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philodendron green wonder goeldii

philodendron green wonder goeldii Thaumatophyllum spruceanum 'Green Wonder' – Foliage Factory

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philodendron green wonder goeldii Thaumatophyllum spruceanum 'Green Wonder' – Foliage FactoryThaumatophyllum spruceanum 'Green Wonder' ('Fun Bun') Thaumatophyllum spruceanum 'Green Wonder' ('Fun Bun') is an upright aroid with a radial leaf arrangement. As the plant matures, the leaflets form a rounded, pedate pattern around the petiole, giving each mature leaf a layered green outline. The plant grows from a central stem and becomes fuller with age. Glossy green leaflets open outward from the petiole, while the upright stem needs bright

Thaumatophyllum spruceanum 'Green Wonder' ('Fun Bun')

Thaumatophyllum spruceanum 'Green Wonder' ('Fun Bun') is an upright aroid with a radial leaf arrangement. As the plant matures, the leaflets form a rounded, pedate pattern around the petiole, giving each mature leaf a layered green outline.

The plant grows from a central stem and becomes fuller with age. Glossy green leaflets open outward from the petiole, while the upright stem needs bright filtered light, steady warmth, even moisture and a secure pot.

Radial leaflet structure in Thaumatophyllum spruceanum 'Green Wonder'

  • Leaf form: Mature leaves divide into narrow green leaflets arranged around the petiole in a radial pattern.
  • Stem habit: The plant grows upright from a central stem that becomes more visible over time.
  • Foliage colour: Fresh to deep green leaflets have a smooth surface and clear spacing along the petiole.
  • Maturity change: Young plants may show simpler foliage before the pedate mature shape becomes stronger.
  • Pot behaviour: The upright stem and broad leaf spread need a stable container as the plant gains height.

How the rounded leaf pattern fills out

Mature leaves can develop into rounded clusters of narrow leaflets, with the petiole carrying the foliage outward from the central stem. The result is an open layered plant shape with a clear radial structure and visible spacing between the leaflets.

The species is associated with wet tropical South America. For cultivated plants, that points to warmth, humidity, a loose aroid substrate and consistent moisture without a stagnant root zone.

Care for Thaumatophyllum spruceanum 'Fun Bun'

  • Light: Place in bright filtered light so the petioles stay firm and the leaflets develop with good spacing.
  • Watering: Keep the mix lightly and evenly moist, then let the upper layer begin to dry before watering again.
  • Humidity: Moderate to higher humidity reduces stuck or dry-edged new growth on expanding leaflets.
  • Temperature: Warm, steady conditions suit this aroid best. Cold roots can slow recovery after watering or repotting.
  • Substrate: Use an airy aroid mix with bark, fibre and mineral drainage so roots receive moisture and oxygen together.
  • Repotting: Repot gently when the root system has filled the pot. Avoid repeated root disturbance on established plants.
  • Fertilising: Apply a diluted fertiliser during active growth. Pause or reduce feeding when growth slows.
  • Propagation: Propagation requires viable stem material with nodes and is slower than simple vine cuttings.
  • Semi-hydroponics: Well-rooted plants may adapt to mineral substrates if transferred carefully and kept warm during the transition.
  • Pruning: Remove spent or damaged leaves at the petiole base with clean tools. Cutting the main stem should be reserved for propagation work.
  • Placement: Give the radial leaves enough space so new growth is not pressed against walls, shelves or neighbouring plants.
  • Growth rate: Growth is moderate in warm bright conditions, with mature leaf structure developing gradually.

Issues on radial aroid foliage

  • Leaf droop: Temporary drooping can follow repotting or root disturbance while the plant resets water uptake.
  • Yellow leaves: A dense, wet mix can restrict oxygen around the roots and cause yellowing lower foliage.
  • Brown tips: Irregular watering, dry air or salt buildup can mark the narrow leaflet ends.
  • Slow recovery: Cool conditions after repotting can delay new growth and keep leaves soft for longer.
  • Pests: Check petiole bases and leaflet undersides for spider mites, thrips, mealybugs and scale.

Safety for Thaumatophyllum spruceanum 'Green Wonder'

Thaumatophyllum spruceanum 'Green Wonder' ('Fun Bun') is an aroid and should be kept away from pets and children. Chewed leaves or stems can irritate the mouth and throat.

Mature plants show their clearest detail in the circular leaflet clusters held above the upright central stem.

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SKU: 39437583567

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4.7 ★★★★★
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T
Verified Purchase
Tahoeman
Alexandria, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Charlottesville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
New York, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Whiting, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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