SKU: 61386630310
a real monsters

a real monsters Aaahh!! REAL MONSTERS Signed Hand Painted Limited Edition Cel Nickelod– The Cricket Gallery

Sale price$18.14 Regular price$20.16
Save 10%

Pay in installments of $5.04 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Oct 3 - Oct 8

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

a real monsters Aaahh!! REAL MONSTERS Signed Hand Painted Limited Edition Cel Nickelod– The Cricket GalleryOne of a Kind Hand Painted Animation Production Cel "Trio of Terror" Fabulous Image! Edition of 300 Ickis, Oblina, Krumm The Cel is on a Reproduction Background Nickelodeon Studios Certificate of Authenticity (COA) Nickelodeon Klasky Csupo Seal Embossed on the Cel Please note the the cel you are receiving will be a different number than the one shown. Cel Size: 12 Field (10. 5" x 12"). It is unmatted and unframed. The cel you are bidding on is a

  • One-of -a-Kind Hand Painted Animation Production Cel
  • "Trio of Terror"
  • Fabulous Image!
  • Edition of 300
  • Ickis, Oblina, Krumm
  • The Cel is on a Reproduction Background
  • Nickelodeon Studios Certificate of Authenticity (COA) 
  • Nickelodeon/Klasky Csupo Seal Embossed on the Cel
  • Please note the the cel you are receiving will be a different number than the one shown.

Cel Size: 12 Field (10.5" x 12").  It is unmatted and unframed. The cel you are bidding on is a different edition number than the one shown.


Aaahh!!! Real Monsters is an American animated television series about adolescent monsters in training, developed by Klasky Csupo for Nickelodeon. The show ran for four seasons on Nickelodeon's main United States cable channel and was rerun on Nicktoons Network until 2006.
The show focuses on three monsters in particular (Ickis, Oblina, and Krumm) who attend a school for monsters under a city dump and learn to frighten humans. Many of the episodes revolve around the monsters making it to the surface in order to perform "scares" as class assignments. The show takes place in a landfill near New York City, in Newark, New Jersey.
Ickis
Ickis is the son of the legendary monster Slickis, a fact that has left him with a bit of an inferiority complex. He is short and magenta, with long ears and feet that look like jester shoes. Because of this, his scares often fail when he is mistaken for a rabbit. Ickis has the ability called "looming," which allows him to inflate himself to an enormous size, though he has some difficulty accomplishing this feat consistently. Ickis is a student at the Monster Academy, a boarding school for young monsters learning to scare. Ickis initially wore glasses in the episode "Monsters, Get Real," but this character trait was soon dropped.
Krumm
Like the rest of his family, Krumm's eyeballs are not attached to his body. Thus, he is usually seen carrying them in his hands, though if he requires the use of both hands, he can carry his eyes delicately in his mouth. His most valuable tool in scaring is his overwhelming armpit stench. He tends to be more gluttonous than his companions, and he has acrophobia, the fear of heights.
Oblina
Oblina comes from a wealthy monster family, and is considered to be The Gromble's best student. She is shaped like a black and white candy cane. One of her favorite methods of scaring humans is reaching within herself and pulling out her internal organs, and she also has considerable talent for shapeshifting into far more terrifying forms than her default. She also has the ability to induce nightmares in humans, by sticking a finger in their ear and tickling them while they sleep.

Klasky Csupo, Inc. (pronounced "Class-key Chew-po") is a multimedia entertainment production company located in Los Angeles, California, founded by artist/producer, Arlene Klasky and animator, Gábor Csupó.
Klasky-Csupo was started in 1982 in the spare bedroom of a Los Angeles apartment where Klasky and Csupo were living while married. Klasky-Csupo's first major work came in 1989, when they became the 'animation house' for the first three seasons of The Simpsons (after which Film Roman took over in 1992), Klasky-Csupo had already produced the animated pilots for The Simpsons, as sketches on The Tracey Ullman Show.  In 1991, Klasky-Csupo began producing Rugrats, an animated show for Nickelodeon.  Their next major series was Duckman for the USA Network. The show revolved around the home life and adventures of a dim-witted and lascivious private detective duck named Eric Duckman. The series ran from 1994 to 1997.  During the same time Nickelodeon released Klasky-Csupo's second Nicktoon series, Aaahh!!! Real Monsters. During this time Klasky Csupo ended production on Rugrats. However K-C produced three new Rugrats specials between 1995 and 1996. The specials were so successful that the series was revived in 1997.  After Duckman was cancelled in 1997, Klasky-Csupo began producing The Wild Thornberrys for Nickelodeon. The cartoon, premiering in 1998, revolved around a girl who could talk to animals.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 61386630310

Discover Niche Categories That Outsell a real monsters

Top-Converting Item to Boost Your Average Order

4.7 ★★★★★
Based on 7 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
M
Verified Purchase
M Summers
Belleville, US
★★★★★ 5
Profoundly helpful!
Format: Paperback
I lead book studies centered on social justice and Joash’s work is powerful and refreshing! Fresh perspectives, practical tips, & convicting truths rooted in the Good News of Jesus. Each member of the study has said again and again how good this book has been! Thank you Joash!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2026
D
Verified Purchase
D. Griffin
Alexandria, US
★★★★★ 5
Worthwhile read.
Format: Kindle
The first few chapters would perhaps been worth 10 stars the remaining chapters not so much although it was good information. It became a bit monotonous but all in all it’s still a five star book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 28, 2026
J
Verified Purchase
James Parker
Louisville, US
★★★★★ 5
Open our eyes
Format: Paperback
I recently finished reading Joash's very insightful, inspirational, and encouraging book.  I hope it is read and implemented far and wide.  His interpretation of Jesus and "the church" is as close to the spirit of Scripture as I can find.  Twenty years ago, I read "Jesus and the Disinherited" by Howard Thurman that led me to places and situations and cultures and events which were not part of my own life's context. It was Jesus' context and I began to understand his lessons through his eyes instead of my own.  Joash, like Howard Thurman, is right - we colonized, Caucasian, Western civilization folks just don't get it.  But we should and we need to. Open your mind to read this book and see things through God's eyes. Thank you Joash!! We should all look for ways to extend this teaching to others. "...thy will be done, on Earth [all of earth and humanity] as it is [and will be] in Heaven.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 6, 2025
C
Verified Purchase
Christopher W. Lilley
Lake Worth, US
★★★★★ 5
A Bold, Pastoral Call to Decolonize the Gospel
Format: Paperback, Format: Paperback
When I began my journey of theological deconstruction, I quickly realized that shedding the harmful elements of conservative white evangelicalism wasn’t enough. The deeper I went, the more I saw how white Christianity remains entangled with colonial narratives that uphold social and sexual hierarchies and distort the liberating truth of the Gospel. Rev. Joash Thomas’s *The Justice of Jesus* is the book I didn’t know I needed. His voice has profoundly shaped my theological imagination, and this work is a masterclass in liberation ecclesial theology. With clarity and courage, he names the perversion of white, colonialist, slaveholder theology and invites readers to confront its lingering presence in our churches, our pulpits, and our lives. What sets this book apart is its balance of prophetic fire and pastoral tenderness. Rev. Joash never veers into cynicism or outrage for outrage’s sake. Instead, he offers practical, Spirit-led guidance for reclaiming the Gospel from the sin of colonialism and whiteness. He casts a vision of Eucharistic unity, a table wide enough to defy empire and deep enough to hold our collective liberation in Christ. This book emboldened me to use my voice and privilege to pursue the decolonization of theological practice in my own context. I cannot recommend it highly enough to anyone seeking a Gospel that liberates, heals, and restores.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 3, 2025
M
Verified Purchase
Monica Godoy
Chelsea, US
★★★★★ 5
Un libro necesario para la iglesia hoy
Format: Paperback, Format: Paperback
As a believer from the Global South. As a child who first heard the liberating message of Jesus through integral mission in Latin America. Yet, over the years, I was also exposed to a highly colonized version of the gospel—one that increasingly abandoned the most vulnerable and aligned itself with a form of Christianity distant from real human needs. Reading this book restores my hope, not because change will come quickly or easily, but because it opens the space for the necessary conversations of reevaluation. Joash, in a very direct way, lays out the causes and effects of inherently unjust colonizing systems that have broken entire societies, and shows how these systems have permeated the way we live out the gospel of Jesus. By bringing these to light in various areas, he challenges the Western church to reconsider its practices, to move alongside the oppressed, and to become aware of its own shortcomings. At the same time, he reminds us that hope remains, that we have much to learn from the Global South, and that there are many silenced voices that must urgently be heard.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 2, 2025

recommand products