SKU: 90128928005
ruby cascade succulent

ruby cascade succulent Peperomia 'Ruby Cascade'

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Description

ruby cascade succulent Peperomia 'Ruby Cascade'Button Shaped Leaves with Vibrant Colors The Peperomia Ruby Cascade boasts charming button shaped leaves that display a stunning contrast of emerald green tops and ruby red undersides. These colorful leaves cascade along fast growing vines, making this plant an eye catching choice for both hanging baskets and trailing over shelves. Easy Maintenance with Succulent Nature This semi succulent beauty is perfect for first time plant parents or those with a

Button-Shaped Leaves with Vibrant Colors

The Peperomia Ruby Cascade boasts charming button-shaped leaves that display a stunning contrast of emerald green tops and ruby-red undersides. These colorful leaves cascade along fast-growing vines, making this plant an eye-catching choice for both hanging baskets and trailing over shelves.

Easy Maintenance with Succulent Nature

This semi-succulent beauty is perfect for first-time plant parents or those with a busy schedule. The Peperomia Ruby Cascade’s low-maintenance care routine allows you to enjoy its beauty without the hassle, as it thrives on infrequent watering and adapts well to various lighting conditions.

Plant Profile

  • Botanical Name: Peperomia
  • Common Name(s): Peperomia Ruby Cascade
  • Family: Piperaceae
  • Native Range: Central & South America 

Peperomia Ruby Cascade Care

  • Care Level: Easy
  • Light: Indirect bright light, but can tolerate any indirect lighting conditions. 
  • Water: Allow the soil to dry out partially between watering
  • Humidity: Medium 
  • Temperature: Above 60F
  • Pruning: Prune as needed to remove brown or dead leaves and control growth.
  • Feeding: Fertilize on during spring and summer with a medium-strength fertilizer
  • Propagation: Cuttings
  • Growth: Hanging, trailing
  • Toxicity: Non-toxic to humans and pets.

Fun Fact: Tiny Rat Tail Flowers

One of the unique features of the Peperomia Ruby Cascade is its occasional bloom of small, tail-like flowers. Known as "rat tail" flowers, these curious, tail-like blooms are slender and typically greenish, adding an extra layer of charm to the plant. Though they aren't as showy as the foliage, they make for a fun conversation piece among plant enthusiasts.

History of the Peperomia Ruby Cascade

Native to the tropical regions of Central and South America, Peperomia species have long been admired for their diverse leaf shapes and colors. The Ruby Cascade variety was introduced to the houseplant market for its vibrant trailing vines and ease of care, making it a favorite among indoor gardeners. Peperomias are part of the Piperaceae family, which includes over 1,000 species, many of which have been cultivated as houseplants for decades due to their unique aesthetics and minimal care requirements.

Can't get enough of Peperomia Ruby Cascade and want more, click here to visit some of our other peperomia!

Want More Info on Peperomia 'Ruby Cascade'?

Discover expert tips on how to keep your new Peperomia 'Ruby Cascade' thriving by checking out our comprehensive Peperomia Care Guide, covering everything from watering to lighting for lush, healthy growth.

Looking for houseplants that are safe for your furry friends? Check out our Guide to pet-friendly plants and learn how to create a vibrant, pet-safe space today!

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4.3 ★★★★★
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Verified Purchase
Tahoeman
Los Angeles, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Charlottesville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Pawtucket, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Natrona Heights, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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