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lady of the night succulent

lady of the night succulent Shop 'Queen of the Night – Epiphyllum oxypetalum' Care & Growing Guide

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Description

lady of the night succulent Shop 'Queen of the Night – Epiphyllum oxypetalum' Care & Growing GuideThe Queen of night plant, known as Epiphyllum oxypetalum, is a stunning, night blooming cereus cactus that has captivated plant enthusiasts worldwide. Its allure comes from its spectacular, large, fragrant flowers that bloom only for just one night and droop by dawn. This plant has a sprawling, epiphytic growth habit, producing long, spineless flat, green stems that climb or cascade over surfaces, making it ideal for hanging baskets or trellises. The

The Queen of night plant, known as Epiphyllum oxypetalum, is a stunning, night-blooming cereus cactus that has captivated plant enthusiasts worldwide. Its allure comes from its spectacular, large, fragrant flowers that bloom only for just one night and droop by dawn. This plant has a sprawling, epiphytic growth habit, producing long, spineless flat, green stems that climb or cascade over surfaces, making it ideal for hanging baskets or trellises.  

The Queen of the Night is considered a symbol of luck and prosperity in some cultures like India or China, with blooming nights seen as auspicious events. This ephemeral beauty, combined with its easy care and adaptability, has made it a popular choice for homes, greenhouses, and tropical gardens. 

Apart from being called Queen of the Night cactus also has several other names, such as Dutchman’s Pipe Cactus, Princess of the night, Orchid Cactus, and Night-Blooming Cereus. These names reflect their distinctive blooming habits and unique floral structure. 

Native to the rainforests of Central and South America, particularly Mexico and parts of Brazil.

It thrives in warm, humid environments, growing as an epiphyte on trees or rocky surfaces, where it absorbs moisture and nutrients from its surroundings.

Over time, it has also become naturalized in many tropical and subtropical regions worldwide, including India and Southeast Asia.

This cactus is unique in that it does not resemble the traditional spiny desert cacti.

Instead, it has broad, flat, green stems that function as leaves, giving it a lush, tropical appearance.

These stems can grow long and arching, sometimes reaching several feet in length. The plant’s epiphytic nature allows it to climb or sprawl, making it a versatile choice for hanging baskets, pots, or trellises. 

Under optimal conditions, Queen of the Night can grow 10 feet tall and 3 feet wide. Since it grows primarily through its long, flat stems, it requires ample space to thrive. Regular pruning can help control its size while encouraging more vigorous blooming. 

The Queen of the Night’s flowers are its most remarkable feature. The large, white, and highly fragrant blossoms open only at night, typically during warm summer months, and release an intoxicating scent that attracts nocturnal pollinators like moths and bats. However, by early morning, the flowers wilt, making their beauty a fleeting but unforgettable sight. 

After flowering, the night blooming cereus plant produced oblong, purplish-red, and edible fruit. It's similar to dragon fruit or pitaya, but smaller.  

One of the most fascinating aspects of Epiphyllum oxypetalum is its unpredictable blooming cycle. Many gardeners eagerly await the moment when their plant decides to bloom, as it often takes years before the first flowers appear.  

When and How to Water Your Queen of the Night

The Queen of the Night is a drought-tolerant epiphytic cactus, which can survive with minimal water. While it does require some moisture to thrive, it is highly adapted to periods of dryness. It stores water in its fleshy stems, reducing the need for frequent watering. Overwatering can lead to root rot, so well-draining soil is crucial.

In the spring and summer, during the active growing season, water deeply but infrequently, allowing the soil to dry out between waterings. In warm months, watering once every 7-10 days is usually sufficient. If you grow outdoors in a hot climate, check the moisture levels and adjust accordingly. Indoors, a similar schedule works, but humidity may affect watering frequency. Always use a pot with drainage holes to prevent excess moisture buildup. 

In late fall and winter, during the dormant season, watering should be significantly reduced. The plant requires very little moisture during this period. Watering once a month or when the soil is completely dry is ideal. Keeping the plant dry during dormancy helps prevent fungal issues and ensures it remains healthy for the next growing cycle. 

Light Requirements – Where to Place Your Queen of the Night 

When grown indoors as a houseplant, the Queen of the Night prefers bright, indirect light.

A north- or east-facing window works best, ensuring it receives sufficient brightness without direct exposure to intense sun rays.

Artificial grow lights can supplement natural light if needed, especially in lower-light homes.

Direct sun for extended periods can scorch the leaves.

For outdoor growth, this plant thrives in partial shade or dappled sunlight, mimicking its natural habitat beneath tree canopies.

It requires about 4-6 hours of filtered sunlight daily. If growing in direct sun, provide shade during the hottest parts of the day. In hotter climates, protecting the plant from the intense afternoon sun prevents leaf burning and stress. 

Optimal Soil & Fertilizer Needs 

The Queen of the Night Plant thrives in well-drained, airy soil that mimics its native epiphytic environment. Avoid heavy soils that retain too much moisture, as this can cause root rot. Planting them in ordinary soil will result in compacted roots, stunted growth, and most likely root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized cactus potting mix, opens in a new tab that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your cactus to thrive. 

A balanced liquid NPK fertilizer with a 5-10-5 ratio should be applied once a year in the spring. Avoid over-fertilizing, as excess nutrients can lead to weak growth and fewer blooms. During the dormant season, stop fertilizing altogether. The plant naturally slows its growth, so additional nutrients are unnecessary and can do more harm than good. 

Hardiness Zones & More 

When grown indoors as a houseplant, the Queen of the Night prefers temperatures between 60-75°F. It enjoys moderate to high humidity levels, around 50-70%. A humidity tray or occasional misting can help in dry climates. Indoors, bright indirect light is best, ensuring proper photosynthesis without direct sunburn. 

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii then you can cultivate it outdoors in USDA zones 9-11.

It thrives in warm climates with mild winters but is not frost-hardy.

If temperatures drop below 50°F, it is best to bring the plant indoors.

Outdoor humidity should ideally be above 50%, but it can adapt to drier conditions with occasional watering adjustments. 

Wildlife – Queen of the Night Flowers Attract the Following Friendly Pollinators 

The Queen of the Night is known for its fragrant, night-blooming flowers, which attract nocturnal pollinators. Its large, white blooms open after sunset, drawing moths and bats, which are its primary pollinators. These creatures are essential for their reproduction in the wild. 

According to the ASPCA, Epiphyllum oxypetalum is considered non-toxic to humans, cats, and dogs, making it a pet-friendly houseplant. It is safe to touch and handle, making it a great option for households with pets or small children. Additionally, this plant is known for its stunning nocturnal blooms that can add a touch of beauty to any indoor space.  

How to Propagate Your Epiphyllum oxypetalum 

To propagate your Epiphyllum oxypetalum, start by taking a cutting from a healthy, mature plant. Allow the cutting to callus over for a few days before planting it in well-draining soil. Keep the soil consistently moist and provide indirect sunlight to encourage root growth. With proper care, your cutting should develop roots and eventually grow into a new plant.  

Key Takeaways

  1. Queen of the Night is one of the most popular night-blooming cereus cacti, admired for its large, fragrant flowers that open only at night.
  2. This plant is highly drought-tolerant, requiring minimal watering and thriving in well-draining soil with occasional moisture.
  3. The Queen of the Night flower is considered a symbol of luck and prosperity in India and China, where its rare bloom is believed to bring good fortune.
  4. The flowers of Epiphyllum oxypetalum typically bloom once a year, opening for a single night and wilting by dawn, making each flowering event special.
  5. This plant has a sprawling, epiphytic growth habit, producing long, flat, green stems that climb or cascade over surfaces, making it ideal for hanging baskets or trellises.

The Bottom Line 

Overall, the Queen of the Night (Epiphyllum oxypetalum) is an extraordinary plant that offers a rare and mesmerizing floral display. Its adaptability, ease of care, and breathtaking blooms make it a prized possession for succulent and cactus lovers. Whether grown indoors or outdoors in warm climates, Epiphyllum oxypetalum is a rewarding plant that, with patience and the right conditions, rewards growers with a truly magical experience.  

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Christina Reynolds
Whiting, US
★★★★★ 5
A Tangled (But Necessary) Mess
My rating is more of a 4.5 Thanks for reading! 𝑰'𝒎 𝒏𝒐𝒕 𝒂𝒇𝒓𝒂𝒊𝒅 𝒂𝒏𝒚𝒎𝒐𝒓𝒆 𝒐𝒇 𝒕𝒆𝒍𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒕𝒓𝒖𝒕𝒉, 𝒐𝒇 𝒕𝒉𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝑰 𝒅𝒐𝒏'𝒕 𝒌𝒏𝒐𝒘, 𝒘𝒉𝒂𝒕 𝑰'𝒎 𝒍𝒐𝒐𝒌𝒊𝒏𝒈 𝒇𝒐𝒓 𝒂𝒏𝒅 𝒉𝒂𝒗𝒆𝒏'𝒕 𝒇𝒐𝒖𝒏𝒅. 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒕𝒉𝒆 𝒐𝒏𝒍𝒚 𝒘𝒂𝒚 𝑰 𝒄𝒂𝒏 𝒇𝒆𝒆𝒍 𝒂𝒍𝒊𝒗𝒆 𝒂𝒏𝒅 𝑰 𝒄𝒂𝒏 𝒍𝒐𝒐𝒌 𝒊𝒏𝒕𝒐 𝒚𝒐𝒖𝒓 𝒇𝒂𝒊𝒕𝒉𝒇𝒖𝒍 𝒆𝒚𝒆𝒔 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒔𝒉𝒂𝒎𝒆. 𝑳𝒊𝒇𝒆 𝒊𝒔 𝒂 𝒄𝒆𝒍𝒆𝒃𝒓𝒂𝒕𝒊𝒐𝒏. 𝑳𝒆𝒕'𝒔 𝒍𝒊𝒗𝒆 𝒊𝒕 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓! 8 & ½ s a 1963 Italian surrealist psychological comedy-drama film directed and co-written by Federico Fellini. Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical. In the time it takes to complete a single project a director will don countless hats and faces, 8 & ½ centered around the demands of this position and the chaos that transpires on a given film set. Born January, 20th, 1920, Fellini started working on movies in the capacity of a screenwriter, his earliest works including varying radio sketches and recipiency of his first screen credit for 𝑻𝒉𝒆 𝑷𝒊𝒓𝒂𝒕𝒆'𝒔 𝑫𝒓𝒆𝒂𝒎 in 1940. Shortly thereafter Fellini found himself continuously having more responsibility put on his plate, with some assignments requiring him to provide labor he hadn’t expected before: example of which being when he had to some acting of his own while 𝑳'𝑨𝒎𝒐𝒓𝒆 (1948) was in production. These roles run amok in 8 & ½, eventually culminating in Guido’s hesitancy to hand full reign of a given task to a given (But seemingly qualified) colleague, his worry somewhat rooted in the anticipated receptiveness of his anticipated audience to his final product; likewise, this disposition is further informed by what Fellini’s perceived as overt failures prior to the 8 & ½, as 𝑽𝒂𝒓𝒊𝒆𝒕𝒚 𝑳𝒊𝒈𝒉𝒕𝒔 (1950) left him with debts that took a decade to resolve on the account of it being poorly received. So begs the question at the root of Guido’s tangential laments and ruminations: Should movies be made primarily for an audience as a remote victory or reflective of its crew as a personal disaster? 8 & ½ opens on Guido Anselmi: Marcello Mastroianni bringing just the right amount of cool and cosmopolitan with an almost hitman disposition; as the production he is in charge of unfolds his appearance cracks under the pressure of this creation, in due time revealing someone that isn’t as confident as he appears and further upon at great risk of sinking in to an otherwise listless existence. Anselmi’s woes are interspersed with what can only be described as hazy dreams, the latter more overtly inspired by the subjects of religion and a pair of parental figures whom remain unimpressed by their sons’ abilities after having already passed away. Further investigation reveals to what extent these may be manifestations of insecurity on Fellini’s behalf; prior to working on films Fellini enrolled in a law school for the sake of pleasing his parents (though no record exists of him ever attending a class), and in spite of considering himself to be Catholic he avoided former activity in a corresponding church. No-one can speak with confidence as to what drove this refusal, except to say on the topic of faithfulness in the context of his marriage he was a known transgressor: so much so that in spite of marrying Giulietta Masina in 1943 he attended the funeral of his father with an identified mistress in 1956. Whether out of embarrassment, shame, or whatever else may be attributable, Guido’s stream of consciousness (And disloyalty to his partner Luise), as it play out in 8 & ½ is a muddle of personal experiences, and then some as evidenced by Fellini’s own comments aside: 𝑰𝒕 𝒊𝒔 𝒏𝒐𝒕 𝒎𝒆𝒎𝒐𝒓𝒚 𝒕𝒉𝒂𝒕 𝒅𝒐𝒎𝒊𝒏𝒂𝒕𝒆𝒔 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔. 𝑻𝒐 𝒔𝒂𝒚 𝒕𝒉𝒂𝒕 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔 𝒂𝒓𝒆 𝒂𝒖𝒕𝒐𝒃𝒊𝒐𝒈𝒓𝒂𝒑𝒉𝒊𝒄𝒂𝒍 𝒊𝒔 𝒂𝒏 𝒐𝒗𝒆𝒓𝒍𝒚 𝒇𝒂𝒄𝒊𝒍𝒆 𝒍𝒊𝒒𝒖𝒊𝒅𝒂𝒕𝒊𝒐𝒏, 𝒂 𝒉𝒂𝒔𝒕𝒚 𝒄𝒍𝒂𝒔𝒔𝒊𝒇𝒊𝒄𝒂𝒕𝒊𝒐𝒏. 𝑰𝒕 𝒔𝒆𝒆𝒎𝒔 𝒕𝒐 𝒎𝒆 𝒕𝒉𝒂𝒕 𝑰 𝒉𝒂𝒗𝒆 𝒊𝒏𝒗𝒆𝒏𝒕𝒆𝒅 𝒂𝒍𝒎𝒐𝒔𝒕 𝒆𝒗𝒆𝒓𝒚𝒕𝒉𝒊𝒏𝒈: 𝒄𝒉𝒊𝒍𝒅𝒉𝒐𝒐𝒅, 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓, 𝒏𝒐𝒔𝒕𝒂𝒍𝒈𝒊𝒂𝒔, 𝒅𝒓𝒆𝒂𝒎𝒔, 𝒎𝒆𝒎𝒐𝒓𝒊𝒆𝒔, 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒑𝒍𝒆𝒂𝒔𝒖𝒓𝒆 𝒐𝒇 𝒃𝒆𝒊𝒏𝒈 𝒂𝒃𝒍𝒆 𝒕𝒐 𝒓𝒆𝒄𝒐𝒖𝒏𝒕 𝒕𝒉𝒆𝒎. 8 & ½ in its infancy came to Fellini in 1960, at that time described as being about a man with an unidentified profession suffering from creative block on the account of his life being disrupted by a “not-too-serious disease”. Given the go ahead to start production in 1962, Fellini would eventually draft a letter confessing that he had “lost his film” with the intent of abandoning the production, this action interrupted by a request to launch the celebration of it; it was only then that Fellini decided to tell a story about a director who know longer knew what kind of film he wanted to make. Both a sign of the times and personal preference, 8 & ½’s dialogue was edited and finalized in its post-production phase: a practice that allowed for the use of less experienced actors at the cost of them needing more direction on set in addition to the dubbing of related noises after the fact. In light of this, and perhaps needless to say, what 8 & ½ reflects in regards to stifled expressiveness feeds into its otherwise harebrained pacing, not to mention the drab of its monotone landscape. During the earlier part of Fellini's career his film related assignments took on an ulterior motive: they allowed for him to avoid the draft associated with a declaration of war made against France and Britain on Benito Mussolini’s behalf, and was something that would inform the nature of his work until approximately 1945. The extent to which this habit of coming on board any given film-related opportunity affected the entirety of his filmography was never addressed - much less inquired about - though it would be appropriate to underscore what this had to have demanded in light of reception that was unpredictable. The good news is that by the time 8 & ½ was released Fellini had made well-enough of a name for himself given the broad applicability of the themes he entertained, though this established competency made him no more immune to the demands made by the Production Studios he’d end up collaborating with: this is most reflected in 8 & ½’s conclusion, as it was originally intended to implicate suicide more explicitly as a ‘viable option’ for Guido. Fairly describable as a tangled mess of hope, fantasy, and some extent delusion, 8 ½ walks that fine line between pleasing the masses and rubbing its own ego, and perhaps that’s why it was robbed of its working title, ‘𝑻𝒉𝒆 𝑩𝒆𝒂𝒖𝒕𝒊𝒇𝒖𝒍 𝑪𝒐𝒏𝒇𝒖𝒔𝒊𝒐𝒏’; but, then again, maybe that’s what happens when art imitates life and vice versa.
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Reviewed in the United States on May 13, 2024
R
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Randy Keehn
Battle Creek, US
★★★★★ 5
How Good is Great?
I purchased this DVD because of its' sustained superior ratings in the Sight and Sound survey every decade of the best films of all time. Obviously, there must be something very great about this movie. There is but but there are some second thoughts that plagued me along the way. First of all, I am always impressed by a film's ability to hold our attention. This is often where the skill of film editing is best appreciated. I confess that I found myself looking for some scenes in "8 1/2" to move along. This is a cerebral movie, not an action movie but there seemed to be a fair amount of redundancy. Secondly, I was surprized by the sound work on this movie. I made a quick glance at a few other reviews but didn't see any similar comments. Thus I don't know if it was just my copy. However, the sound didn't match up with the film very well at all. This gives the movie an odd appearance of being an Italian movie dubbed in Italian. Was I missing something? Finally, the message in this film, for me, was "to your own self be true" which is certainly a valid philosophy; just ask Socrates. However, it was stretched to come across as "accept me for who I am, not whom you want me to be". This message is still a valid philosophy but a bit harder for some of us to accept. Having said all of that, let me praise the movie; (I DID give it a "5" after all). The acting is terrific; especially Marcello Mastroianni whose air of detachment fit the movie so well. The photography (B&W) was excellent, as well. The story is one of a director who has lost his own direction. As he stumbles aimlessly along supposedly putting together a film, his inteactions with others and his reminiscences give us an insight to his confusion. His world is overwhelming him and he can't figure out where to turn. He is much the victim of himself (which makes the message that much harder to swallow). As his crisis reaches its' own crisis, the movie rights itself with his discovery of his own self-awareness. Everything comes together at the end with a message of hope (primarily for the director). The beauty of the movie is how we are able to follow the character's collapse and rebirth. It is also in the way we can see the rest of the world through his own eyes. This is the sort of movie that will expand with each re-viewing. The DVD contains a second disc with information and reviews about the movie and the Director. This is a good movie that caught me off-guard because I was victimized by too much advance hype. I understand the hype but it would have been better to discover it for myself. Discover it for yourself and it will be a movie you'll remember.
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Reviewed in the United States on April 4, 2004
Y
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yummymayo
Port Orchard, US
★★★★★ 5
BD Version.
One of my top five films of all time. I won't speak much about the film itself, under the assumption most readers have already seen it. You can be guaranteed a fantastic film if you haven't seen this yet. As far as the BD itself, the transfer is absolutely fantastic! The DVD version itself already had a pretty pristine transfer, but of course with the BD upgrade the resolution and detail is so much better, and of course comes loaded with extras and an accompanying booklet that is actually quite thorough and should be considered an item in itself, and not just a supplement to the disc. I haven't watched them all, but the extras that are bundled with the film are plentiful and quite informative. Often times with extras you feel as though it is just filler and fodder (let's be honest, it usually is) but at least Criterion makes a conscious effort to make it interesting. I'd say the extras are worthwhile, and also an upgrade from the DVD version. The biggest difference I noticed from my first viewing is that the subtitles are slightly changed from the DVD version, and also theatrically. There are probably lots of different translations, but it IS different from the DVD but not drastically. The same point is made, but just using a different delivery. Not sure how I feel about some of the changes, but I probably just got used to the previous translation. I'm not sure where some of these discrepancies or complaints are coming from that have surfaced recently, but my copy was packaged in the special made Criterion jewel cases, NOT the cardboard ones, and of course not the actual blue ones. For a while, with some of the earlier releases, Criterion was releasing its BDs in cardboard slip case and digi-pack format which angered a lot of customers who spoke their voice and got them to upgrade to the now standard jewel cases. A good move in my opinion, but now I'm stuck with Third Man and 400 Blows in cardboard. Reportedly, you can send in the old cases to get upgraded to new ones, but it'll cost you 5 bucks each, so... I think I can live with it.
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Reviewed in the United States on January 24, 2010
A
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Andy
Port Orchard, US
★★★★★ 5
Sublime Masterpiece Is One Of Criterion Collection's Finest
This is one the Criterion Collection's best and most impressive Blu rays and one of my favourites. A defining work of cinematic genius, and crowning achievement of Italian master director Federico Fellini. The first truly "Felliniesque" of his films, a complex semi-autobiographical carnival mirror of artist as film maker, an unsurpassed portrait of the creative process, with a film within a film and dream and fantasy structure, it's difficult to understate the seminal impact on cinema. An astoundingly choreographed, highly stylized, fully realized, deeply personal work of artistic subconscious and expression. Extraordinary in all regards, filled with memorable and iconic scenes. One of the perfect films that is magical and magnetic, as compelling and entertaining each and every time. I must confess that La dolce vita is my favourite film (it's a bit more accessible) , but acknowledge 8 1/2 as the greater artistic work. This Criterion Collection Blu ray is truly outstanding. the film looks excellent, and contains great extra content, including a scholarly audio commentary that is highly recommended, three interesting documentaries, interviews, photo gallery and a fine essay booklet. An essential. All of Fellini's films are also recommended. This disc is also part of Criterion Collection's Essential Fellini box set, superb for those looking to collect a large portion of the director's works.
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Reviewed in the United States on March 10, 2022
I
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Issac
Houston, US
★★★★★ 5
Great Movie
I liked it.
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Reviewed in the United States on January 21, 2026

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