SKU: 63858277499
caravan coupe quad stroller wagon

caravan coupe quad stroller wagon Larktale Caravan Coupe Quad Compact Stroller Wagon

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Description

caravan coupe quad stroller wagon Larktale Caravan Coupe Quad Compact Stroller WagonThe Larktale Caravan Coupe Quad Compact Stroller Wagon solves the space crisis families with multiple children face. This full featured 4 seater stroller wagon combines the hauling capacity of a traditional wagon with the steering ease and maneuverability of a stroller, all in a package that folds compact enough for standard sedan trunks. Designed for children aged 6 months and up, each seat supports up to 48. 5 lbs with a total side capacity of 97

The Larktale Caravan Coupe Quad Compact Stroller Wagon solves the space crisis families with multiple children face. This full-featured 4-seater stroller wagon combines the hauling capacity of a traditional wagon with the steering ease and maneuverability of a stroller, all in a package that folds compact enough for standard sedan trunks. Designed for children aged 6 months and up, each seat supports up to 48.5 lbs with a total side capacity of 97 lbs and a combined weight limit of 215 lbs. The Quad adapts to growing families without requiring multiple purchases, transitioning from infant car seat compatibility through toddler and preschool years.

Comfort and flexibility define the Coupe Quad experience. Individually reclining seats allow each child to adjust to their preferred position, whether napping or sitting upright. The shared drop-down footwell provides natural stroller-style seating, but inverts easily to create a flat base for older children who prefer to stretch out or for quick nap setup. The adaptable no-rethread harness system configures for one or two passengers per side, accommodating flexible seating arrangements without rethreading straps. The large sun canopy with zippered mesh ventilation protects from sun while allowing airflow control. All-terrain wheels with all-wheel suspension glide smoothly across grass, gravel, pavement, and trails, while the front wheel lock provides stability on uneven terrain. The adjustable handlebar spans 28 to 43 inches, accommodating parents of all heights.

Storage and organization transform daily family outings. The included deluxe rain cover ensures all-weather readiness. Multiple interior and exterior mesh pockets accommodate snacks, toys, and essentials. A removable storage console provides dedicated space for children's items or parent belongings. The front or rear attachable storage basket offers flexible access. A zippered footwell release makes cleanup simple, sweeping dirt from the wagon interior quickly. Removable, hand-washable fabrics handle messes easily without requiring full fabric replacement.

Newborn flexibility expands the Coupe Quad timeline. While seats are rated for 6 months and up, compatible car seat adapters for Maxi Cosi, Nuna, and Clek infant car seats transform the wagon into a newborn-friendly system from day one. This compatibility means one wagon grows with your family through multiple developmental stages, from infant through kindergarten years, reducing the need for multiple purchases and constant gear transitions.

Compact design means big adventures. The Coupe Quad folds compactly to fit most sedan trunks, making it ideal for families in apartments, small homes, or vehicles with limited cargo space. The 49.5" x 30" x 42.5" assembled dimensions provide spacious seating, while the 38.5" x 30" x 18" folded profile optimizes storage. Removable wheels allow even smaller folding for tight spaces. At 54.3 lbs, it's heavier than two-seaters but delivers the capacity and features families of four genuinely need.

Larktale was founded with a mission to simplify parenting through innovative, eco-conscious gear designed in Australia. The brand prioritizes lightweight frames, thoughtful engineering, and GREENGUARD Gold Certified fabrics that support busy families while maintaining safety and sustainability. The Coupe Quad reflects this philosophy: engineered for real families managing four children, diverse terrains, and the constant challenge of fitting gear into compact spaces. Built to last and proven through customer testing, every Larktale product supports mobile, connected family moments.

Perfect for: Families with 3 to 4 children ages 6 months to 5+ years, parents seeking 4-seater wagon versatility with stroller maneuverability, families with limited car trunk or home storage space, city-living families needing compact solutions, outdoor enthusiasts who need all-terrain capability, parents transitioning from infant car seats to toddler seating, active families managing daily outings, parks, and vacations.

Key Benefits:

  • Seats four children from 6 months up, up to 48.5 lbs per seat or 97 lbs per side, 215 lbs total capacity
  • Individually reclining seats with multiple position options for optimal comfort
  • Compact fold fits standard sedan trunks for easy transport and storage
  • Steers and maneuvers like a stroller despite 4-seater wagon-style hauling capacity
  • All-terrain wheels with all-wheel suspension for smooth terrain navigation
  • Front wheel lock for stability on uneven ground and outdoor trails
  • Drop-down footwell or inverted flat base adapts to seating and rest needs
  • Adaptable interior with no-rethread harness configurable for 1 or 2 per side
  • Large sun canopy with zippered mesh ventilation for weather protection and airflow
  • Deluxe rain cover included for all-weather readiness
  • Versatile storage basket attaches front or rear for flexible access
  • Removable storage console for children's snacks and toys
  • Multiple interior and exterior mesh pockets for organization
  • Zippered footwell release for quick interior cleanup
  • Removable, hand-washable fabrics for easy maintenance
  • Adjustable handlebar spans 28 to 43 inches for parents of all heights
  • Car seat adapter compatible with Maxi Cosi, Nuna, and Clek infant car seats
  • GREENGUARD Gold Certified fabrics prioritize safety and sustainability
  • Lightweight, durable construction designed to last through multiple children
  • 4.8/5 star rating with 92% recommendation rate from parents
  • Newborn compatible with appropriate car seat adapters

Why Choose Caravan Coupe Quad: This wagon solves multiple family pain points simultaneously. The compact fold means no massive garage storage requirements while delivering true 4-seater capacity. The patented individually reclining seats pioneered by Larktale expand interior space rather than sacrificing foot room when seats recline. The all-terrain wheels handle park grass, gravel paths, and uneven terrain without the harsh ride of wagons lacking suspension. Most importantly, one wagon serves from newborn through kindergarten when paired with appropriate car seat adapters, eliminating multiple purchases and the constant gear rotation families managing four children endure. Parents consistently praise the smooth push, easy steering, quick setup, and clever storage solutions that make multi-child outings manageable.

Explore the complete Larktale collection at ANB Baby for innovative, eco-conscious strollers, wagons, and accessories designed for real family adventures.

Shipping Notes
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SKU: 63858277499

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4.6 ★★★★★
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J. H. Haley
Lowell, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007
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mojo_navigator
Dallas, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
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KEITH
Natrona Heights, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Houston, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
C
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Clare Quilty
Carnegie, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005

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