SKU: 52123546640
christian dior wedding dress

christian dior wedding dress Exceptional 1999 Christian Dior 1947 Inspired Backless Net Wedding Dre – Shrimpton Couture

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Description

christian dior wedding dress Exceptional 1999 Christian Dior 1947 Inspired Backless Net Wedding Dre – Shrimpton CoutureThis gorgeous dress is based on the 1947 gown designed by Christian Dior. You can see the similarities and cut when you look at the photo of that dress that we have included here for you. The dress comes to me from the original bride who had it cleaned and properly stored since her wedding day. It's condition is pristine. She has allowed me to use some of her photos that she sent me so you can see how gorgeous this is on the body. This may not be an

This gorgeous dress is based on the 1947 gown designed by Christian Dior. You can see the similarities and cut when you look at the photo of that dress that we have included here for you. The dress comes to me from the original bride who had it cleaned and properly stored since her wedding day. It's condition is pristine. She has allowed me to use some of her photos that she sent me so you can see how gorgeous this is on the body. This may not be an original 1950s Dior, but it is as close as you can get and it is stunning.

The dress is made out of a white tulle that is layered over an inner ivory silk and layers of built in tulle so that it has the beautiful shape that you see. It is suspended by two tiny straps that curve up and over the shoulders and then run down each side of the back to the waist. This leaves your entire back bare and exposed. I love the pretty curve that is created at the side as the dress curves around to the back. Inside the bodice it is shaped to accommodate your chest and then nips in at the waist. The waist is defined with a wide pale lavender band that is attached and runs around to the back. The skirt falls from there and has built-in layers underneath so that it stays full all around you. I did not add any extra crinolines under the skirt for these shots. If you wanted it to be even more full, you could add an underskirt as there is definitely room for more volume if you wished.The back extends out into a sweeping train behind you. The entire back of the dress is spectacular. The band that cinches in the waist curves around to the back and the ends of it loop and hook into place into place to create the feel of an oversized bow and then long trailing ends extend down the back of the skirt. Four large flowers are pinned into place to nestle at the back of the back and re-create the iconic look of the original 1947 dress. It is absolute magic and instantly recognizable. Excellent condition.

Fully lined in an ivory silk that runs under the train as well. All of the edges of the tulle are finished. A layer of tulle with a ruffled and lace edged hem sit under that and there is final layer of silk under that. It closes with a back low set zipper. Lightly boned through the bodice. The bow hooks into place along the waist. My client just pinned the flowers in place with safety pins and I have left them like that so that you can choose exactly where you want the flowers to be placed. It would be very easy to stitch them once you have them set where they feel best on you. The dress was worn once, but appears to have been worn very little if at all.

Bust: the front panel is 17" flat across from side to side
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 13" from top of shoulder to top of the band and 15.5" top the waist
Total length: The top tulle layer ends at 56" and the inner skirt under that end at 58" from the top of the shoulder to the front hem. The train extends another 56" beyond that.

Modern Sizing Equivalent: XS-SML

Item# DD5002

Reference Photos: (1) Gown by Christian Dior, photo by Louise Dahl-Wolfe, location Chateau de Madrid, 1947.  /  (2-5) Previous owner in this dress.

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SKU: 52123546640

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4.2 ★★★★★
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StacyWave
Bozeman, US
★★★★★ 5
Well put together.
Format: Kindle
Very much worth purchasing to read for a few hours. Highly recommended. Not a lot of historic graphic novels in Kindle format, and wish there were more.
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Reviewed in the United States on May 18, 2019
J
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Jaime
Chelsea, US
★★★★★ 5
Must have for graphic novel lovers
Format: Paperback
My 10yr old loved this book. It’s a quick read fun educational read.
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Reviewed in the United States on April 25, 2021
B
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Bojan Zivkovic
Dallas, US
★★★★★ 5
Loved it
Format: Kindle
Thus has a very interesting story but mybe a few caracars dont really have personalities (not all of them) but this is a comic so i give it a pass
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Reviewed in the United States on November 21, 2017
S
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Subaroo
Fort Morgan, US
★★★★★ 3
Lots of complaints, but I still enjoyed it.
Format: Paperback
This is my very first graphic novel of any sort, so this is my intro to the medium. The quality of the book is nice and each page is in full color. Other reviewers have said that the artwork is hastily done, I am not experienced enough with graphic novels to know, but I enjoyed the pictures nonetheless. The "story" follows a British soldier and his journey from 1914 to the end of the war. It is a Forrest Gump adventure in which the character was either there, or he was almost there, or he mentions a significant event and how it affected him. As a result, the book does not flow at all. One page you are in France, then the Middle East, then Russia. And the scenes on each page lack a lot of dialoug and are disjointed in the action sequences. Also, some of the images are duplicated (sometimes even on the same page), and I found more than a few typos (missing commas and "here" instead of "hear"). Like I said, I haven't read any other graphic novels, but this looks like low quality work because I can tell the "BLAM"s and "BANG"s, and the speech bubbles are added via computer. They stand out from the page and takes away from the immersion. I don't know if all comics do this, but I hope not. I would have expected more information about the war since the "story" was so poor, but it was just a gereral overview. I think the best part was the beginning with the assassination of Ferdinand. I had high hopes after that but the rest was kinda meh. I read it twice. So even with all my issues, it wasn't that bad. I'm planning on buying the WW2 ones as well.
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Reviewed in the United States on May 20, 2016
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D. Ryan
Carnegie, US
★★★★★ 5
An insightful concise book by Vansant
Format: Paperback
In this NORMANDY 102-page full-color trade, in 15 chapters of 6 to 10 pages each, Vansant covers various chronological aspects of the Normandy invasion, from U.S. entry into the war in Europe, up through planning and execution of "Operation Overlord", the final Normandy seige with gliders, paratroopers, air combat and the beach invasions, the liberation of Paris from the Nazis, up through August 1944. Vansant's NORMANDY is remarkably informative for such a concise volume. And its attention to detail in accurately illustrating uniforms, tanks and planes is greatly appreciated. My one complaint is the 6" by 9" size of the book. I would have preferred a standard 7" X 10" size trade, that is the standard for comic book trade collections. It is a sturdy book with a tight binding, and a slightly larger size would make the book to be less difficult to pry open, and the art easier to appreciate in a larger size. I also wish Vansant had included more panels of maps, detailing the movements of troops at points througout the vast scope of what is described in NORMANDY. Vansant's work is worth seeking out, in its accurate portrayal of various battles throughout history, from the Nazi battles, to the Civil War, to the Pacific War. And as far as I know, Vansant got his start illustrating the Vietnam war in Marvel's THE 'NAM for several years, back in the mid/late 1980's. And two other World War II stories in SAVAGE TALES (1987) issues 7("Tiger Tiger", about a Panzer tank fighting in Russia) and 8 ("Chindits", about British jungle fighters in Burma in 1944). Vansant's newer work is slightly rougher than his 80's/90's work, but still very precise and detailed. I'd compare his work to that of Sam Glanzman, Gray Morrow, John Severin and Michael Golden. And it's great to see a comics illustrator drawing war stories that makes an effort to tell a story with more than just a riproaring action story, but one where you walk away with factual information about actual combat. Chapter 14 ,"The Killing Ground", hit me especially hard in portraying the bloodbath horrors of war. I wouldn't want to be one of the Nazis in that bombarded field of 10,000 bodies. I previously purchased BATTLE GROUP PEIPER by Vansant(1991) , which despite being in black-and-white and a shorter 32-page historical comic book, was in some ways more interesting to me than NORMANDY, because it followed one Waffen SS commander (Peiper) through the weeks of Battle of the Bulge. (Peiper is breifly mentioned in the NORMANDY book, although "Battle of the Bulge" events in BATTLE GROUP PEIPER occur after the events depicted in NORMANDY.) The only other weakness (unlike the 1991 separate 32-page BATTLE GROUP PEIPER story I mentioned above) is that in the scope of the 102-page NORMANDY book it focuses on an overview narrative, rather than spending any length of time on any one soldier or commander, and is therefore less personal than BATTLE GROUP PEIPER is. And is more of an overview synopsis. But still loaded with compelling and informative history.
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Reviewed in the United States on August 29, 2013

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