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monticello flower seeds

monticello flower seeds Monticello White Sesame – UJAMAA SEEDS

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Description

monticello flower seeds Monticello White Sesame – UJAMAA SEEDSSesamum indicum Seeds per pack approx. 125 Germination: 90% Jul 2024 Packed for 2025 Origins and History Monticello White Sesame is an heirloom variety with deep historical roots tied to early American agriculture. Introduced to the United States from Africa through the transatlantic slave trade, sesameoften referred to as bennewas cultivated in the gardens of enslaved Africans for its oil rich seeds. Thomas Jefferson grew this particular white sesame

Sesamum indicum

Seeds per pack approx. 125

Germination: 90% Jul 2024 Packed for 2025

Origins and History

Monticello White Sesame is an heirloom variety with deep historical roots tied to early American agriculture. Introduced to the United States from Africa through the transatlantic slave trade, sesame—often referred to as benne—was cultivated in the gardens of enslaved Africans for its oil-rich seeds. Thomas Jefferson grew this particular white sesame at Monticello, recognizing its adaptability to Virginia’s soils and its value as an oilseed crop. The name “Monticello White” honors its preservation in Jefferson’s experimental plots and represents one of the earliest sesame varieties documented in American history.

Appearance and Characteristics

This heirloom produces upright plants typically 3–6 feet tall, with tubular, bell-shaped white flowers that attract pollinators. The seed pods mature to a light tan, containing small, ivory-white seeds known for their high oil content and delicate flavor. The plants are drought-tolerant, making them suitable for warm and dry conditions, and their tall stalks give them an ornamental presence in the garden.

Culinary Uses

Monticello White Sesame seeds are prized for their nutty, sweet flavor and versatility. The seeds can be toasted and sprinkled on breads, pastries, and rice dishes, or pressed to yield sesame oil, a cornerstone in both African and Asian cuisines. In the South, benne seeds have historical ties to Gullah Geechee cooking, where they are used in benne cakes and savory dishes. This heirloom thus carries not only culinary richness but also cultural legacy.

Growing Tips

Sesame thrives in warm climates and is best suited for USDA Zones 7–10. It requires full sun and well-drained soil with moderate fertility. Seeds should be sown directly into the ground after the last frost, when soil temperatures reach at least 70°F. Sow at a depth of ¼ inch, spacing plants 6–12 inches apart in rows 18–24 inches apart. Once established, sesame is highly drought-resistant and requires minimal watering, making it a resilient crop for summer gardens.

Harvesting Guidance

Sesame is ready to harvest when the seed pods begin to dry and turn light brown, but before they split open. Cut the stalks and allow them to cure upside down in a dry, well-ventilated place to prevent seed loss. Once fully dry, the pods can be threshed to release the small, white seeds. Proper drying and storage in airtight containers ensure the seeds retain their flavor and viability for culinary use or future planting.

Botanical Origins of Sesamun indicum

Sesamum indicum, commonly known as sesame, is one of the world’s oldest oilseed crops, belonging to the family Pedaliaceae. Its wild relatives are distributed primarily in sub-Saharan Africa and parts of the Indian subcontinent. The most probable center of origin is thought to be Africa, where several wild Sesamum species still grow, particularly in Ethiopia. However, genetic and archaeological evidence also points to an early secondary center of domestication in the Indian subcontinent, where the species has been cultivated for millennia. The crop’s drought tolerance and adaptability to marginal soils contributed to its early success as a dependable source of edible oil.

History of Domestication

Domestication of Sesamum indicum likely occurred over 3,000 years ago. Archaeological remains from the Indus Valley Civilization (around 2500–2000 BCE) suggest sesame was already under cultivation in ancient India, where it may have been domesticated from the wild species S. mulayanum. In ancient Mesopotamia, sesame oil was valued both for cooking and for ritual uses, indicating its early trade and cultural significance. The plant’s small seeds, high oil content (up to 60%), and relatively easy extraction process made it a vital early oilseed crop. Selective cultivation favored non-shattering seed pods, increased seed size, and improved oil quality.

Spread and Diversification

From its centers of domestication, sesame spread widely through early trade routes. It reached China by at least 2000 BCE, where it was used in traditional medicine and culinary preparations. Ancient Egyptian records also reference sesame as a food and medicinal oil, and the Greeks and Romans later adopted it into their diets. Over centuries, Sesamum indicum diversified into numerous landraces and varieties adapted to local climates—ranging from black and brown to white-seeded forms—each associated with distinct cultural and culinary uses. Today, sesame is cultivated in more than 70 countries, with major production centers in India, China, Sudan, Myanmar, and Nigeria. Its genetic diversity reflects centuries of human selection for flavor, seed color, oil content, and adaptability, making it both an ancient and continually evolving crop of global significance.

 

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Madison
Los Angeles, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Paul Frandano
Waukegan, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Louisville, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
Lake Worth, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
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J. W. Kennedy
New York, US
★★★★★ 4
Mixed Bag
Everyone should know, first off, that the Dover thrift edition is NOT a graphic adaptation. For some reason, Amazon has attached editorial reviews from the hardcover edition of the graphic novel version to this page. Now, the book itself offers a range of experiences from delightfully hilarious to annoyingly tedious. Lots of the "funny" parts depend on an understanding of 18th-century social mores. I'm sure some of it went over my head but I'm enough of a nerd to have enjoyed most of the drollery. I think... The story is whimsical, told all out of order by a scatterbrained, easily-distracted narrator. Tristram Shandy himself is hardly in the novel at all; aside from narrating it, he only appears momentarily as a newborn infant and then as a boy about 6 years old - and his role in both incidents seems peripheral to the carryings-on of the other characters. Each turn in the story reminds the author of something else, and he turns aside to tell stories inside of stories, each of which are necessary to give the reader some vital "background information" .. with the result that the main story hardly moves forward at all. It takes nearly 200 pages just for Tristram to be born! and even then the reader isn't quite sure it has happened since the conversations and minute actions of the other characters are magnified to such an importance that the narrator's own birth is hardly observed. For the most part this rambling comes across as "quirky and delightful" and the novel flows along quite pleasingly in spite (or perhaps because) of it. The digressions add layers to the story. Except when they don't. The "chapter upon noses" which is a translation of a fictitious(?) Latin work by the great Slwakenbergius, has little bearing on the story. Like most of the book, it builds up to a climax and then stops short of resolution, leaving you to wonder what was the point. It leads nowhere, but at least it was interesting. The same cannot be said of Book VII, which is a sort of travel diary of Tristram (in the novel's "present" time) touring France by post-chaise. Although this is the only significant appearance of Tristram himself as a character in the book, it has absolutely nothing to do with the story/stories he was telling, and it is neither very interesting nor very funny. It serves as nothing but a pointless interruption, delaying the reader for 50 pages before getting to the part we were waiting for: Toby's courtship of the widow Wadman. This last section goes along nicely for a while, and then the book stops. It doesn't end; it just stops right in the middle of a conversation, with the courtship unresolved and most of the reader's questions unanswered. This is perfectly in keeping with the spirit of the entire novel, but I have to admit it's frustrating. I had trouble deciding whether to give this book 3 or 4 stars but I think it entertained me more than it exasperated me, so I'll give it the benefit of the doubt ... and round up from 3.5. It's worth reading once, just for the experience - there's no other book quite like it - and the price of the Dover Thrift Edition can't be beat.
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Reviewed in the United States on September 23, 2010

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