SKU: 84955197474
where can i buy a aloe vera plant near me

where can i buy a aloe vera plant near me Aloe Vera Plant Nursery 4"

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Description

where can i buy a aloe vera plant near me Aloe Vera Plant Nursery 4"Aloe Vera was known as the plant of immortality amongst the Ancient Egyptians. This is a natural wonder and the ultimate botanical companion for health conscious individuals seeking beauty and wellness in their lives. Known as the "plant of immortality," Aloe Vera is a resilient succulent that boasts a myriad of incredible benefits. With its fleshy, vibrant green leaves and soothing gel filled interior, this plant is a must have addition to your home

Aloe Vera was known as the plant of immortality amongst the Ancient Egyptians.  This is a natural wonder and the ultimate botanical companion for health-conscious individuals seeking beauty and wellness in their lives.

Known as the "plant of immortality," Aloe Vera is a resilient succulent that boasts a myriad of incredible benefits. With its fleshy, vibrant green leaves and soothing gel-filled interior, this plant is a must-have addition to your home or office.

Aloe Vera is renowned for its healing properties, offering a natural remedy for various skin conditions. Its gel is packed with vitamins, antioxidants, and amino acids that work harmoniously to nourish and rejuvenate your skin, leaving it refreshed, hydrated, and glowing.

Beyond its cosmetic advantages, Aloe Vera also acts as a natural air purifier, cleansing your surroundings by absorbing harmful toxins and releasing oxygen. This plant effortlessly enhances the air quality, promoting a healthier and more invigorating environment.

Bringing Aloe Vera into your space is like inviting a wellness retreat into your daily life. Its presence alone can evoke a sense of tranquility and relaxation, making it a perfect addition to your meditation corner or bedroom oasis.

Our Aloe Vera Plant is exceptionally low maintenance, making it an ideal choice for both experienced plant enthusiasts and beginners. With its ability to thrive in various light conditions and minimal watering requirements, this plant gracefully adapts to your lifestyle, effortlessly adding a touch of greenery to any space.

With its undeniable beauty and numerous health benefits, the Aloe Vera Plant is more than just a decorative accent – it's a natural remedy, a source of inspiration, and a symbol of vitality. Embrace the power of nature and let the Aloe Vera rejuvenate your surroundings while nurturing your body, mind, and spirit. Bring home this remarkable plant and experience the wonders of the "plant of immortality" for yourself.

The plant is native to North Africa, Southern Europe, and the Canary Islands. Today, aloe vera is grown in tropical climates worldwide. The species requires well-drained, sandy potting soil and bright, sunny conditions. Aloe plants can burn under too much sun or shrivel when the pot does not drain water. A good-quality propagation mix or packaged "cacti and succulent mix" is recommended, as they allow good drainage. Potted Aloe Vera plants should be allowed to dry completely before rewatering. Aloe vera may become dormant during winter, during which little moisture is required. The species is best kept indoors or in heated glasshouses in areas that receive frost or snow. The 4" inch pot can have 4-8 inches tall leaves. 

Available in the following packaging based on your preference:

  • Nursery Pot - Standard plastic 4-inch or 6-inch planter pot that can be placed inside a larger pot or left as is until it outgrows it.
  • Valentina Terracotta 5" - A beautiful molded terracotta pot that is porous and fire glazed to allow plant roots to breathe, color works well with any decor and will develop a beautiful patina color over time. Includes matching dish underneath to catch water drainage and protect surfaces. 
  • Clive Porcelain Planter 3.5" - This plant comes packaged in a white square pot ready for your home or office space with a bamboo tray to catch drips when watered. 

Looking for more plant goodies? Check out our accessories.

For added humidity, our Lyfe Rose Gold Signature Mister will make a perfect addition to your plant shelf for both function and beauty. We also recommend adding our Plant Shield & Shine to your order for routine maintenance and pest prevention.  

Our plants are shipped from our indoor greenhouse. in South Florida. Please note all our plants are one of a kind and if you want to message us we can send you a picture of the exact one you will receive. The product image here is intended to be the best representation of what you can expect to receive but yours may have slightly less or more growth depending on the crop we have when your order is placed. Any lifestyle pictures are meant to demonstrate how a fully grown or more mature plant looks for you to get a sense of it in your space.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 84955197474

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4.4 ★★★★★
Based on 7 reviews
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Ruth
Boise, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
L
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Lana
San Leandro, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
D
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dra
Lake Worth, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
Birmingham, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007
M
Verified Purchase
mojo_navigator
Lowell, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 26, 2014

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