SKU: 41761313835
maxi cosi car seat 2016

maxi cosi car seat 2016 Maxi-Cosi Pria Max All-in-One Convertible Car Seat Escargot

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Description

maxi cosi car seat 2016 Maxi-Cosi Pria Max All-in-One Convertible Car Seat EscargotThe Maxi Cosi Pria Max All in One Convertible Car Seat is the best long term value all in one car seat for parents seeking a single seat that grows from birth through age 10 (5100 lbs) with premium comfort features, chemical free fabrics, and European engineering. Designed to grow seamlessly with your child through three distinct modesrear facing (540 lbs), forward facing (3065 lbs), and belt positioning booster (40100 lbs)the Pria Max makes travel

The Maxi-Cosi Pria Max All-in-One Convertible Car Seat is the best long-term value all-in-one car seat for parents seeking a single seat that grows from birth through age 10 (5–100 lbs) with premium comfort features, chemical-free fabrics, and European engineering. Designed to grow seamlessly with your child through three distinct modes—rear-facing (5–40 lbs), forward-facing (30–65 lbs), and belt-positioning booster (40–100 lbs)—the Pria Max makes travel easier, safer, and more comfortable for both you and your little one. This thoughtfully crafted car seat offers innovative convenience features like the ClipQuik™ magnetic chest clip for one-handed buckling and Out-of-the-Way harness holders that eliminate fumbling during busy mornings. Compare the Maxi-Cosi Pria Max to the Cybex Callisto G 360: both are premium all-in-one convertible seats supporting rear-facing, forward-facing, and booster modes, but the Pria Max offers extended rear-facing to 40 lbs, ClipQuik™ magnetic chest clip (faster one-handed buckling), PureCosi™ chemical-free wool-free fabrics that are machine and dryer-safe, Out-of-the-Way harness holders, 3 recline positions, and FAA approval, while Cybex Callisto G 360 features 360-degree rotation and SensorSafe smartphone monitoring. Choose Pria Max if you want maximum convenience, easy-care fabrics, and traditional installation; choose Cybex Callisto G 360 if you prioritize rotation and smart monitoring technology. With innovative features like the ClipQuik™ magnetic chest clip and Out-of-the-Way harness holders, putting your child in and taking them out is faster and simpler than ever.

Equipped with plush PureCosi™ fabric that's both chemical-free and machine-washable, the Pria Max All-in-One is as cozy as it is safe—offering peace of mind for parents concerned about harmful substances in baby gear. The QuikFit headrest and harness system ensures easy adjustments as your child grows from newborn to big kid without tools or complicated processes. Installation is straightforward with 1-click LATCH connectors that secure in seconds, while the 3-position ReclineFit adapts to various vehicle seats and sleeping positions. Extra padding provides infant head support and lumbar support for maximum comfort during long car rides. The advanced side-impact protection guards your child's safety during lateral collisions. Dual removable, dishwasher-safe cup holders keep drinks and snacks within reach while remaining easy to clean. The FAA-approved design makes the Pria Max an excellent choice for families traveling by air, with a compact, comfortable footprint suitable for aircraft use. Available in multiple stylish colors—Tetra Graphite, Tetra Blue, Tetra Plum, Urban Wonder, Essential Black, and Desert Wonder—the Pria Max seamlessly matches your personal style and car interior. The machine-washable and dryer-safe PureCosi™ fabrics simplify cleaning after spills and messes, while non-fabric parts wipe clean with a damp sponge.

Maxi-Cosi Pria Max All-in-One Convertible Car Seat Features:

  • All-in-one, birth-to-10-years design: Supports children from 5 to 100 lbs across three modes without needing additional car seats

  • Three modes of protection: Rear-facing (5–40 lbs), forward-facing (30–65 lbs), and belt-positioning booster (40–100 lbs) for extended use

  • ClipQuik™ magnetic chest clip: One-handed magnetic buckle makes securing your child fast and hassle-free, even during rushed mornings

  • Out-of-the-Way harness system: Harness holders eliminate fumbling with straps and buckles during loading and unloading

  • PureCosi™ chemical-free fabrics: Wool-free and free from flame-retardant chemicals, offering a safer choice for sensitive skin

  • QuikFit adjustable headrest and harness: Effortlessly adjusts to accommodate growing children without tools or complicated processes

  • ReclineFit with 3 recline positions: Adapts to various vehicle seats and sleeping positions for comfort and proper posture

  • Extra padding: Additional cushioning for infant head support and lumbar support for maximum comfort on long rides

  • Machine-washable and dryer-safe fabric: PureCosi™ fabrics simplify cleaning—just toss in the washer for easy maintenance

  • Advanced side-impact protection: Guards your child's safety during lateral collisions with reinforced design

  • Dual removable cup holders: Dishwasher-safe cup holders keep drinks and snacks within reach while remaining easy to clean

  • 1-click LATCH connectors: Quick and secure installation in seconds without complicated assembly

  • FAA-approved for air travel: Certified for safe use on airplanes, providing peace of mind for flying families

  • Stylish color options: Available in Tetra Graphite, Tetra Blue, Tetra Plum, Urban Wonder, Essential Black, and Desert Wonder

Safety and Comfort Features:

  • Extended rear-facing to 40 lbs: Keeps children rear-facing longer for optimal safety during critical early years

  • Three-mode versatility: Rear-facing, forward-facing, and booster modes grow with child through age 10

  • Side-impact protection: Advanced reinforced design protects head, neck, and torso during lateral collisions

  • QuikFit harness system: No-rethread harness grows with child and adjusts easily as they grow

  • PureCosi™ chemical-free materials: Wool-free and flame-retardant-free fabrics provide safe, non-toxic environment

  • Extra padding: Infant head support and lumbar cushioning for comfort and proper spinal alignment

What Sets the Pria Max Apart:

The Pria Max offers significant convenience upgrades over the standard Maxi-Cosi Pria All-in-One model, including the ClipQuik™ magnetic chest clip and Out-of-the-Way harness holders. These features make it noticeably easier to get your child in and out of the car seat during daily use. Combined with added plush padding and PureCosi™ fabrics, the Pria Max enhances both comfort and safety throughout your child's growth from birth to age 10.

Easy Care and Maintenance:

Cleaning your Pria Max is simple. The machine-washable PureCosi™ fabric is both washer and dryer safe, so you can keep it fresh with ease after spills, accidents, or regular use. For non-fabric parts, simply wipe with a damp sponge, and clean the harness system with mild soap and water. Avoid bleach or harsh chemicals to maintain the seat's quality and longevity.

Installation and Use:

Installing the Pria Max is straightforward with its 1-click LATCH connectors that secure in seconds. The seat's manual provides detailed instructions for proper installation in each mode—rear-facing, forward-facing, and booster—ensuring a secure fit for every stage of your child's growth. The QuikFit headrest adjusts without tools, and the harness system grows with your child seamlessly.

Product Specifications

  • Rear-facing weight range: 5–40 lbs
  • Forward-facing weight range: 30–65 lbs
  • Booster weight range: 40–100 lbs
  • Age range: Birth to approximately 10 years
  • Three modes: Rear-facing, forward-facing, belt-positioning booster
  • Harness: QuikFit no-rethread system with adjustable headrest
  • Recline positions: 3 positions for comfort and posture adjustment
  • Installation: 1-click LATCH connectors or vehicle seat belt
  • Headrest: Adjustable QuikFit headrest with side-impact protection
  • Materials: PureCosi™ chemical-free, wool-free, flame-retardant-free fabrics
  • Fabric care: Machine washable and dryer-safe
  • Cup holders: Dual removable, dishwasher-safe
  • Air travel: FAA-approved for aircraft use
  • Color options: Tetra Graphite, Tetra Blue, Tetra Plum, Urban Wonder, Essential Black, Desert Wonder
  • Special features: ClipQuik™ magnetic chest clip, Out-of-the-Way harness holders
  • Best for: Long-term value, all-in-one convenience, chemical-free safety, easy maintenance, air travel

Shop the Maxi-Cosi collection

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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SKU: 41761313835

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4.7 ★★★★★
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Zachary Bednar
Port Orchard, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
New York, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Chelsea, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
K
Verified Purchase
Krisha
Charlottesville, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
R
Verified Purchase
Rob
Lake Worth, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2026

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