SKU: 81335803714
cybex gazelle second seat

cybex gazelle second seat Cybex e-Gazelle S Electronic Assist Single-to-Double Stroller – Kid's Stuff Superstore

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Description

cybex gazelle second seat Cybex e-Gazelle S Electronic Assist Single-to-Double Stroller – Kid's Stuff Superstoree GAZELLE S RECOGNIZED BY TIME BEST INVENTIONS 2024. A stroller for all your adventures ahead. The CYBEX e Gazelle S stroller combines adaptability and convenience with the electric power of smart technology. Conquer any uphill climb or downhill descent and cruise through any uneven terrain effortlessly with the assistance of our electronic power on demand. Adapting to the changing needs of your family, the e Gazelle S is designed to support 20+

e-GAZELLE S RECOGNIZED BY TIME BEST INVENTIONS 2024. 

A stroller for all your adventures ahead. 

The CYBEX e-Gazelle S stroller combines adaptability and convenience with the electric power of smart technology. Conquer any uphill climb or downhill descent and cruise through any uneven terrain effortlessly with the assistance of our electronic power on demand. Adapting to the changing needs of your family, the e-Gazelle S is designed to support 20+ different configurations and easily converts from a single to double stroller. Whatever your plans are for the day, you can rely on the shopping basket and spacious lower basket for up to 55lbs. of groceries or any essentials for the journey ahead. After a long busy day, use our gentle rocking feature to help calm and soothe your child.

  • SMART ASSIST MODE: Forward power and downhill break assist mode helps control how much assistance you need with the convenient lever on the handlebar, no phone application required for use
  • ROCKING FEATURE: Choose between three gentle settings to soothe your child
  • SMART SAFETY: Includes a two-step safety delay start mode
  • SINGLE TO DOUBLE: Easily converts from a single to double stroller without additional adapters
  • 20+ CONFIGURATIONS: Add a second Gazelle S Seat unit, Gazelle S Cot, or any CYBEX Infant Car Seat to meet your needs. (sold separately)
  • EASY FOLD: Folds with two seat units attached to the frame
  • ONE-PULL HARNESS: Our user-friendly harness system makes securing your child in the seat a breeze with one simple pull – no fuss and extra handy if you’re doing it twice
  • ONE-HAND ADJUSTABLE RECLINE: Independent reclining seat back and leg adjustments offer multiple configurations, allowing you to position your child for comfort
  • SHOPPING BASKET: removeable and provides extra storage up to 25 lbs.
  • LOWER BASKET: Extra-large, easy access lower basket for extra storage space while out on the go (30 lbs. max load)
  • PREMIUM DESIGN: Made with a robust all-aluminum frame, leatherette handlebar and bumper bar, and high-quality fabrics
  • SMOOTH ALL-WHEEL SUSPENSION: All-wheel suspension with integrated frame shock absorption system provides a smooth ride over a variety of surfaces
  • XXL SUN CANOPY: Extendable XXL sun canopy with mesh window and a UPF 50+ rating
  • REVERSIBLE SEAT UNIT: Large, reversible seat unit reclines to a near-flat position
  • WEIGHT CAPACITY: 50 lbs. weight capacity for each seat unit (second seat unit sold separately)
  • HEIGHT-ADJUSTABLE HANDLEBAR: One-hand, height-adjustable handlebar offers comfortable steering for all users
  • TRAVEL SYSTEM READY: Versatile 3-in-1 Travel System with the seat unit, Gazelle S Cot (sold separately), and any CYBEX Infant Car Seat (sold separately) using the included adapters
  • COMPTABILITY: Stroller compatible with CYBEX, Maxi-Cosi® Mico 30 and Nuna PIPA™ infant car seats using the included adapters

Additional adapters sold separately for: BRITAX® B-Safe 35, BRITAX® B-Safe 35 Elite, BRITAX® Endeavors, Graco® SnugRide® 30/35, Graco® SnugRide® SnugLock® 30/35, Chicco® KeyFit® 30, Peg Perego® Primo Viaggio 4-35. Please contact ParentLink for additional compatibility information.

Accessories available for purchase: Gazelle S Second Seat, Gazelle S Cot, Any CYBEX Infant Car Seat, Snack Tray, Parasol, and Summer Seat Liner

Wheel information

  • Stroller Brakes: Foot pedal parking brake
  • Lock/Swivel Wheel: Lockable front swivel wheels, lockable rear wheels
  • Stroller Wheel Type: Foam Filled Tires
  • Front Wheel Diameter: 7.9"
  • Rear Wheel Diameter: 11"

What's in the box

  • eGazelle Stroller Frame
  • 1 Seat Unit
  • Bumper Bar
  • Shopping Basket
  • Battery Pack
  • Charger
  • Rain Cover
  • Car Seat Adapters
  • Cup Holder

Recommended usage

  • Suitable from 3 months to 50 lbs.

Specifications

  • Dimensions (open): 42.3"L X 26"W X 43.3"H
  • Dimensions (folded): 32.3"L X 26"W X 15.3"H
  • Weight: 32.4

Materials

  • 65% Aluminum
  • 15% Polyester
  • 15% Plastic
  • 5% Rubber
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 81335803714

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4.4 ★★★★★
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Product Reviews
T
Verified Purchase
Tahoeman
Alexandria, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Cuba, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Grantham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Carnegie, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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