SKU: 9264827986
bugaboo stardust age

bugaboo stardust age Bugaboo Stardust

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Description

bugaboo stardust age Bugaboo StardustBedtime & Playtime made easy Sleeping and playing are an essential part of your childs development. That's why we created a play yard that can make both naptime and playtime easier and more fun, for you and your baby. The Bugaboo Stardust Play Yard combines unique aerospace technology and smart design to offer you an all in one, ultra comfortable play yard that you can use at home or on the go. Easy 1 second unfoldyou can open the play yard easily for

Bedtime & Playtime made easy

Sleeping and playing are an essential part of your child’s development. That's why we created a play yard that can make both naptime and playtime easier and more fun, for you and your baby. The Bugaboo Stardust Play Yard combines unique aerospace technology and smart design to offer you an all-in-one, ultra-comfortable play yard that you can use at home or on the go.

Easy 1-second unfold—you can open the play yard easily for naptime or playtime, and go back to tidying up the house, working, or enjoying the day, just as quickly as it unfolds.

Built-in comfort and all-in-one design

The Bugaboo Stardust Play Yard has a unique design means it stays in one piece, even with the mattress in it. Wherever you are, it requires no assembly, no special techniques–you can pop it open easily for naptime or playtime.

The lightweight multi-layered mattress gives comfort and support to your child. It’s all about more restful sleep for your baby, longer afternoon naps–and more time for yourself. Surrounded by a lightweight mesh all around, it creates optimal airflow and breathability. The pop-up play yard also comes with a zip-in bassinet for newborns and younger babies.

Key features

  • Bugaboo Stardust Play Yard
  • Easy 1-second unfold
  • Folds with mattress in it (when used without the newborn insert)
  • Includes a zip-in bassinet to let you lift your newborn in and out without bending over
  • Easy to fold in 3 simple steps
  • Great for both experienced and first-time parents
  • Comfortable built-in mattress included
  • Compliant with the latest safety standards
  • All-around mesh panels for optimal breathability
  • Fabrics are easy to wipe clean with a damp cloth
  • Compact size, for easy storage at home or on the go
  • Premium carry bag included
  • Suitable for children up to 2 years old (up to 33lbs or 35'' tall)
  • Compatible with the Bugaboo Stardust fitted mattress cover

Materials & care

  • Machine washable at 86ºF
  • Easy to wipe clean with a damp cloth
  • Mesh panels all-around
  • Chemical-free fabrics (following REACH regulations)

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    SKU: 9264827986

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    4.5 ★★★★★
    Based on 12 reviews
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    T
    Verified Purchase
    Tahoeman
    Natrona Heights, US
    ★★★★★ 5
    Much needed guide to narration in law practice
    Format: Paperback
    Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2014
    D
    Verified Purchase
    David R. Papke
    Phoenix, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    Port Orchard, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Draper, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    Bozeman, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014

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