SKU: 8857766088
hanging plant green leaves

hanging plant green leaves Tradescantia Green Hill Large

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hanging plant green leaves Tradescantia Green Hill LargeBrighten Your Space with a Cascading Green Showstopper Tradescantia Green Hill Large P17 H35 Fast EU shipping Grown with love in the EU Petsafe (see below) Summary: With lush, glossy green leaves that cascade elegantly over the edge of the pot, this indoor plant adds fresh, lively texture to your European flat and thanks to its hardy nature it's wonderfully easy to care for. Why Youll Love Tradescantia Green Hill Trailing growth habit: ideal for high

Brighten Your Space with a Cascading Green Show‑stopper

Tradescantia ‘Green Hill’ | Large P17 H35 | Fast EU shipping | Grown with love in the EU | Pet‑safe (see below)

Summary: With lush, glossy green leaves that cascade elegantly over the edge of the pot, this indoor plant adds fresh, lively texture to your European flat — and thanks to its hardy nature it's wonderfully easy to care for.

✨ Why You’ll Love Tradescantia ‘Green Hill’

  • Trailing growth habit: ideal for high shelves, hanging baskets or the edge of a window sill.
  • Bright green glossy foliage that reflects light beautifully in northern‑facing rooms common in German apartments.
  • Fast growth: you’ll soon have a full, lush plant that gives an instant jungly vibe to your space.
  • Low‑maintenance: perfectly matched for indoor plants for European homes — not finicky about humidity or exotic heat.

🌞 Light & Placement

Position in bright, indirect light. Near a north‑ or east‑facing window in Germany works well — avoid harsh direct afternoon sun, which may scorch leaves. It can tolerate moderate light but will trail more vigorously with brighter indirect light.

💧 Water & Humidity

Allow the top 2‑3 cm of soil to dry out before watering again — avoid soggy soil to prevent root rot. In the winter months (common in European homes) reduce watering slightly as growth slows.

🪴 Soil & Potting

Use a free‑draining indoor potting mix (e.g., standard houseplant soil plus a little perlite). Repot when roots fill the container or once a year in spring. The trailing habit thrives in a slightly snug pot.

🐾 Toxicity & Safety

Although some sources list uncertain toxicity, it’s best to keep away from curious pets or children. If ingested, contact your veterinarian.

🌱 Growth & Propagation

This plant grows quickly and trails prolifically — perfect for creating a lush cascade. To propagate, simply take a stem cutting, place it in moist soil or water until roots develop, then replant. Great for sharing with plant‑loving friends in Germany or the EU.

📆 Seasonal & Special Care

In winter in cooler European homes, reduce watering and avoid cold drafts below ~12 °C. In spring, refresh the top layer of soil and increase watering gradually as daylight returns.

🐛 Common Issues

  • Leggy growth: trim back trailing stems to encourage branching and a fuller shape. [oai_citation:4‡myplantin.com](https://myplantin.com/plant/7343?utm_source=chatgpt.com)
  • Yellowing leaves or mushy stems: likely overwatering or poor drainage. Check soil moisture and allow to dry slightly before next watering. [oai_citation:5‡Greg App](https://greg.app/plant-care/tradescantia-fluminensis-green-hill-tradescantia-green-hill?utm_source=chatgpt.com)
  • Leaf edges browning: may be due to too much direct sun or dry indoor air — relocate slightly away from harsh light or increase humidity.

🧬 Botanical Background

Botanical name: Tradescantia ‘Green Hill’. Member of the Commelinaceae family. Originally from the Americas, this cultivar is a reliable, hardy indoor trailing plant accustomed to non‑frost conditions. [oai_citation:6‡Greg App](https://greg.app/plant-care/tradescantia-green-hill?utm_source=chatgpt.com)

🛒 Ready to transform your home into a jungle paradise?

Add Tradescantia ‘Green Hill’ Large P17 H35 to your cart and enjoy fast, secure shipping across Germany and the EU!

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Product Reviews
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Verified Purchase
Tahoeman
Houston, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Pawtucket, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lake Worth, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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