SKU: 4528463395
surfactant with herbicide

surfactant with herbicide Surface Nonionic Surfactant for Herbicides

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Description

surfactant with herbicide Surface Nonionic Surfactant for HerbicidesWhat is a Surfactant? A surfactant is any compound that breaks a liquid's surface tension and increases its contact with a target substance. A prime example is hand soap. It breaks the surface tension of water and helps the liquid get under and remove dirt and grime from your hands. When it's combined with a pesticide, Alligare Surfactant helps the chemical agents penetrate the leaves and go to work on the target pest. How Does Alligare Surface Work?

What is a Surfactant?

A surfactant is any compound that breaks a liquid's surface tension and increases its contact with a target substance. A prime example is hand soap. It breaks the surface tension of water and helps the liquid get under and remove dirt and grime from your hands. When it's combined with a pesticide, Alligare Surfactant helps the chemical agents penetrate the leaves and go to work on the target pest.

 

How Does Alligare Surface Work?

Alligare Surface contains a 100 percent proprietary blend of formulation aids, glycol derivatives, humectant and alkyl polyoxethylene. This general-purpose, nonionic surfactant can be used with most any pesticide or plant growth regulator in a variety of settings. Surface mixes well in the tank and improves a product's performance instantaneously. The active ingredients break the surface tension of the product and help the plant absorb it more easily for greater results. 

 

Where to Use Alligare Surface Surfactant

Use Alligare Surface with any compatible insecticide, fungicide or herbicide to kill and control pests in lawns, commercial grassy areas, industrial turf and forestry sites. You should add Surface right before filling the container with water and then shake it before spraying the mixture onto the target areas. Once it's applied, the surfactant will help the product stick to the leaves and start working.

 

Alligare Surface Features and Benefits

  • Breaks the surface tension of a liquid and improves product effectiveness
  • Helps a fungicide stick to and penetrate the target for greater control
  • For use with herbicides and insecticides on various residential and commercial areas
  • Assists in the penetration of active ingredients
  • Increases spray coverage on terrestrial and aquatic plants

Tips for Use

  • Read the label for compatibility as some mixtures may cause phytotoxicity to desirable crops.
  • Shake the tank completely before spraying to ensure a thorough mixture.

Alligare Surface Surfactant Increases Pesticide Effectiveness

With Alligare Surface surfactant, you don't have to worry about insecticides or herbicides running off the target area. This nonionic surfactant keeps the product stuck on the leaves, giving it a chance to penetrate the foliage and take effect right away. It's compatible for use with various pesticides and also improves the spray coverage of plant growth regulators. For better weed and pest control, use Alligare Surface surfactant in your tank.

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SKU: 4528463395

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Verified Purchase
David R. Papke
Whiting, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Whiting, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Cuba, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Draper, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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