SKU: 41315706097
philodendron micans toxic

philodendron micans toxic Philodendron micans – Foliage Factory

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Description

philodendron micans toxic Philodendron micans – Foliage FactoryPhilodendron micans Philodendron micans has soft, colour shifting leaves on slim trailing or climbing stems. New growth can show bronze, copper or reddish tones before settling into deep green with a velvety surface, while the undersides often keep a warmer tint. The leaves are thin, softly textured and easily marked by strong direct sun or repeated handling. Stems lengthen from visible nodes, so the plant can be kept as a soft hanging vine or

Philodendron micans

Philodendron micans has soft, colour-shifting leaves on slim trailing or climbing stems. New growth can show bronze, copper or reddish tones before settling into deep green with a velvety surface, while the undersides often keep a warmer tint.

The leaves are thin, softly textured and easily marked by strong direct sun or repeated handling. Stems lengthen from visible nodes, so the plant can be kept as a soft hanging vine or encouraged upward on a fine support.

Velvet leaves with bronze and green shifts

  • Velvety heart-shaped leaves with bronze, green and reddish colour shifts.
  • Soft stems lengthen steadily and can be pruned back above visible nodes.
  • Juvenile leaves often show the strongest warm tones and surface texture.
  • Leaf undersides can hold reddish to coppery tones as the top surface deepens green.
  • The velvet surface catches light in shifting bronze, green and copper tones.

Trailing stems and velvet heartleaf growth

Philodendron micans belongs to Philodendron hederaceum var. hederaceum. Its velvet leaf surface, warm new growth and reddish leaf undersides give it a soft, colour-shifting heartleaf look.

Philodendron hederaceum var. hederaceum is a climber of wet tropical forest. In a pot, Philodendron micans develops node-forming stems, aerial-root nubs and roots that need an open, chunky substrate. Velvet leaves can show sun or handling marks quickly, especially in strong direct sun or after repeated rubbing.

Care for the velvet heartleaf vine

  • Light: Use bright indirect light; strong direct sun can dull or scorch the velvet surface.
  • Substrate: A fine but airy aroid mix works well, with bark, perlite or pumice to protect the roots from compaction.
  • Watering: Water when the top part of the mix has dried, then allow the pot to drain fully.
  • Temperature: Keep it warm, preferably 18–27 °C, and away from cold shelves or draughts.
  • Humidity: Moderate humidity can help new velvet leaves open with fewer curled edges.
  • Handling: Avoid rubbing the leaf surface, as velvet leaves can show marks from repeated touching.
  • Pruning: Trim long stems above a node to thicken the pot or root cuttings for a fuller basket.

Velvet marks, curled leaves and hidden pests

  • Curled new leaves: Check watering consistency, humidity and pests around the newest growth.
  • Dull or bleached patches: Move the plant away from direct sun and avoid pressing leaves against glass.
  • Small leaves on long vines: Add support, prune back or move to brighter indirect light.
  • Yellowing near the base: Check whether the potting mix is staying wet around the lower roots.
  • Fine speckling or distorted tips: Inspect velvet leaves closely for mites or thrips, which can be harder to see on textured surfaces.

Safety

Philodendron micans should be kept away from pets that chew plants. Like other heartleaf Philodendrons, it contains insoluble calcium oxalate crystals that can irritate the mouth if eaten.

Velvet name and botanical placement

Philodendron micans was published as Philodendron micans Klotzsch ex K.Koch and is now included in Philodendron hederaceum var. hederaceum. Micans comes from Latin and means glittering or shining, matching the way the velvety surface reflects light at different angles. Philodendron points to tree-climbing growth, which also fits the plant’s node-forming stems and aerial-root nubs.

Choose Philodendron micans for velvety heart leaves, bronze new growth and a soft trailing habit with rich darker tones as the foliage matures.

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SKU: 41315706097

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4.1 ★★★★★
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StacyWave
Belleville, US
★★★★★ 5
Well put together.
Format: Kindle
Very much worth purchasing to read for a few hours. Highly recommended. Not a lot of historic graphic novels in Kindle format, and wish there were more.
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Reviewed in the United States on May 18, 2019
J
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Jaime
Belleville, US
★★★★★ 5
Must have for graphic novel lovers
Format: Paperback
My 10yr old loved this book. It’s a quick read fun educational read.
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Reviewed in the United States on April 25, 2021
B
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Bojan Zivkovic
West Palm Beach, US
★★★★★ 5
Loved it
Format: Kindle
Thus has a very interesting story but mybe a few caracars dont really have personalities (not all of them) but this is a comic so i give it a pass
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Reviewed in the United States on November 21, 2017
S
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Subaroo
Louisville, US
★★★★★ 3
Lots of complaints, but I still enjoyed it.
Format: Paperback
This is my very first graphic novel of any sort, so this is my intro to the medium. The quality of the book is nice and each page is in full color. Other reviewers have said that the artwork is hastily done, I am not experienced enough with graphic novels to know, but I enjoyed the pictures nonetheless. The "story" follows a British soldier and his journey from 1914 to the end of the war. It is a Forrest Gump adventure in which the character was either there, or he was almost there, or he mentions a significant event and how it affected him. As a result, the book does not flow at all. One page you are in France, then the Middle East, then Russia. And the scenes on each page lack a lot of dialoug and are disjointed in the action sequences. Also, some of the images are duplicated (sometimes even on the same page), and I found more than a few typos (missing commas and "here" instead of "hear"). Like I said, I haven't read any other graphic novels, but this looks like low quality work because I can tell the "BLAM"s and "BANG"s, and the speech bubbles are added via computer. They stand out from the page and takes away from the immersion. I don't know if all comics do this, but I hope not. I would have expected more information about the war since the "story" was so poor, but it was just a gereral overview. I think the best part was the beginning with the assassination of Ferdinand. I had high hopes after that but the rest was kinda meh. I read it twice. So even with all my issues, it wasn't that bad. I'm planning on buying the WW2 ones as well.
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Reviewed in the United States on May 20, 2016
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D. Ryan
Lake Worth, US
★★★★★ 5
An insightful concise book by Vansant
Format: Paperback
In this NORMANDY 102-page full-color trade, in 15 chapters of 6 to 10 pages each, Vansant covers various chronological aspects of the Normandy invasion, from U.S. entry into the war in Europe, up through planning and execution of "Operation Overlord", the final Normandy seige with gliders, paratroopers, air combat and the beach invasions, the liberation of Paris from the Nazis, up through August 1944. Vansant's NORMANDY is remarkably informative for such a concise volume. And its attention to detail in accurately illustrating uniforms, tanks and planes is greatly appreciated. My one complaint is the 6" by 9" size of the book. I would have preferred a standard 7" X 10" size trade, that is the standard for comic book trade collections. It is a sturdy book with a tight binding, and a slightly larger size would make the book to be less difficult to pry open, and the art easier to appreciate in a larger size. I also wish Vansant had included more panels of maps, detailing the movements of troops at points througout the vast scope of what is described in NORMANDY. Vansant's work is worth seeking out, in its accurate portrayal of various battles throughout history, from the Nazi battles, to the Civil War, to the Pacific War. And as far as I know, Vansant got his start illustrating the Vietnam war in Marvel's THE 'NAM for several years, back in the mid/late 1980's. And two other World War II stories in SAVAGE TALES (1987) issues 7("Tiger Tiger", about a Panzer tank fighting in Russia) and 8 ("Chindits", about British jungle fighters in Burma in 1944). Vansant's newer work is slightly rougher than his 80's/90's work, but still very precise and detailed. I'd compare his work to that of Sam Glanzman, Gray Morrow, John Severin and Michael Golden. And it's great to see a comics illustrator drawing war stories that makes an effort to tell a story with more than just a riproaring action story, but one where you walk away with factual information about actual combat. Chapter 14 ,"The Killing Ground", hit me especially hard in portraying the bloodbath horrors of war. I wouldn't want to be one of the Nazis in that bombarded field of 10,000 bodies. I previously purchased BATTLE GROUP PEIPER by Vansant(1991) , which despite being in black-and-white and a shorter 32-page historical comic book, was in some ways more interesting to me than NORMANDY, because it followed one Waffen SS commander (Peiper) through the weeks of Battle of the Bulge. (Peiper is breifly mentioned in the NORMANDY book, although "Battle of the Bulge" events in BATTLE GROUP PEIPER occur after the events depicted in NORMANDY.) The only other weakness (unlike the 1991 separate 32-page BATTLE GROUP PEIPER story I mentioned above) is that in the scope of the 102-page NORMANDY book it focuses on an overview narrative, rather than spending any length of time on any one soldier or commander, and is therefore less personal than BATTLE GROUP PEIPER is. And is more of an overview synopsis. But still loaded with compelling and informative history.
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Reviewed in the United States on August 29, 2013

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