SKU: 4926465652
philodendron heterocraspedon

philodendron heterocraspedon Philodendron Heterocraspedon

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Description

philodendron heterocraspedon Philodendron HeterocraspedonPhilodendron Heterocraspedon Philodendron heterocraspedon A rare and texturally captivating species formally described by Croat & D. C. Bay in 2006, Philodendron heterocraspedon is a canopy climbing aroid native to the wet lowland and lower montane rainforests of Colombia and Ecuador, typically found between 50 and 800 meters elevation. Its name derives from the Greek hetero ("different") and craspedon ("border") a nod to its distinctively undulating

Philodendron Heterocraspedon Philodendron heterocraspedon

A rare and texturally captivating species formally described by Croat & D.C. Bay in 2006, Philodendron heterocraspedon is a canopy-climbing aroid native to the wet lowland and lower montane rainforests of Colombia and Ecuador, typically found between 50 and 800 meters elevation. Its name derives from the Greek hetero ("different") and craspedon ("border") — a nod to its distinctively undulating leaf margins that set it apart from superficially similar species. The leaves are long, narrow, and elegantly elongated, tapering to a pointed tip with a smooth matte-gloss finish, deeply impressed primary venation that creates a gently pleated or ribbed texture across the blade, and wavy margins that give the foliage an almost sculptural, architectural quality. Juvenile leaves are narrower with simpler form, gradually developing greater width, stronger venation, and more pronounced margin undulation as the plant matures on a support. Still extremely scarce in cultivation and rarely seen outside specialist collections, it is a plant that rewards patient growers with increasingly impressive foliage over time.

  • Light: Bright indirect light ideal — supports compact internodes, strong venation, and the best leaf texture. Avoid harsh midday sun. Tolerates moderate light but growth slows considerably.
  • Water: Water when top 1-2" of medium is dry, then saturate thoroughly and allow to drain. Keep consistently moist during active growth but never waterlogged. Excellent drainage essential.
  • Humidity: 60-80% preferred. Stable high humidity supports larger leaves and more pronounced leaf texture. A humidifier is strongly recommended.
  • Soil: Chunky, well-draining aroid mix — orchid bark, perlite, and coco coir. Provide a firm moss pole or trellis — vertical support encourages increasingly large and well-textured mature leaf development.
  • Fertilizer: Balanced liquid fertilizer at half strength every 2-4 weeks during active growth. Reduce in winter. Consistent nutrition supports the energy demands of producing large, heavily veined leaves.
  • Temperature: 65-82°F (18-28°C). Keep above 60°F. No cold drafts or AC vents — strictly tropical with no cold tolerance.
  • Toxicity: Toxic to humans and pets if ingested. Contains calcium oxalate crystals causing irritation and swelling of the mouth, throat, and digestive tract.
  • Propagation: Stem cuttings taken just below a node, rooted in water or sphagnum moss in warm, humid conditions. Provides a moss pole from an early stage — this species responds strongly to vertical support with progressively more impressive foliage.
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SKU: 4926465652

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4.3 ★★★★★
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Bobo
Charlottesville, US
★★★★★ 3
Very interesting reading.
Very interesting reading. He gives a very different picture (and more accurate picture, I'm sure) of the Indians in North and South Americas than what we've been told in our history books. They could very well be the lost tribes of Israel.
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Reviewed in the United States on April 23, 2021
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Sister Kana
Port Orchard, US
★★★★★ 5
Five Stars
great book
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Reviewed in the United States on May 8, 2016
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J
Grantham, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
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Divan
Belleville, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
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David Bankston
Louisville, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000

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