SKU: 77953259192
areca palm 14

areca palm 14 Chrysalidocarpus lutescens

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Description

areca palm 14 Chrysalidocarpus lutescensChrysalidocarpus lutescens Chrysalidocarpus lutescens, still widely known under the synonym Dypsis lutescens, is a clustering palm with upright cane like stems and long, arching feather leaves. Several stems rise from the base, creating a soft, fountain shaped crown with yellow green petioles and narrow leaflets arranged along each frond. Indoors, this palm develops slowly into a broad, leafy specimen with a layered vertical outline. As the stems

Chrysalidocarpus lutescens

Chrysalidocarpus lutescens, still widely known under the synonym Dypsis lutescens, is a clustering palm with upright cane-like stems and long, arching feather leaves. Several stems rise from the base, creating a soft, fountain-shaped crown with yellow-green petioles and narrow leaflets arranged along each frond.

Indoors, this palm develops slowly into a broad, leafy specimen with a layered vertical outline. As the stems mature, they become more defined, while the fronds keep the crown airy, layered, and finely textured.

Golden cane palm details

  • Golden cane palm forming grouped yellow-green stems
  • Arching pinnate fronds with many narrow green leaflets
  • Yellow-green leaf stalks and midribs give the plant its warm tone
  • Can form a sizeable indoor floor plant over time
  • Rarely flowers indoors; mature outdoor plants may produce yellow flowers and small fruits

Eastern Madagascar origin and clumping growth

Chrysalidocarpus lutescens is native to Madagascar and belongs to the palm family, Arecaceae. In habitat and tropical cultivation it can grow as a shrub-like or tree-like palm, with multiple stems forming a broad clump. Indoors, its final shape depends on light, root space, and steady watering.

Each stem grows from a central crown. Fully brown fronds can be removed at the base, while green fronds should stay in place so the palm retains enough leaf area for new fronds. New fronds emerge from the growing points and gradually open into the palm’s feathered canopy.

Because this palm forms a clump, uneven growth is normal: some canes may sit lower while newer stems fill the centre. Turn the pot occasionally so the crown develops evenly, and keep the leaf bases open enough for inspection because pests often settle where the fronds meet the stems.

Keeping Chrysalidocarpus lutescens evenly leafy

  • Light: Use a bright, indirect position. Gentle morning or late afternoon sun suits acclimated plants, while strong midday sun behind glass can scorch fronds.
  • Watering: Keep the substrate evenly lightly moist during active growth, then let the upper layer dry before watering again. Avoid cold, saturated soil.
  • Substrate: Use an airy, well-drained palm or houseplant mix with mineral drainage material to keep the root zone open.
  • Temperature: Keep the palm warm, ideally above 18 °C, and avoid cold draughts or temperatures below about 15 °C.
  • Humidity: Average to moderate indoor humidity is workable, although very dry heated air can crisp leaflet tips. Use a humidifier where winter air becomes persistently dry.
  • Feeding: Use a low-strength fertiliser in spring and summer. Too much feed can show as yellowing or salt stress on leaflet tips.
  • Repotting: Move up one pot size when roots have filled the container, often after 2–3 years. Avoid oversized pots that keep the mix wet for too long.
  • Pruning: Remove only fully spent fronds. Cutting green fronds reduces the palm’s active leaf area.
  • Leaf cleaning: Wipe dusty leaflets gently or rinse the fronds with lukewarm water so the narrow leaflets can receive light evenly.

Frond, cane and pest checks

  • Brown tips: Often linked to dry air, irregular watering, salt build-up, or old leaf age. Check moisture pattern and flush the substrate if fertiliser salts have built up.
  • Yellowing fronds: Can follow overwatering, poor drainage, low light, nutrient imbalance, or natural ageing of older leaves. Check the root zone before feeding.
  • Mites or scale insects: Fine stippling, webbing, sticky residue, or bumps on stems and leaf bases need early inspection and treatment.
  • Collapsed stems: Soft bases usually point to root or crown stress from persistently wet, cool conditions.

Pet-safe palm status

ASPCA treats the areca palm, Chrysalidocarpus lutescens, as non-toxic to cats and dogs. Sensitive pets may still get mild stomach upset from chewing the fronds.

Accepted name and synonym note

Chrysalidocarpus lutescens H.Wendl. is the accepted botanical name for this Arecaceae species. Dypsis lutescens remains a common synonym in horticulture. The genus name refers to chrysalis-like fruits, while lutescens means turning yellow, matching the yellow tones in the flowers, stems, and leaflet midribs.

Chrysalidocarpus lutescens grows into golden cane clusters with airy fronds and a full upright palm outline.

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S
Verified Purchase
Sister Kana
Draper, US
★★★★★ 5
Five Stars
great book
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 8, 2016
J
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J
Houston, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
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Verified Purchase
Divan
Port Orchard, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
D
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David Bankston
Battle Creek, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000
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Verified Purchase
Jav M
Louisville, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024

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