SKU: 36756240103
snake plant white edges

snake plant white edges Moonshine

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Description

snake plant white edges MoonshineDracaena (Sansevieria) trifasciata 'Moonshine' Dracaena trifasciata 'Moonshine' is a light toned snake plant with broad, upright leaves and a soft grey green surface. The leaves rise from the base in firm, lance shaped fans, with faint horizontal markings and a narrow darker edge. Its colour gives the plant a calm appearance while keeping the strong structure of a snake plant. This cultivar has light grey green foliage on firm vertical leaves. The

Dracaena (Sansevieria) trifasciata 'Moonshine'

Dracaena trifasciata 'Moonshine' is a light-toned snake plant with broad, upright leaves and a soft grey-green surface. The leaves rise from the base in firm, lance-shaped fans, with faint horizontal markings and a narrow darker edge. Its colour gives the plant a calm appearance while keeping the strong structure of a snake plant.

This cultivar has light grey-green foliage on firm vertical leaves. The smooth surface catches light in simple pots, while growth comes from a rhizome below the substrate. New leaves appear from the base and slowly increase the density of the clump.

Light leaves with a fine green edge

  • Leaf colour: Light grey-green blades give the plant a cool, bright look.
  • Leaf edge: A fine dark green margin outlines the leaves and sharpens the light-toned foliage.
  • Growth base: New leaves rise from the rhizome and slowly fill the pot.
  • Indoor shape: Upright, lance-shaped leaves give height from a compact base.
  • Flowering: Mature plants may occasionally produce pale, fragrant flower spikes in settled indoor conditions.

How Moonshine grows in a pot

Dracaena trifasciata is native from southern Nigeria to western Central Tropical Africa and Tanzania, where it grows in seasonally dry tropical conditions. Its firm leaves store water, while the rhizome needs a clear drying phase between waterings. Air around the rhizome is especially important after watering in cooler indoor conditions.

'Moonshine' keeps the firm sword-leaf form of the species, while the light foliage makes dust, splash marks and handling damage easier to notice. New leaves may emerge very light and then settle into a cooler grey-green tone as they mature. In bright indirect light, the leaves usually stay firm and evenly coloured.

The plant usually grows slowly indoors. A snug, stable pot is appropriate because the rhizome does not need a large volume of damp mix around it. When several new shoots have filled the pot or the container begins to deform, move it into a slightly larger pot with fresh, open substrate.

Care for light grey-green foliage

  • Light: In bright indirect light, leaves stay firm and the grey-green colour remains clear. In dimmer rooms, growth slows and the pot dries more gradually.
  • Watering: Water after the mix has dried deeply. Soak evenly, drain fully and let the lower pot dry again before repeating.
  • Substrate: A free-draining mix with pumice, lava rock, coarse sand or fine bark keeps the rhizome aerated after watering.
  • Pot choice: Choose a pot with drainage holes and enough weight to balance the leaves. Empty decorative cover pots after watering.
  • Temperature: Keep it in steady indoor warmth, ideally around 18–27 °C. The root zone should stay warm after watering.
  • Humidity: Average household humidity is enough. Normal room air is adequate for this cultivar.
  • Feeding: Feed lightly during active growth with a diluted balanced or cactus fertiliser. Slow rhizome-based growth needs modest nutrition.
  • Repotting: Repot when the plant has filled the container or the substrate has lost structure. Increase pot size carefully so the new mix dries predictably.
  • Propagation: Divide rooted clumps to keep the light cultivar look consistent. Leaf cuttings can root and may produce growth that does not match the parent plant.

Marks and stress on light leaves

  • Soft bases: Inspect the substrate line, rhizome area and cover pot. Soft tissue near the base usually means the lower plant stayed wet too long.
  • Wrinkled leaves: Check the root system as well as dryness. Root damage can make leaves wrinkle even when the pot has been watered.
  • Brown tips or edges: Review watering consistency, mineral buildup, old knocks and temperature dips. Trim only dry tissue if needed.
  • Marked foliage: Wipe leaves gently with a soft damp cloth. The light surface shows dust and water spots quickly.
  • Weak new growth: Move the plant closer to bright filtered light and check that the pot size matches the root system.

Placement around pets

Keep Dracaena trifasciata 'Moonshine' away from pets and small children who may chew the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. A raised, stable position also helps keep the light leaves free from knocks and bite marks.

The name behind Dracaena trifasciata

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains the older name still widely used in houseplant retail and care information. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, historically linked to red resin in some dragon tree relatives. The species epithet trifasciata means “three-banded” or “marked with three bands”, referring to the banded foliage pattern associated with the species.

Dracaena trifasciata 'Moonshine' has soft grey-green leaves, faint markings and slow basal growth in an upright clump.

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SKU: 36756240103

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Immer
Birmingham, US
★★★★★ 4
As A Dominant Species, We Dance On The Razor’s Edge
Format: Hardcover
Under A White Sky Elizabeth Kolbert’s claim to fame is her book The Sixth Extinction. In comparison Kolbert’s under A White Sky is rather short and disorganized, yet her coverage of those working on solutions to Climate Change is pretty darn interesting.  In her conclusion, she writes, “This has been a book about people trying to solve problems created by people trying to solve problems.” Putting this sentence at the book’s beginning rather than buried at its end would have provided a reader a compass to help determine where Kolbert was going with her dialogue. As she wades through the reversed direction of the Chicago river; Asian carp; Cane toads; forced and accelerated evolution in regard to coral, in particular in regard to the Great Barrier Reef (without discussing the importance of the worlds reefs; the continual flooding of New Orleans both despite and because of the actions of The Army Corps of engineers, one begins to ponder a general connection that might exist, while the book itself is headed toward a two star rating. Then, Kolbert got to Global Warming and Climate science. The book’s last sixty pages are worth the complete price of admission. The chapter begins with carbon sequestration, the pros and cons of how it can be done, and does it also contribute to the growing problem. The stoppered bathtub” analogy is perhaps the best analogy I’ve heard in regard to the anthropocentric carbon dioxide problem on the Earth. The tub is full of water/ the sky’s CO2 level; the tubs stoppered, so the water isn’t going anywhere, and the atmosphere’s increased CO2 level won’t drop in the near future either; and even if the water flow to the tub is reduced, it will still accumulate until over flowing, as will reduced emissions continue to amass in the atmosphere. In a sense, we are already beyond the tipping point in terms of global temperature increase. Harvard University Center for the Environment director Dan Schrag says, “I’m a scientist. My job is not to tell people the good news. My job is to describe the world as accurately as possible.” He predicts, due to the fact that the oceans must equilibriate. “If we were to stop CO2 emissions tomorrow, which of course isn’t possible, it’s still going to warm for centuries. That’s just basic physics.” Thus enters the topic of geoengineering, and the connection with people trying to solve problems created by people trying to solve problems truly comes into focus. Kolbert , in a rather clandestine way connects the dots of her past “local problems”, but now the problem fix, if it doesn’t work could create problems beyond solving. She hits the nail on the head with this. Humans have been around 35-50 thousand years, but only the last ten thousand or so have they thrived, largely due to agriculture and differentiation of what one can do because of agriculture. But ag has only been able to thrive because of the rather consistent global weather of the past ten thousand years, due to glacial retreat. This has been presented in great detail by Jared Diamond in his book Guns, Germs, and Steel. The CO2 we’ve put into the atmosphere isn’t going anywhere, as we continue to pour more into the mix. Her interviews with climate scientists do not bode well for our species, as everything they think of to combat the CO2 conundrum brings more as the bathtub continues to fill. One could say humans have become victims of their own success as a species. Ultimately, one gets the feeling from Kolbert and her interviews, that the enormous fluctuations in the Earth’s climate over geological time, and those yet to come, render whatever we do as humans as a moot point. The Earth will shake is off as a dog rids itself of fleas. She also brings to the argument, when the blank really hits the fan, as it will despite, or because of any preventative efforts by man, the resulting population displacements will be staggering. A sobering, informative book as we, as a species, dance on the razor’s edge.
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Reviewed in the United States on September 24, 2021
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Christine Liu
Carnegie, US
★★★★★ 5
fascinating and compellingly written
Format: Hardcover
Elizabeth Kolbert is one of my favorite nonfiction authors. She has such a knack for writing in a clear, compelling way that makes you think and marvel and ask questions you've never considered before. In her previous book, The Sixth Extinction, she catalogs all the ways in which humans have drastically changed the natural world, ushering the new age of the Anthropocene. Under a White Sky is an exploration of the ways scientists around the world are trying to undo those changes. There are people engineering unique solutions to combat a variety of environmental threats: invasive carp in the Chicago River and cane toads in Australia, Louisiana's rapidly disappearing Mississippi River delta, rare species that now depend entirely on human conservation for their continued survival, and, perhaps most pressingly, the problem of rising carbon emissions and global climate change. That there are brilliant minds working innovatively to solve these problems inspires optimism. But these sobering portraits really highlight the extreme human measures it takes to keep at bay the problems caused by humans interfering with nature in the first place. We've already transformed the planet; how much more will it be transformed by these interventions, and in what ways?
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Reviewed in the United States on March 11, 2021
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Carlos
Massapequa, US
★★★★★ 5
Exactly what I ordered
Format: Paperback
As described the book was in great condition and ut was delivered with care
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Reviewed in the United States on August 12, 2025
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Wayne C. Solomon
Boise, US
★★★★★ 5
Five Stars
Format: Paperback
Look no further. This work is the Rosetta Stone of storytelling.
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Reviewed in the United States on May 24, 2017
D
D. Christofferson
Natrona Heights, US
★★★★★ 2
It's good for storytelling but has content in stories that's inappropriate in this century
Format: Audiobook
Well modulated interesting and excellent storytelling ability, and skills to teach us of the same. However. I get to the 2nd lesson, it's a book of fiction for the story premise. She describes a woman in her family who can't get pregnant (in the old days), knowing her husband really wants children,and gets happy, as she turns to her "maid" and exclaims that this is alright, he can have a child with their maid! Then the storytelling author, laughs, jokes, about pleasing him and when she says the audience is laughing too, that maybe he can get a 2nd maid pregnant too. Laughing and joking I. The man's eyes as she tells it, about men and their sex drives. I'm not reading g a Victorian romance novel or of the plantation owners in the south, I'm reading a book of lessons on good story telling. This turned me off 500%, and I am done with this author and this book. Is this told by an FDLS polygamist, or ...what? What would make this story in 2013, OK to teach in a college course, or in this book? I don't care if she even made it up for a family old story.
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Reviewed in the United States on January 14, 2025

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