SKU: 96521469143
spider plant en español

spider plant en español Spider Plant Asst Varieties 10" Hanging Basket

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Description

spider plant en español Spider Plant Asst Varieties 10" Hanging BasketSpider plant, Chlorophytum comosum, is one of the most common and well known of all houseplants. It is especially popular with beginners, being easy to grow and propagate, tolerant of neglect, and able to thrive in nearly any type of condition. It gets its common name from the small plantlets produced on long trailing stems that vaguely resemble spiders. This clump forming, perennial, herbaceous plant, native to coastal areas of South Africa, has

Spider plant, Chlorophytum comosum, is one of the most common and well-known of all houseplants. It is especially popular with beginners, being easy to grow and propagate, tolerant of neglect, and able to thrive in nearly any type of condition. It gets its common name from the small plantlets produced on long trailing stems that vaguely resemble spiders.
This clump-forming, perennial, herbaceous plant, native to coastal areas of South Africa, has narrow, strap-shaped leaves arising from a central point. The leaves may be solid green or variegated with lengthwise stripes of white or yellow. The leaves are not flat but appear channeled or folded down the middle. Plants grows 12-15″ tall. The thick, fleshy roots and rhizomes evolved to store water, allowing it to survive inconsistent watering.

Spider plant produces small white flowers.


Long, wiry stems up to 2 feet long are produced, sometimes with a few small leaves, especially in response to short days and long, uninterrupted nights for at least three weeks, although they may appear at any time of year indoors. Small white, star-shaped flowers are produced at the ends of the stems. After flowering, more leaves are produced at the end of the stems, forming small plantlets. If a flower is pollinated, a leathery, 3-angled capsule-type fruit is produced that contains flat black seeds.

Spider plant helps clean indoor air.


Studies have shown that spider plant is quite effective in cleaning indoor air by absorbing chemicals including formaldehyde, xylene, benzene, and carbon monoxide in homes or offices.

Thick, fleshy roots allow spider plant to tolerate inconsistent watering.


Spider plant is very easy to grow indoors in medium to bright light throughout the year. It does well with average humidity and cool to average temperature, although it can tolerate warmer conditions. Use a general-purpose potting soil or soilless medium. Plants grow and produce plantlets best when slightly pot-bound. Because they grow quickly and the roots can easily become too crowded, they need frequent repotting to do their best.

Spider plant is well suited to hanging containers.


Allow the soil to dry slightly between thorough waterings. Fertilizing every 3-4 months is usually sufficient, or feed more frequently using half strength fertilizer solution. Be aware that heavily fertilized plants may not form as many plantlets and excessive fertilizer may lead to tip browning.
Spider plant generally has few pest problems other than scale insects and mealybugs. Tip burn of the leaves is a common problem that can have many causes. Low humidity, excessively dry soil, salt accumulation and/or chemicals, particularly fluoride or chlorine, in tap water or filtered water may cause brown leaf tips. Using distilled or rainwater will help prevent tip browning. Overwatering or planting in poorly drained soils can lead to root rot.

Spider plant can be grown as a ground cover outdoors in warmer climates.


This plant can also be grown outdoors as an annual in cool climates. It does well in most well-drained soils and should be bedded out after the last frost. Spider plant is a good addition to containers with its grass-like foliage that makes a nice contrast to other foliage types. It is quite well suited to a hanging basket, where the stems can hang down. Outdoors they need bright light but can sunburn if grown in full sun. In warmer climates, they make a nice ground cover in partly shaded areas in the garden.

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SKU: 96521469143

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David R. Papke
Draper, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Fort Morgan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Cuba, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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