SKU: 8817064320
celsius herbicide on centipede

celsius herbicide on centipede Celsius WG Broadleaf and Grassy Weed Control for Warm-Season Turf

$25.26 $28.07
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For Your Every Summer RSVP, with Code: SUMMER15

Description

celsius herbicide on centipede Celsius WG Broadleaf and Grassy Weed Control for Warm-Season TurfCelsius WG is a broadleaf and grassy weed control for St Augustine, Bermuda, Zoysia, and Centipede grasses. It is an excellent choice in summer because it has no labeled heat restrictions. This single use pack takes all the guesswork out of weighing and measuring the product. Perfect for the DIYer! Each 0. 226 oz pack covers 4,000 sq ft at the low rate OR 2,000 sq ft at the high rate Active ingredients are Dicamba (57. 4%), Iodosulfuron methyl sodium

Celsius® WG is a broadleaf and grassy weed control for St Augustine, Bermuda, Zoysia, and Centipede grasses. It is an excellent choice in summer because it has no labeled heat restrictions. This single-use pack takes all the guesswork out of weighing and measuring the product. Perfect for the DIY’er!

  • Each 0.226 oz pack covers 4,000 sq ft at the low rate OR 2,000 sq ft at the high rate
  • Active ingredients are Dicamba (57.4%), Iodosulfuron-methyl-sodium (1.9%), Thiencarbazone-methyl (8.7%)
  • Controls more than 150 varieties of weeds
  • Great for warm-season grasses such as St. Augustine, without fear of damaging turf
  • A non-ionic surfactant is recommended with Celsius

Product Description:

Celsius WG is a post-emergent herbicide that comes in the form of wettable granules, meaning that you mix in water to create a liquid spray. It is formulated to treat the broadest spectrum of weeds on the market, including many of your most difficult grassy and broadleaf weeds to control. 

Adding a non-ionic surfactant is recommended.

Weeds controlled (but not limited to) include the following:

  • American Burnweed
  • Carpetgrass
  • Common purslane
  • Dallisgrass (suppression)
  • Dollarweed
  • Doveweed
  • Florida betony
  • Florida pusley
  • Large crabgrass
  • Lawn burweed
  • Prostrate spurge
  • Spotted spurge
  • Virginia buttonweed

Application Information:

This is a professional formulation that should be applied from a battery or pump sprayer.  Use a tip that creates a finer mist when spraying. 

Do not mow immediately after treating with this product or before the spray has dried. After treatment, do not transfer clippings to non-target areas.

Celsius WG can be used at any time during the growing season on the following grass types:

  • Warm Season Lawns - Bermuda (including hybrid Bermuda), St Augustine (including Floratam), Zoysia, Centipede.

***NOT for use on Bahia grass or any cool-season turf types.

 Coverage/Gallon Low Rate Coverage: 4,000 sq ft
Medium Rate Coverage: 2, 750 sq ft
High Rate Coverage: 2,000 sq ft
Application  Details Low Rate: 1 packet to 4 gallons of water
Medium Rate: 1 packet to 2.75 gallons of water
High Rate: 1 packet to 2 gallons of water
Water-In  Instructions

Do not water this product in. Do not apply if rain is forecasted within the following 48 hours.

Shipping Information:

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State Restrictions
 Alaska (AK), California (CA), Connecticut (CT), Hawaii (HI), Oregon (OR), New York (NY), Vermont (VT), and Washington (WA)
Stickers

Yes, free sticker with this item
Typical Delivery Time

4 - 7 business days
Product Type Water Dispersible Granule
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*Some products may not be registered for sale or use in all states or counties and/or may have state-specific use requirements. This information is for reference only. It is the responsibility of the user to verify the product is registered and appropriate for use in a given state.

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SKU: 8817064320

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4.9 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
New York, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Carnegie, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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