were a staple of rural French kitchens. The glaze on the upper half resisted grease and facilitated cleaning, while the unglazed lower body could be set into cool earth or a stone larder to stabilize temperature. The mellow yellow tone, achieved with iron-rich lead glaze on low-fired earthenware, is characteristic of southern pottery traditions of the period, and the pulled handles and practical proportions reflect an emphasis on durability and daily use.
This pot makes a grounded accent in a kitchen or dining room, standing on a console or counter to hold wooden utensils or dried herbs. It can anchor a fireplace hearth or entry table with a simple arrangement of olive or eucalyptus branches, or sit on open shelving as a sculptural counterpoint to glass and metal. Use as a cachepot with a liner, or group with other French earthenware for an understated, rustic vignette.
Condition and patina consistent with age.
Approx. overall 11½" high x 11½" wide incl. handles x 9"
Approx. overall 29cm high x 29cm wide incl. handles x 23cm
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4.9 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 5
Eye-Opening and Heart-Expanding
Format: Paperback
I am incredibly grateful for this book. It gave me profound insight into essential truths of Christian faith and doctrine by allowing me to see them through a radically different lens than my internal lens. Plus, it opened me up enormously to the experience of black Americans who express the pain and challenge of life in our country thoughtfully and provocatively. I left this reading chastened, desiring more conversation, moved to listen better, and hoping to live differently.
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Reviewed in the United States on December 9, 2023
★★★★★ 5
Best book I've read in last 10 years!
Format: Paperback
I'm absolutely blown away. I finished the book this morning. I have been recommending it to anyone and everyone who asks me "So, what you reading?". I'm known for having a book stack a mile high. I ran out of my first yellow highlighter! Profound stuff. The subtitle, How African American Literature Can Make Our Faith More Whole and Just, doesn't do the book justice. It is soooo much more. I highly recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2023
★★★★★ 5
A must read
Format: Paperback
This is an amazing book! The author takes the reader through several works of black literature, expounding on how each work shows us deep things about theology and faith.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 3, 2025
★★★★★ 5
Countee Cullen chapter
Format: Paperback
This book is a great read. I’m not even sure how to encapsulate my thoughts on it, but let me say the chapter, “Jesus,” on the poetry of Countee Cullen is brilliant and a masterclass on discipleship, suffering, identity, projecting onto Jesus. This one chapter could literally be a course in Christian discipleship handling multiple aspects of the life of faith. I feel like I’m not doing the chapter, the book, or Claude Atcho justice here, but I deeply recommend this book and urge readers to really sit with the Cullen chapter and all its implications. What a gift Claude Atcho has given us here!
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Reviewed in the United States on January 21, 2025
★★★★★ 5
An exceptional, stunningly beautiful, and greatly needed book
Format: Paperback
Have you ever finished a book so heavy with truth and beauty and goodness that you don’t know how to sum it up? That’s where I am upon completing Claude Atcho’s Reading Black Books: How African American Literature Can Make Our Faith More Whole and Just. I’m the sort who marks up books with notes, underlining, and asterisks. Pages with ideas I want to return to get a folded corner. For this book? More pages are folded than not and a flip through the book reveals copious amounts of fuchsia markings.
Full disclosure: Claude is a writer friend; we’ve chatted about faith, books, work, writing, and podcasting. I’ve been eagerly awaiting the release of his book, knowing it would be fantastic. You might think I was biased in that assumption, considering our previous connection, considering I received an ARC from Brazos Press.
What I found from the first pages was even more than expected: my friend as pastor, shepherd, prophet, counselor, guide. Claude features 10 key creative African American works to cast a vision for human flourishing rooted in the power and love of God found in Jesus Christ. Just listen to this moving excerpt: “Healing is found in the constant individual and communal turn toward the tender mercies of God, who calls us to a theological remembrance: to locate our history in his, to make sense of our memory in his memory, to process our wounds in his wounds” (126). This book is beautifully written, theologically robust, and desperately needed. I cannot recommend this book highly enough. It is stunning.
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Reviewed in the United States on May 17, 2022
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