SKU: 55226636698
tower garden planting seeds

tower garden planting seeds Seed Starter Kit for Tower Garden *Fall & Winter*

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Description

tower garden planting seeds Seed Starter Kit for Tower Garden *Fall & Winter*All in One Tower Garden Variety Pack includes an assortment of our 15 most popular varieties that are proven to grow extremely well using your Tower Garden system. Seeds are all individually packaged. Packaged with zip lock bag system for long term storage and maximum seed protection. Includes all of the following 15 varieties: 1. Bean (Pole) Rattlesnake (appx. 20 seeds) The Rattlesnake pole bean is a popular heirloom variety that produces pods with

All-in-One Tower Garden Variety Pack includes an assortment of our 15 most popular varieties that are proven to grow extremely well using your Tower Garden system.

Seeds are all individually packaged.  Packaged with zip-lock bag system for long-term storage and maximum seed protection.


Includes all of the following 15 varieties:


1. Bean (Pole) - Rattlesnake (appx. 20 seeds)

The Rattlesnake pole bean is a popular heirloom variety that produces pods with streaks of green and purple gives the appearance of a rattlesnake! Matures quickly and is extremely productive throughout the entire season - Extremely delicious and tender. Used in soups and many other recipes. Grows exceptionally well in hot & humid grow zones.

2. Cucumber - Ashley (appx. 10 seeds)

The cucumber Ashley plant produces excellent yields of 8" long pale green cucumbers. Excellent slicing variety. Perfect for home gardeners and market growers. Grows as a vine. Perfect for raised beds.

3. Eggplant - Florida Market (appx. 30 seeds)

This plant will produce excellent yields of dark purple eggplants in the shape of teardrops. The plants are strong and especially good for market growers. Excellent for baking, slicing, and more!

4. Endive - Green Curled (appx. 100 seeds)

Endive is a healthy and delicious leafy green. The Green Curled Endive plant produces dark green curly leaves with large tender crisp ribs. Excellent salads and sandwiches. Extremely easy to grow. Endive is rich in many vitamins and minerals, especially in folate and vitamins A and K, and is high in fiber.

5. Kale - Classic Blue Curled Scotch (appx. 50 seeds)

    Snow can protect plants from extreme cold so that they stay in the garden longer. Kale is one of these plants! Very cold-hardy. The Blue Curled Scotch is an early Kale variety which will produce tasty greens! - Excellent in salads or steamed. 

    6. Lettuce - Gourmet Mesclun Mix (appx. 200 seeds)

    A mixture of favorite lettuce seed varieties from across the spectrum of lettuce types. - Plant heavy and start harvest early for young for baby greens then allow some to grow on for plenty of variety for salads. - A great way to get a lot out of little space. - Perfect for tower gardens. 

      7. Lettuce - Romaine Dark Green (appx. 135 seeds)

      The Green Cos (aka Romaine Lettuce) is one of the most popular crispy salad vegetables.   This variety of lettuce is well known for its crisp green upright narrow heads of leaf that comes in dark green color.   Also grows well in containers on a patio.

        8. Mustard - Old Fashion (Appx. 30 seeds)

          Believe it or not, when the mustard plant is spent under the cover of snow they have been known to emerge in perfect condition once the snow melts. Produces good yields of flavorful dark green mustard leaves. Harvest as much as you want and do it often. Super easy to grow.

          9. Pepper - Hungarian Wax (appx. 10 seeds)

          The Scoville Heat Units (SHU) for this pepper measures 750 to 3,000. Hungarian hot wax derived its name because it was originated in Hungary and has a waxy color that resembles bees' wax. This is a great all purpose pepper for processing and pickling, good for the home garden. Easy to grow. Tolerates heat extremely well. Grows well in containers and raised bed gardens.

          10. Spinach - Bloomsdale (appx. 70 seeds)

          Bloomsdale Spinach will produce heavy, glossy, dark green leaves. Excellent flavor. Extremely easy to grow. Large, curly dark green leaves with Nice sweet taste.

          11. Spinach - Noble Giant (appx. 70 seeds)

          Spinach is very hardy and can tolerate cold — in fact, it thrives in cold weather. The Noble Giant spinach is heavy, glossy, dark green plant with leaves that are heavily savoyed and crumpled. Extremely delicious and one of the most popular spinach varieties you can grow in your garden. Very easy to grow.

           12. Blue Lake Beans

            The Blue Lake Bush Bean produces long and tender stringless pods. Easy to grow and matures quickly. Pods can get as long as 5".  Excellent flavor with firm texture and rich colors. Beans mature all at once making it an easy harvest. High in vitamins A, B and C.

             13. Sorrel Greens - Broadleaf (Appx. 25 seeds)

              Slightly tangy lemon flavor which adds zest to salads and is especially good with fish. The leaves grow up to 8" long and can also be cooked like spinach or even used in soups. Sure to be your new favorite. 55 days to maturity.

              14. Swiss Chard - Rainbow (appx. 25 seeds)

              Swiss chard is very cold-tolerant, & can survive dips to 15 °F without any protection. The Yellow Canary Swiss Chard is a popular plant that produces some of the most amazing looking swiss chard leaves in a bright shades of yellow. Perfect for salads or steamed greens.  One of this years most popular varieties to grow.  Extremely healthy. Easy to grow.  

              15. Corn Salad, Mache - Lamb's Lettuce (appx. 25 seeds)

              Corn Salad has a delicate flavor, similar to a butterhead lettuce. It is quite hardy and requires very little care while remaining practically free of pests & disease. Corn salad is also known for growing vigorously in almost any soil!


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              SKU: 55226636698

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              4.9 ★★★★★
              Based on 28 reviews
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              J
              Verified Purchase
              jk Smiles
              Pawtucket, US
              ★★★★★ 5
              A book on dialogue should be experienced first as a book on tape
              Format: Audio CD
              I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
              WAS THIS REVIEW HELPFUL?YesReportShare
              Reviewed in the United States on August 30, 2018
              L
              Verified Purchase
              Lori T. Sly
              Natrona Heights, US
              ★★★★★ 4
              Helpful, but not as good as "Story" by same author, and it disses certain genres
              Format: Hardcover
              This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
              WAS THIS REVIEW HELPFUL?YesReportShare
              Reviewed in the United States on December 12, 2019
              R
              Verified Purchase
              Ray Pryor
              Bozeman, US
              ★★★★★ 5
              Amazing.
              Format: Kindle
              Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
              WAS THIS REVIEW HELPFUL?YesReportShare
              Reviewed in the United States on April 18, 2017
              K
              Verified Purchase
              Kindle Customer
              San Leandro, US
              ★★★★★ 5
              So to speak
              Format: Kindle
              Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
              WAS THIS REVIEW HELPFUL?YesReportShare
              Reviewed in the United States on June 12, 2017
              C
              Verified Purchase
              cf otto
              Omaha, US
              ★★★★★ 5
              ONE OF THE TWO BEST BOOKS ON SCREENWRITING
              Format: Hardcover
              Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
              WAS THIS REVIEW HELPFUL?YesReportShare
              Reviewed in the United States on October 14, 2016

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