SKU: 78299432365
brown outdoor plant pots

brown outdoor plant pots H Potter Tall Antique Copper Planter 36 Inch – Indoor Outdoor Entryway Planter

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Description

brown outdoor plant pots H Potter Tall Antique Copper Planter 36 Inch – Indoor Outdoor Entryway PlanterPremium Tall Planters Designed for Beautiful Indoor & Outdoor Spaces A tall antique copper planter designed to add height, warmth, and strong architectural shape to entryways, patios, decks, porches, balconies, and interiors. The H Potter GAR546L combines a clean vertical profile with a handcrafted antique copper finish that works beautifully in both traditional and updated spaces. Handcrafted from rust resistant stainless steel and finished in

Premium Tall Planters — Designed for Beautiful Indoor & Outdoor Spaces

A tall antique copper planter designed to add height, warmth, and strong architectural shape to entryways, patios, decks, porches, balconies, and interiors. The H Potter GAR546L combines a clean vertical profile with a handcrafted antique copper finish that works beautifully in both traditional and updated spaces.

Handcrafted from rust-resistant stainless steel and finished in antique copper with a clear protective lacquer, this planter is designed for indoor and outdoor use. The removable planting insert makes seasonal updates easier, while the 36-inch height gives the planter a refined, high-end look without taking up too much floor space.

Because of its tall profile and gift-worthy finish, this planter is also a thoughtful choice for housewarmings, weddings, anniversaries, milestone birthdays, and clients who appreciate distinctive home and garden décor.

Why trust H Potter: Since 1997, we’ve designed premium garden products built for real use—crafted with care, packaged well, and backed by responsive customer service.
At a Glance

Product Details

  • SKU: GAR546L
  • Variation: GAR546L W/TRAY
  • Height: 36"
  • Top width: 13" square
  • Base: 10" square
  • Insert depth: approximately 11"
  • Material: Stainless steel
  • Finish: Antique copper with clear protective lacquer
  • Drainage: Insert includes 4 drainage holes

Best For

  • Front door entries, porches, and patios
  • Decks, balconies, and outdoor rooms
  • Indoor foyers, hallways, fireplaces, and staircases
  • Seasonal arrangements and tall statement plantings
  • Customers who want a clean tall planter silhouette
  • Gift giving for housewarmings, weddings, birthdays, and anniversaries
Design tip: This tall planter is especially striking when used as a pair to frame a front entry, garage, fireplace, or staircase.
Why You’ll Love This Tall Antique Copper Planter
  • 36-inch height: Adds strong vertical presence and elegant structure to outdoor and indoor spaces.
  • Antique copper finish: Warm, timeless color that pairs beautifully with greenery, florals, and seasonal stems.
  • Indoor or outdoor use: Designed to style beautifully in both interior and exterior spaces.
  • Removable planting insert: Makes planting easier and avoids the need to fill the full planter body with soil.
  • Built-in drainage: Four drainage holes in the insert plus drainage opening and grate at the planter base.
  • Stability option: Base can be filled with rocks for extra stability while still allowing drainage.
  • Gift-worthy style: A memorable decorative planter for milestone occasions and design-minded customers.
Dimensions & Specifications
Specification Details
SKU GAR546L
Variation SKU GAR546L W/TRAY
Height 36 inches
Top Width 13 inches square
Base 10 inches square
Insert Depth Approximately 11 inches
Material Stainless steel
Finish Antique copper with clear lacquer top coat
Drainage 4 drainage holes in planting insert plus drainage hole and grate at planter base
Options Planter only or planter with drip tray
Pro tip: The tall square profile gives you the visual impact of a substantial planter while keeping the base footprint relatively compact.
Planting, Insert & Drainage

This planter includes a custom removable planting insert approximately 11 inches deep. The insert has 4 drainage holes and can be removed for easier planting, seasonal refreshes, and maintenance.

The planter itself includes a drainage hole and grate at the base. This allows you to add rocks for additional stability while still maintaining drainage. For indoor use, choose the GAR546L W/TRAY variation or cover the grate with a water-catching receptacle of your choice.

Planting note: The removable insert helps you avoid filling the full planter body with potting soil, which keeps the planter lighter and easier to style seasonally.
Styling Ideas for This Tall Decorative Planter

This antique copper planter works beautifully as a standalone accent or in pairs for a more formal presentation. Its height makes it ideal for spaces where you want to draw the eye upward and create a stronger sense of structure.

Outdoor Styling

  • Boxwood, topiary, or upright evergreen for front entries
  • Seasonal flowers with trailing accents for patios and porches
  • Tall branches, grasses, or mixed fall stems for autumn styling

Indoor Styling

  • Faux stems or preserved branches for low-maintenance styling
  • Statement greenery in foyers or stair landings
  • Decorative stems beside fireplaces or console tables
Style suggestion: For more ideas, visit How to Style a Tall Planter.
Planter Guides by H Potter

Use these guides for styling ideas, drainage tips, and long-term planter success:

Shop More H Potter Planters
A Beautiful Gift for Home & Garden Lovers

This tall antique copper planter makes a memorable gift for customers who want something more lasting than flowers or a standard decorative pot. Its warm finish and strong vertical silhouette make it especially appropriate for housewarmings, weddings, anniversaries, milestone birthdays, Mother’s Day, and client gifts.

Gifting idea: Present it with faux stems, preserved branches, or a seasonal arrangement already styled inside the removable insert.
Materials & Care

Materials: H Potter planters are made from stainless steel for durability and long-term decorative use.

Finish process: To create the antique copper finish, the planter is electroplated with copper, hand-finished for an aged appearance, and sealed with a high-grade clear protective lacquer.

If you want extra protection: Some customers choose to apply a coat or two of clear spray sealant before first use and periodically over time to the inside and outside of the planter.
  • Cleaning: Use a soft, non-abrasive cloth with water and mild dish soap.
  • Water overflow: Minerals, chlorine, fluoride, fertilizers, and repeated runoff may affect the finish over time.
  • Not designed as a fountain: Continuous water exposure and overflow are not recommended.
  • Outdoor use: Suitable for outdoor use, though some customers choose indoor storage during winter based on local climate conditions.

📚 COMPLETE PLANTER GUIDE SERIES

Explore our planter resources for buying guidance, styling inspiration, materials, and placement ideas.

Shop Garden Planters | Shop Tall Planters | Planter Buying Guide | Materials & Durability | Large & Tall Placement | Design & Style Inspiration
Product FAQs

Can this planter be used both indoors and outdoors?

Yes. GAR546L is designed for both indoor and outdoor use.

Does this planter include a removable insert?

Yes. The planter includes a removable planting insert approximately 11 inches deep for easier planting and seasonal changes.

Does the planter have drainage?

Yes. The planting insert has 4 drainage holes, and the planter base also includes a drainage opening with grate.

Is a drip tray included?

The standard GAR546L planter does not automatically include the tray unless you choose the GAR546L W/TRAY variation.

Can I add weight for stability?

Yes. The drainage opening at the base allows you to add rocks for extra stability while maintaining drainage.

What size is this planter?

This planter measures approximately 36 inches high with a 13 inch square top opening and a 10 inch square base.

Is this planter gift-worthy?

Yes. Its tall shape and antique copper finish make it an excellent gift for housewarmings, weddings, anniversaries, birthdays, and anyone who enjoys home and garden décor.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 78299432365

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4.8 ★★★★★
Based on 23 reviews
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Product Reviews
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Sarah Pettingill
Birmingham, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
J
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Jessica Martin
New York, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Lexington, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Lake Worth, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
S
Verified Purchase
Smrz
Grantham, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 15, 2011

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