SKU: 26084932788
maxi cosi swing instructions

maxi cosi swing instructions Cassia Swing | Snuggle Bugz

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Description

maxi cosi swing instructions Cassia Swing | Snuggle BugzAs a new parent, we understand the joy of holding your little one, but with household chores, having both hands free is a relief. The Maxi Cosi Cassia Swing offers that helping hand. It's a stylish and smart swing designed for babies up to 20 pounds. With automatic motion detection, it knows when to comfort your baby. Its 360 rotation maintains eye contact, and its lightweight, space saving design allows for easy transport. The swing includes two

As a new parent, we understand the joy of holding your little one, but with household chores, having both hands free is a relief. The Maxi-Cosi Cassia Swing offers that helping hand. It's a stylish and smart swing designed for babies up to 20 pounds. With automatic motion detection, it knows when to comfort your baby. Its 360⁰ rotation maintains eye contact, and its lightweight, space-saving design allows for easy transport. The swing includes two toys, two recline positions, and a cozy newborn inlay for maximum comfort for both you and your baby.

Description:

As a (new) parent, we know you can never get enough of holding your little one. But with everything you need to do around the house, sometimes it’s nice to have both hands free. The Maxi-Cosi Cassia Swing lends a helping hand!

Imagine a smart set of extra arms to comfort your baby during those moments. The Maxi-Cosi Cassia is a stylish and smart swing for babies from birth to 20 pounds. It provides extra comfort when needed and this stylish swing has the beauty and the brains – just like you it instinctively knows when and how to rock your baby when they’re fussy, thanks to the automatic motion detector. The Cassia simply activates the swing when it recognizes your baby needs some extra comfort.

The 360⁰ rotation helps you maintain eye contact with your baby – because we know you can never take your eyes off of them. From the living room to the home office and back, you can easily take Cassia with you. Not only does it weigh about 10 pounds, it also has a space-saving frame. And a stylish one at that. Its luxurious finishing and high-quality fabrics ensure the design matches any interior, and it comes with an easy to remove and machine-washable cover.

Finally, the Cassia comes with two toys to give your baby something to look at, two recline positions and a soft and cozy newborn inlay to provide you and your baby with the utmost comfort.

Features:

  • Automatic Motion Detection: When baby gets fussy, the Cassia will automatically activate the swing to sooth baby.
  • 360 Rotation and Touch Screen Panel: The Cassia is easy to use touch screen control panel makes adjusting between the 5 swing speeds, 12 soothing melodies and nature sounds a breeze while not interrupting baby.
  • The swing is lightweight, weighing about 10 lbs, so its easy to move the swing from one room to the next.
  • Style and Comfort: With its luxurious finishes and high-quality, fabrics the Cassia is sure to complement any home decor.
  • The swing comes with two toys for baby to gaze at
  • Two recline positions
  • Soft and cozy newborn inlay providing baby with the utmost comfort.

Specifications:

  • Supports children up to 20 lb.
  • Suitable for use from birth to approximately 6 months
  • Product Weight: 10 lbs
  • Dimensions: 27.95" L x 26.8" W x 34.65" H
  • Requires 4 AA batteries (not included)

Care Instructions:

  • Machine Washable fabrics 

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SKU: 26084932788

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4.6 ★★★★★
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D
Verified Purchase
Diana D
Charlottesville, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Los Angeles, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Massapequa, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Los Angeles, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Port Orchard, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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