SKU: 33787117120
anthurium clarinervium.

anthurium clarinervium. Imperfect Anthurium Clarinervium | Plants

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Description

anthurium clarinervium. Imperfect Anthurium Clarinervium | PlantsPlease note: This is an Imperfect Plant Our Imperfect Plants are healthy and ready to grow, but they show a little more character than those in our main range. These plants may have some cosmetic quirks such as old pest damage, slight browning, twisted or stunted growth, or a few damaged leaves. None of these issues affect their long term health, and every plant is checked by our team to ensure its rooted and ready to thrive in your care. By choosing

Please note: This is an Imperfect Plant

Our Imperfect Plants are healthy and ready to grow, but they show a little more character than those in our main range. These plants may have some cosmetic quirks such as old pest damage, slight browning, twisted or stunted growth, or a few damaged leaves. None of these issues affect their long-term health, and every plant is checked by our team to ensure it’s rooted and ready to thrive in your care.

By choosing an Imperfect Plant, you’re giving a perfectly good plant a second chance. It’s a simple way to grow your collection while helping us reduce waste and make our production more sustainable. Each one is unique, with its own story and charm, perfect for anyone who values growth in all its forms.

Due to the nature of these plants, Imperfect Plants are not eligible for exchanges or refunds.

 

Anthurium clarinervium is a beautiful and exquisite Anthurium variety, perfect for rare houseplant collectors. Known for its gorgeous crystalline and velvety textured leaves adorned with stunning silver markings, this plant is an eye-catching addition to any indoor plant collection.

Native to: Anthurium clarinervium is native to the tropical regions of Mexico, where it grows in the humid, shaded understory of the forest.

Growth Habit: This Anthurium has a hemiepiphytic growth habit, meaning it can start its life attached to other plants or objects and then transition to soil-based growth. Providing a well-draining, airy substrate will help mimic its natural conditions.

Water: Water your Anthurium clarinervium when the top 3 cm of substrate is dry. It's important to keep the soil consistently moist but not waterlogged to avoid root rot. Ensure your pot has good drainage to allow excess water to escape.

Light: This plant thrives in bright, indirect light. Direct sunlight can scorch its delicate leaves, so place it near an east-facing window or use sheer curtains to filter the light if necessary.

Humidity: While Anthurium clarinervium can grow well outside of a terrarium or cabinet, it thrives in high humidity environments. To achieve this, consider using a humidifier, placing the plant on a pebble tray with water, or grouping it with other plants to maintain the necessary moisture levels.

Temperature: Maintain a stable temperature range between 18°C to 26°C for optimal growth. Keep the plant away from drafts, air conditioners, and heating vents to prevent stress and damage to its leaves.

Anthurium clarinervium, with its unique foliage and easy care requirements, is a delightful addition for plant enthusiasts seeking rare and beautiful houseplants.

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SKU: 33787117120

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4.7 ★★★★★
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T
Verified Purchase
Tahoeman
Dallas, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Battle Creek, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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