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Description
high speed gear handcuff pouch High Speed Gear Gen 2 Handcuff TACO, BlackHigh Speed Gear GEN 2 Handcuff TACO: Lightweight Excellence with Superior Versatility and Security Sleek Design: The Generation 2 Handcuff TACO is meticulously crafted with a sleeker and more compact form that enhances usability and style. Lightweight Construction: By utilizing laser cut nylon laminate and a woven thermoplastic core, the Gen 2 TACO boasts a weight reduction of nearly 20% compared to the original, ensuring ease of carry without
High Speed Gear GEN 2 Handcuff TACO®: Lightweight Excellence with Superior Versatility and Security
- Sleek Design: The Generation 2 Handcuff TACO® is meticulously crafted with a sleeker and more compact form that enhances usability and style.
- Lightweight Construction: By utilizing laser-cut nylon laminate and a woven thermoplastic core, the Gen 2 TACO® boasts a weight reduction of nearly 20% compared to the original, ensuring ease of carry without sacrificing durability.
- Versatile Handcuff Retention: Compatible with virtually any pair of handcuffs, its contoured, flexible sides along with an integrated shock cord provide adjustable retention to prevent snagging and maintain a secure hold.
- Flexible Mounting Options: Featuring 1/2 inch interval MOLLE on the back, it offers both MOLLE and belt mounting options, complete with 2 HSG clips for customization.
- Adaptable Cover System: The included webbing strap with snap closure and optional HSG OTR Cover accessory allow for either a covered or open-top configuration based on user preference.
- Durable and Robust: Designed with high-quality materials to ensure long-lasting performance in the field, combining security with unparalleled versatility.
HSGI Gen 2 Handcuff TACO Review
What are some common accessories to add to the Gen 2 Handcuff TACO?
- HSG OTR Cover Accessory: For enhanced coverage, this accessory offers options for either full coverage or an open-top configuration, providing added versatility and security for the user.
- MOLLE Pouches: Additional pouches can be attached for carrying extra gear, ensuring quick access to other essential items.
- Retention Cord Adjusters: These can be used to adjust the shock cord for a more customized fit, enhancing the security of the handcuffs housed within the pouch.
- Cinch Straps: To secure the handcuff TACO® pouch more tightly against belts or MOLLE setups, ensuring no movement during strenuous activities.
HSGI Gen 2 Handcuff TACO Features and Specs
The High Speed Gear GEN 2 Handcuff TACO® stands out with its innovative design and enhanced capabilities, ideal for tactical professionals seeking top-tier gear. Key to its appeal is a sleeker and lighter construction than its predecessor, featuring a laser-cut nylon laminate and woven thermoplastic core, contributing to a nearly 20% weight reduction. This handcuff holder accommodates virtually any pair of handcuffs with secure, adjustable retention from its integrated shock cord and contoured flexible sides that prevent snagging. Versatility is further emphasized through its 1/2 inch interval MOLLE, allowing for diverse mounting options—whether on belts or MOLLE setups—and includes 2 HSG clips for tailor-fit customizability. With the optional HSG OTR Cover accessory, users can switch between covered and open-top configurations as needed.
Key Features
- Sleek Design: More compact and stylish for enhanced usability.
- Lightweight Construction: Approximately 20% lighter due to advanced materials.
- Secure Handcuff Retention: Suitable for almost any handcuffs, preventing snagging with adjustable retention.
- Flexible Mounting Options: 1/2 inch MOLLE enables mounting versatility with HSG clips.
- Adaptable Cover System: Options for covered or open-top setups using the HSG OTR Cover.
- Durable Materials: High-quality construction ensures long-lasting performance.
What's in the Box of the HSGI Gen 2 Handcuff TACO for sale?
- (1) High Speed Gear GEN 2 Handcuff TACO®
- (2) HSG Clips
- (1) Webbing Strap with Snap Closure
- (1) Instruction Manual
Gen 2 Handcuff TACO Pouch FAQs
What type of handcuffs can the Gen 2 TACO Handcuff hold?
The GEN 2 Handcuff TACO® is designed to accommodate virtually any pair of handcuffs due to its versatile retention mechanism, which includes a contoured, flexible design and integrated shock cord for secure storage without snagging.
How does the Gen 2 Handcuff TACO Pouch attach to gear?
This model includes 1/2 inch interval MOLLE on the back, allowing it to be mounted on either MOLLE systems or belts, with two included HSG clips for robust attachment options.
Is the HSGI Gen 2 Handcuff TACO lighter than the original version?
Yes, the GEN 2 version is up to 20% lighter than the original TACO® pouch, thanks to its construction using laser-cut nylon laminate and a woven thermoplastic core.
Can I cover the handcuffs when using this Gen 2 TACO Handcuff pouch?
Yes, the GEN 2 Handcuff TACO® comes with an optional HSG OTR Cover accessory, providing the choice of either a covered or open-top configuration, tailored to user preference.
What materials are used to construct the HSGI Gen 2 Handcuff TACO?
The pouch is made from high-quality materials, including laser-cut nylon laminate and a woven thermoplastic core, ensuring its durability and long-lasting performance in demanding environments.
What is included in the box when purchasing the Gen 2 Handcuff TACO Pouch?
The box includes one High Speed Gear GEN 2 Handcuff TACO®, two HSG clips for mounting, a webbing strap with a snap closure, and an instruction manual to assist with setup and use.
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4.6 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
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Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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