SKU: 87754434376
aglaonema nitidum curtisii

aglaonema nitidum curtisii カーティシー>Aglaonema Nitidum “Curtisii” UND211202A – undried

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aglaonema nitidum curtisii カーティシー>Aglaonema Nitidum “Curtisii” UND211202A – undriedAglaonema Nitidum Curtisii 545115112021,12 2A1

Aglaonema Nitidum “Curtisii”


アグラオネマ ニティドゥム カーティシーの出品です。

当店ではこの品種を複数所持・育成しています。

5号鉢で、鉢底から一番高いところまで約45センチです。

オークションサイトやフリマサイトで出回っているタイ由来のものではなく、
専門店からの直接購入したものを、昨年株分けしてから1年半ほど経ったものです。

近頃、偽物や類似品種なども含めカーティシーがよく出品されていますが、
写真の通り、ここまで美しい状態のものは、なかなかお目にかかれないと思います。

本物か偽物かとよく議論されていますが、
当店では、のベースの濃い緑色の部分と、白い矢羽根模様の境目に、
かすれたような模様が入る羽柄のものを“本物”としております。

実際に、ヤフオクなどで15万円を超える金額で落札されたカーティシーは、
ほぼすべてがこの特徴のものです

葉を1枚1枚、加工無しで載せていますので、
そちらを見ていただければ本物だとわかると思います。

現状カーティシーを本物だと証明する方法はなかなかございませんが、
もし到着後に画像と違うとか本物じゃないと思われる場合は、返品含め相談に応じます。


市場にほとんど出回らない希少種ですので、高額になりますが、
レオンのように、長く親しみを込めて育てていただけるよう、
継続的にサポートいたします。


写真撮影日:2021,12/2

鉢にオリジナル配合用土で植え込んだ状態で梱包・発送いたします。

到着後、新しい葉が2,3枚出るまでは、
植え替えや増殖などはせず、様子を見ることをお勧めします。

根の状態:A(根も概ね良好で、今後の成長に期待できる)

到着から1週間以内に状態が悪くなった場合、原則無条件で返品対応いたします。送料も当社で負担します。

その他、充実した補償とアフターケアについては、こちらをご参照ください。

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SKU: 87754434376

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4.4 ★★★★★
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Misty Rose
Lake Worth, US
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
M
Verified Purchase
Marcella
Houston, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
S
Verified Purchase
Sarah Pettingill
Battle Creek, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Whiting, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Los Angeles, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014

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