SKU: 80575987209
s-moc herbicide

s-moc herbicide S-Metolachlor 960EC 800ML Pre-Emergence Herbicide Swat Agro – IR Farm

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Description

s-moc herbicide S-Metolachlor 960EC 800ML Pre-Emergence Herbicide Swat Agro – IR FarmS metolachlor 960EC 800ML Pre emergence Herbicide Swat Agro Chemicals S metolachlor for crops Weeds Out SMetolachlor 960EC by Swat Agro Chemicals is a reliable pre emergence herbicide for maize (makai), cotton (kapas), and vegetables. It controls both grassy and broad leaf weeds efficiently, ensuring healthier crops and higher yields. Farmers searching for solutions like makai me jhaari maarne ki dawa or kapas me jhaari marne ki dawa rely on it for

S-metolachlor 960EC 800ML Pre emergence Herbicide Swat Agro Chemicals S metolachlor for crops Weeds Out 

S‑Metolachlor 960EC by Swat Agro Chemicals is a reliable pre-emergence herbicide for maize (makai), cotton (kapas), and vegetables. It controls both grassy and broad-leaf weeds efficiently, ensuring healthier crops and higher yields. Farmers searching for solutions like “makai me jhaari maarne ki dawa” or “kapas me jhaari marne ki dawa” rely on it for consistent results across Pakistan’s fields.

Its effective formulation provides fast action and easy application. With proven features and benefits, S‑Metolachlor 960EC improves crop health, reduces weed competition, and supports productivity for both small and large-scale farms. This metolachlor herbicide works precisely to manage weeds without harming the main crop, making it a trusted choice for Pakistani growers.

Active Ingredient / Variety 

Active Ingredient: S‑Metolachlor 96% EC
Approximate Coverage: 800 ml can treat 1–1.5 acres depending on weed density and crop stage.

How to Use 

  • Mix the recommended dose in water as per label instructions.
  • Apply evenly on fields before weed emergence (pre-emergence application).
  • Suitable for maize, cotton, and vegetable crops.
  • Wear protective clothing during spraying.

Benefits 

  • Effective pre-emergence control of grassy and broad-leaf weeds
  • Promotes healthy crop growth and higher yield
  • Fast-acting and reliable in Pakistani conditions
  • Easy-to-use 800 ml pack
  • Suitable for both smallholders and large-scale farms

Crop & Weed Target 

Maize (Makai): Grassy and broad-leaf weeds
Cotton (Kapas): Pre-emergence control of sab-jhaari weeds
Vegetables: Early-stage weed management for grassy and broad-leaf weeds

Safety Instructions 

  • Keep away from children and livestock
  • Avoid direct contact with skin and eyes
  • Do not spray in windy conditions
  • Wash hands and clothes after application

FAQs 

Q1: S‑Metolachlor 960EC ka istemal maize me kaise karein?
A1: Pre-emergence stage me recommended dose mix karke evenly spray karein.

Q2: Kapas me jhaari marne ki dawa Pakistan me kaunsi hai?
A2: S‑Metolachlor 960EC ek reliable pre-emergence herbicide hai jo sab-jhaari efficiently control karta hai.

Q3: S‑Metolachlor 960EC ki price Pakistan me kitni hai?
A3: 800 ml pack ka market price distributors ya online stores par check karein.

Q4: Maize & cotton khet me S‑Metolachlor kab spray karna best hai?
A4: Jab weeds emerging stage me ho, pre-emergence application sabse effective hai.

Q5: Kya ye herbicide small aur large farms dono me use kiya ja sakta hai?
A5: Haan, ye smallholders aur large-scale growers dono ke liye suitable hai.

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SKU: 80575987209

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4.5 ★★★★★
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T
Verified Purchase
Tahoeman
New York, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Omaha, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Grantham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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