SKU: 9020344198
birds nest fern anatomy

birds nest fern anatomy Asplenium nidus (Bird’s-Nest Fern)

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Description

birds nest fern anatomy Asplenium nidus (Bird’s-Nest Fern)Asplenium nidus is an epiphytic species of fern commonly known as birds nest fern or nest fern, within the family Aspleniaceae. It is native to tropical Southeast Asia, eastern Australia, Hawaii, Polynesia, Christmas Island, India and east Africa. The large rosette or nest of large, simple green fronds is similar to banana leaves and is typically seen wedged in the branches of large trees. These ferns are not parasites and do not suck any water or

Asplenium nidus is an epiphytic species of fern commonly known as bird’s-nest fern or nest fern, within the family Aspleniaceae. It is native to tropical Southeast Asia, eastern Australia, Hawaii, Polynesia, Christmas Island, India and east Africa. The large rosette or nest of large, simple green fronds is similar to banana leaves and is typically seen wedged in the branches of large trees. These ferns are not parasites and do not suck any water or nutrients off the host tree. It can thrive terrestrially, but usually grows on organic matter. It collects water and humus in the leaf rosette. Genus Asplenium means ‘without spleen’, a reference to the fern’s application as a cure for spleen ailments. In Malaysian traditional medicine, an infusion of the leaves is used to ease labour pains and a lotion obtained from the leaves is used to treat fever.

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Specifications:

Paper
100% Cotton based, 320g, Acid-free, No optical brighteners. 

Printed Area
A4, 210mm x 297mm – Approximately 142mm x 210mm
A3, 297mm x 420mm – Approximately 230mm x 319mm

About the Collection

The Garden of Miss Joaquim Collection: Illustrated Botanical Prints

Agnes Joaquim was a Singapore-born Armenian who created what would become Singapore’s National Flower, the Vanda Miss Joaquim (scientific name: Papilionanthe Miss Joaquim), in 1893. The artificial hybrid was recognised by the first director of the Singapore Botanic Gardens, botanist Henry Ridley.

Agnes, the first woman in the world to create a hybrid orchid, was a well-known and successful horticulturist, garnering 70 horticultural awards from 1881 to 1899. The Garden of Miss Joaquim Collection of botanical prints commemorates her horticultural legacy and complements her story told in the book Agnes and Her Amazing Orchid.

In presenting Agnes’s award-winning plants in the illustrated collection, we looked at the newspaper records of the times, but they were of no use because they used common name descriptions of the plants, such as ‘rose’ and ‘durian’. So we turned to the Singapore Botanic Gardens and collaborated with a botanist to identify the likely species. To complete Agnes’s story, the collection includes two additional images: of Vanda Miss Joaquim’s parents, Papilionanthe teres (pod parent) and Papilionanthe hookeriana (pollen parent) — formerly in the genus Vanda — both of which may have been present in her award-winning floral bouquets or cut flowers. Waiwai Hove, a talented and respected botanical illustrator, was chosen to produce the prints.

*Disclaimer: Representative only based on subject. Not species definitive.
About the Illustrator

Born in Kuala Lumpur, Malaysia, Waiwai Hove developed a love for nature from a young age. Growing up surrounded by rich tropical flora and nurtured by her mother, a keen gardener, Waiwai has always held a special place for plants in her childhood memories. She holds a diploma in botanical illustration from the Society of Botanical Artists (UK), graduating in 2013 with a distinction and the highest marks in the history of the course. 

She has since worked for the Singapore Botanic Gardens, where highlights include illustrations for ‘30 Heritage Trees’ and more recently ‘15 Gingers’. Four of Waiwai’s ginger paintings were subsequently used for a series of stamps issued by Singapore Post in 2018. Since 2019, Waiwai has begun working on the cover illustrations of 14 volumes of The Flora of Singapore, to be published over the next few years. Her works are in numerous private collections and can also be found in publications by the National Parks Board and in the Shirley Sherwood Collection in Kew Gardens, UK.

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SKU: 9020344198

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Bobo
Belleville, US
★★★★★ 3
Very interesting reading.
Very interesting reading. He gives a very different picture (and more accurate picture, I'm sure) of the Indians in North and South Americas than what we've been told in our history books. They could very well be the lost tribes of Israel.
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Reviewed in the United States on April 23, 2021
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Sister Kana
Cuba, US
★★★★★ 5
Five Stars
great book
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Reviewed in the United States on May 8, 2016
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J
Los Angeles, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
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Divan
Grantham, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
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David Bankston
San Leandro, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000

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