SKU: 95477092569
vintage dior dress

vintage dior dress Spring 2008 Christian Dior by John Galliano Runway Look 53 Red Silk St – Shrimpton Couture

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Description

vintage dior dress Spring 2008 Christian Dior by John Galliano Runway Look 53 Red Silk St – Shrimpton CoutureThis is without a doubt, one of my favourite dresses from the Spring 2008 collection. Its twin walk the runway for Look 53. This collection marked Dior's 60th anniversary and it was also Johns 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait listed worldwide. This dress was also produced in a black for the shops and both versions were produced in very

This is without a doubt, one of my favourite dresses from the Spring 2008 collection. Its twin walk the runway for Look 53. This collection marked Dior's 60th anniversary and it was also Johns 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide. This dress was also produced in a black for the shops and both versions were produced in very limited quantities. It has also being a favourite on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.

The dress is made out of a luxurious red silk. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do. It is all cut on the bias. The bodice is strapless with an inner boned and cupped corset that holds the dress in place. Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front. At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist. From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties. The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a touch of a sweeping feel behind you as you walk. It is an incredible feat of patterning. A row of signature tightly spaced buttons & loops in the same silk run up one side. John's pieces only truly come to life when worn and as good as this looks on the dress form, it is better once on the body. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

Fully lined in a red silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I've given the comfortable range when the dress is laying flat below. I see a teeny tiny darkened spot near the hem. Hand finishes.

Inner bust: 17-20" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Total length: 55" from top of the bodice to front hem, 60" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD4772

Reference Photos/Video: (1-4) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (5) Aishwarya at the IIFA 2008.  /  (6) Lucy at the People's Choice Awards, 2024.

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SKU: 95477092569

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Aster is upset at having to leave the city and move to the mountains for her mom’s job. She’s quickly bored and very reluctantly ventures outside and only because her dad makes her. She soon finds out they’re living in a valley full of magic. With a talking dog named Buzz, a Trickster called Rapscallion and the tiny Chestnut Knights just to name a few of the wacky characters, middle-grade readers will find plenty to like in this action packed novel. There are two Aster adventures contained in this first volume. It’s a winsomely illustrated graphic novel, tailor-made for children who love magic, fantasy and adventure stories.
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Talia Bhatt’s Trans/Rad/Fem is a powerful and thought-provoking collection of essays that delves deep into the intersection of radical feminism and trans liberation. This book challenges the idea that trans and radical feminism are at odds, instead arguing that transfeminism is a natural extension of radical feminist thought. Bhatt’s sharp, compelling writing makes the case that a materialist, radical transfeminism is key to dismantling the oppressive structures of patriarchy. What makes Trans/Rad/Fem such a captivating read is the way Bhatt blends academic analysis with personal narrative. Her essays are intellectually rigorous, yet accessible and relatable, striking a perfect balance between theory and lived experience. The electrifying prose has the profound impact of books like Stone Butch Blues. There’s something incredibly powerful in the way Bhatt’s words cut through, offering fresh perspectives on issues that often feel tangled or misunderstood. The essays feel like a conversation with someone who’s been thinking deeply about these subjects for a long time, offering not just insight but a vision for a different, more inclusive future. Some readers have noted that familiarity with radical feminist theory will enhance the experience, but even for newcomers, the book offers eye-opening and challenging ideas. Trans/Rad/Fem has clearly made a mark. Bhatt’s ability to engage readers while encouraging critical thought is part of what makes this collection so important. Whether you’re a seasoned feminist theorist or someone looking to understand more about the intersections of gender and social justice, this book is an essential read.
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