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Description
bugaboo donkey 3 mono vs duo Bugaboo Donkey 5 Mono 2-in-1 StrollerThe future ready stroller that grows with your family. The Donkey 5 Mono converts from single to double in only three clicks. Converts to a double with Duo extension set Large total storage up to 44 lbs Easy to maneuver on all terrains Breathable PureBreeze mattress with dual sides and antibacterial protection Large extendable UPF 50+ sun canopy Reversible and reclinable seat Adjustable five point safety harness One piece self standing fold or two
The future-ready stroller that grows with your family. The Donkey 5 Mono converts from single to double in only three clicks.
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Converts to a double with Duo extension set
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Large total storage up to 44 lbs
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Easy to maneuver on all terrains
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Breathable PureBreeze™ mattress with dual sides and antibacterial protection
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Large extendable UPF 50+ sun canopy
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Reversible and reclinable seat
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Adjustable five-point safety harness
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One-piece self-standing fold or two-piece compact fold
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Car seat compatible (adapters needed)
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Add a wheeled board (sold separately) to stroll with three children
General
Stroller weight (fully assembled) With seat: 15.1kg/33.28 lbs. With bassinet: 16.05 kg/35.38 lbs.
Stroller width 23.6 in (Mono configuration)
Age range 0 months – 4 years
Dimensions
Front wheels 10 in
Rear wheels 12 in
Min – Max adjustable handlebar height 86 – 106 cm/33.86 – 41.73 in
Capacity
On the seat 50 lbs (per seat)
In the underseat basket 22 lbs
Side luggage basket 22 lbs
Materials
Inner and outer fabric 100% polyester
Handlebar grips 100% PU faux leather material
Mattress Outside: 100% polyester. Filling: 100% polyurethane foam.
Care instruction
Washing and cleaning All fabrics are machine washable at 86°F. The faux leather grips can be cleaned with a damp cloth. Always consult the washing label for the exact instructions.
What's in the Box?
Stroller base
The hardware for your Bugaboo Donkey 5. Comes with a chassis, wheels, wheel caps, and pre-assembled grips.
Seat
Including a seat hardware, a footrest, a seat fabric, a carry handle, a leather-look grip, and a five-point safety harness.
Bassinet
With a breezy panel for breathability and visibility. Including bassinet hardware, bassinet fabric, and an aerated mattress.
PureBreeze™ mattress
With dual sides for summer and winter. Featuring enhanced breathability and antibacterial technology for a healthier strolling environment.
Sun canopy
With UPF 50+ protection and a peek-a-boo panel. Including wires and clamps.
Rain cover
Protect your children from last-minute weather changes.
Side luggage basket and underseat basket
Maximum capacity 10 kg/22 lbs in each basket.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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- Delivery to the USA:
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- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.4 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017