SKU: 44463738975
sram force gravel bike

sram force gravel bike Colnago G4-X SRAM Force XPLR 1x13 | Vision SC45

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Description

sram force gravel bike Colnago G4-X SRAM Force XPLR 1x13 | Vision SC45The G4 X is the new Colnago designed for gravel racing. This model replaces the G3 X, using the best of what the Cambiago based brand has learned from its extensive off road experience in cyclocross and, in road racing, with the V Series bicycles the carbon monocoque machines made for the UAE Emirates and UAE ADQ WorldTour Teams. The G4 X is the culmination of Colnagos off road heritage, which in cyclocross has dominated and won everything possible.

The G4-X is the new Colnago designed for gravel racing. This model replaces the G3-X, using the best of what the Cambiago-based brand has learned from its extensive off-road experience in cyclocross and, in road racing, with the V-Series bicycles — the carbon monocoque machines made for the UAE Emirates and UAE ADQ WorldTour Teams.

The G4-X is the culmination of Colnago’s off-road heritage, which in cyclocross has dominated and won everything possible. Some of the brand's most notable victories include those of Sven Nys, winner of six CX World Championships, and Wout Van Aert, who won two off-road World Championships riding Colnago frames.

The concept of the G4-X is directly derived from the V4Rs, the bicycle used by the UAE Emirates and UAE ADQ teams in the WorldTour. The two models share the same design philosophy and aesthetic identity. The V4Rs was created as the perfect balance of everything a professional rider needs — and the same is true for the G4-X: the optimal harmony of all characteristics required to win on dirt roads.

Perfect Balance of Elements
It's easy to define a bicycle by a single number — the most aerodynamic, the stiffest, the lightest… Yet, in the end, no single number defines the riding experience.

The G4-X is the result of optimizing all the essential factors that matter when racing or pushing hard on gravel:

  • Handling
  • Lightness
  • Robustness
  • Aerodynamics
  • Stability
  • Frame responsiveness
  • Tire clearance

The nominal tire clearance has increased from 40 mm (previous G3-X) to 45 mm. The G4-X is available with a standard two-piece stem + handlebar setup or with Colnago’s Integrated CC.01 Carbon Cockpit (Wide version as standard), while the road version is also compatible.
Since the fork steerer tube is a traditional 1 1/8”, the frame remains widely compatible with third-party solutions.

Integrated Handlebar Solution — CC.01 Wide
The Colnago CC.01 Wide offers greater flare than its road counterpart — 3 cm per side instead of 1 cm. Like the standard version, it is a carbon monocoque, delivering considerable weight savings and improved stiffness.

It features a 72.5 mm reach, 120 mm drop, and an 82° stem-to-bar angle.

Mounting Points
The G4-X features four riveted mounting points: two in the traditional bottle cage positions inside the front triangle, one under the down tube, and one on the top tube.

The frame supports any electronic groupset, whether single or double chainring, and is compatible with UDH — the universal derailleur hanger standard developed by SRAM.

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SKU: 44463738975

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David R. Papke
Grantham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Birmingham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Draper, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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