SKU: 77553668830
philodendron atabapoense billietiae hybrid

philodendron atabapoense billietiae hybrid Philodendron atabapoense – Foliage Factory

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Description

philodendron atabapoense billietiae hybrid Philodendron atabapoense – Foliage FactoryPhilodendron atabapoense Philodendron atabapoense is a Venezuelan climbing species with long, tapering leaves, dark green upper surfaces and wine toned detail on the petioles, cataphylls and parts of the venation. The mature blade is broadest near the lower part of the leaf, then narrows toward an elongated tip. Mature foliage can become large, thin textured and slightly undulate at the margin. The combination of long blade shape, dark green upper

Philodendron atabapoense

Philodendron atabapoense is a Venezuelan climbing species with long, tapering leaves, dark green upper surfaces and wine-toned detail on the petioles, cataphylls and parts of the venation. The mature blade is broadest near the lower part of the leaf, then narrows toward an elongated tip.

Mature foliage can become large, thin-textured and slightly undulate at the margin. The combination of long blade shape, dark green upper surfaces and reddish wine detail gives supported growth a lean, strongly vertical appearance.

Philodendron atabapoense foliage details

  • Leaf shape: Long, triangular-ovate blades that broaden near the base and taper toward the tip.
  • Colour detail: Dark green upper surfaces with wine-coloured spotting or tones on petioles, cataphylls and parts of the venation.
  • Native range: Native to Venezuela’s Amazonas region.
  • Growth habit: Climbing wet-forest species that can be trained on a pole or plank indoors.

Philodendron atabapoense origin and mature leaf form

Philodendron atabapoense was published by G.S. Bunting in 1975 and grows as a climber in wet tropical forest.

Mature blades can be firm but thin, broad near the lower blade, concave along parts of the margin and marked by several strong veins from the base. Give the leaves enough vertical space so they can hang without folding or pressing against surrounding objects.

Philodendron atabapoense care for long tapering leaves

  • Support: Train the stem upward before it stretches sideways. Attached aerial roots help the plant carry longer leaves.
  • Humidity: Aim for moderate to high humidity during active growth so new leaves expand without sticking or creasing.
  • Light: Bright, indirect light suits the thin, tapering leaves. Harsh midday sun can scorch exposed surfaces, especially on fresh growth.
  • Watering: Let the top 20–30% of the pot dry, then water thoroughly. Avoid keeping the lower pot wet for days.
  • Substrate: Use an airy aroid mix with bark and mineral drainage. Fine, compact soil increases the risk of yellowing and root stress.
  • Feeding: Feed lightly during the growing season. Large-leaved climbers respond better to steady nutrition than heavy, irregular doses.

Philodendron atabapoense leaf and root issues

  • Soft yellow leaves: Check whether the mix is staying wet too long. Improve drainage and let the pot dry further before watering again.
  • Shorter new leaves: Usually caused by weak light, no climbing surface, or interrupted root growth. Adjust support and light first.
  • Brown patches: Look for direct sun exposure, dry root episodes, or leaves touching hot glass or a grow light.
  • Stuck leaf tips: Increase humidity around active new growth and avoid moving the plant while a leaf is unfurling.

Philodendron atabapoense is toxic if ingested and can irritate the mouth and digestive tract. Keep it away from pets and wash your hands after pruning or taking cuttings.

Philodendron atabapoense etymology and description history

The genus name Philodendron comes from Greek roots meaning “tree-loving”. Philodendron atabapoense was described by G.S. Bunting in Acta Botanica Venezuelica in 1975 and is native to Venezuela’s Amazonas region.

Add Philodendron atabapoense to your order if you want a climbing Philodendron with long, dark green leaves and wine-toned petiole and vein detail.

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SKU: 77553668830

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4.8 ★★★★★
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Product Reviews
W
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W.P.
Louisville, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
Carnegie, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
Bozeman, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Boise, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
J
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JHB-4
Whiting, US
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025

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